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You can’t look at the mixed lineup of this lot and not ask yourself what is it that makes a man compelling? One universal might be pulling power. Warren Beatty with a hair drier or 007 with a Walther PPK both did a brisk trade in the sack and again we return to the mystique of Valentino, to pose a threat the volcano needs to be active not just a smoking threat. Hard men are good to find, or that is at least what Hollywood has learnt and yet each generation of Hunk Sapiens mutates subtly. The stars that we loved in the 80s and 90s are middle aged men now and to some degree they fought for better roles with more depth of character, breaking the mould of grunty action hero or merely handsome romantic lead. This is true of the thinking woman's love Gods, Harrison Ford, Liam Neeson, Richard Gere and Viggo Mortensen but of little concern to the likes of Sly, Arnold Schwarzenegger and Mel Gibson the three icons of unreconstructed muscled manhood as famous for their off screen alpha rage as their onscreen battles. Harrison Ford Robert Redford Clint Eastwood Sidney Poitier Ali Sean Connery Jack Nicholson Arnold Schwarzenegger Sylvester Stallone Mel Gibson George Clooney Mick Jagger Fashion Industry Broadcast’s “STYLE ICONS” is a series: Style Icons – Vol 1 Golden Boys Style Icons – Vol 2 Hunks Style Icons – Vol 3 Bombshells Style Icons – Vol 4 Sirens Style Icons – Vol 5 Idols Style Icons – Vol 6 Young Guns Style Icons – Vol 7 Kittens Style Icons – Vol 8 Babes Fashion Industry Broadcast is the number one destination on the web for the latest in fashion, style, creative arts, creative media, models, celebrity biographies and much more. Our site is available globally in 13 languages and is updated daily. Not a minute goes by without our passionate team scouring the globe for the latest breaking news and insider gossip. Fashion Industry Broadcast publishes on a vast array of media platforms art books, eBooks, apps for mobiles and television documentaries. We cover all the key areas of popular culture, style and media arts. Our products are sold globally in over 100 countries through our partnerships with people like Amazon, Apple, Google and many more. You can purchase all of our products directly from the FIB site, please have a browse. www.fashionindustrybroadcast.com A very special video rich multimedia app version with hundreds and hundreds of full length original Hollywood films, interviews, early auditions, movie scenes, behind the scenes shoots, and also embedded links to rent or purchase all their major movies right in the App is available through Apple’s App store s for just $4.99 per edition. Look for “STYLE ICONS” on the Apple App store. Contact [email protected]
The birth of the male sex symbol began when actors did more than jump on and off horses or swoop swashbuckling from the prow of a pirate ship. Sex appeal came when men looked like they intended to have sex. No one is completely sure about Clooney. Sometimes he looks more comfortable with a cup of Espresso in his hands, but Valentino knew how to lunge, plunge, tango and bodice rip. The repression of the Victorian age meant that heroes in films were required to represent a certain moral standard, but Valentino proved there was no desire without shadow, ambiguity and perhaps even a smidge of black eyeliner. He was a hero but not necessarily one of the good guys. Through the 20th century masculine appeal dwelled in adventure (Errol Flynn, Clark Gable, Steve McQueen) and the simple ability to look very good in a dinner suit (Cary Grant, Sidney Poitier). The element of the dandy, the cultivated and well spoken gentleman, is a trait that began to fade fast in appeal by the mid twentieth century when manly men (Brando, Newman, Hudson) delivered less talk and more action. Marlon Brando Cary Grant Elvis Presley Clark Gable Errol Flynn Gary Cooper James Dean Rock Hudson Rudolph Valentino Paul Newman Steve McQueen Jim Morrison Fashion Industry Broadcast’s “STYLE ICONS” is a series: Style Icons – Vol 1 Golden Boys Style Icons – Vol 2 Hunks Style Icons – Vol 3 Bombshells Style Icons – Vol 4 Sirens Style Icons – Vol 5 Idols Style Icons – Vol 6 Young Guns Style Icons – Vol 7 Kittens Style Icons – Vol 8 Babes Fashion Industry Broadcast is a leading global publisher of lifestyle titles, this multi edition set has been created as a hard cover colour coffee table books, e-books for $9.99 from Amazon Kindle, Barnes and Noble Nook, Apple iBook’s, Google books, Stanza and Kobo, Apps for mobile devices and a TV documentary series is also in the works. A very special video rich multimedia App version with 1000+ original videos, interviews, movie scenes, behind the scenes shoots and advertisements, and also embedded links to rent or purchase all their major movies right in the App is available through Apple’s iTunes App store and other major App stores for just $4.99 per edition. Look for “STYLE ICONS” on the Apple App store. www.fashionindustrybroadcast.com Contact [email protected]
Explores how the long history of fashion from antiquity to c. 1800 created global networks and animated world communities.
Volume II surveys the history of fashion from the nineteenth-century to the present day. Covering the period beginning with mass industry and ending with calls for sustainability, this volume challenges the meaning of modernity and modernism from a global perspective and reflects on important scholarship that has changed our understanding of the relationship between fashion and colonialism. Empires shifted and new powers rose, with fashion marking and contending with this change. The volume concludes with a critical view of fashion and globalisation, and explores the deep connections between the fashion industry, the global economy, and the politics of production and wearing in the contemporary world.
A celebration of men's style and how it's evolved--from the ever stylish GQ creative director at large--Jim Moore. GQ is revered globally as the ultimate style guide for modern men, and Hunks and Heroes is an epic journey into the world of men's style as told and edited by Jim Moore. He began his career at GQ as an intern in 1979 and has since played a pivotal role in reshaping men's fashion during his nearly forty-year tenure at the magazine. From discovering new designers, distilling the latest men's trends, and extolling fashion advice and critiques in his popular online video series GQ Rules, to Channing Tatum wearing a "JIM F&%#ING MOORE" T-shirt, Moore's influence and impact on men's style is unequivocal. In these pages, Moore takes us through forty years of men's fashion: featuring the most iconic GQ fashion looks, the magazine's unforgettable covers and editorial shoots, essential styling tips like how to dress up denim or style a khaki suit, insights on developing your own personal style, and stories showcasing Moore's knack at reworking the look of everyday men the magazine literally pulled off the street. This volume features 250 of Moore's iconic men's fashion photographs produced with internationally renowned image makers like Peggy Sirota, Craig McDean, and Inez & Vinoodh, and includes seminal GQ images of cultural icons such as celebrities, athletes, and politicians. This is the must-have style bible for all readers interested in men's fashion, style, culture, and celebrity.
In the second of a proposed three-volume study, John and Jean Comaroff continue their exploration of colonial evangelism and modernity in South Africa. Moving beyond the opening moments of the encounter between the British Nonconformist missions and the Southern Tswana peoples, Of Revelation and Revolution, Volume II, explores the complex transactions—both epic and ordinary—among the various dramatis personae along this colonial frontier. The Comaroffs trace many of the major themes of twentieth-century South African history back to these formative encounters. The relationship between the British evangelists and the Southern Tswana engendered complex exchanges of goods, signs, and cultural markers that shaped not only African existence but also bourgeois modernity "back home" in England. We see, in this volume, how the colonial attempt to "civilize" Africa set in motion a dialectical process that refashioned the everyday lives of all those drawn into its purview, creating hybrid cultural forms and potent global forces which persist in the postcolonial age. This fascinating study shows how the initiatives of the colonial missions collided with local traditions, giving rise to new cultural practices, new patterns of production and consumption, new senses of style and beauty, and new forms of class distinction and ethnicity. As noted by reviewers of the first volume, the Comaroffs have succeeded in providing a model for the study of colonial encounters. By insisting on its dialectical nature, they demonstrate that colonialism can no longer be seen as a one-sided relationship between the conquering and the conquered. It is, rather, a complex system of reciprocal determinations, one whose legacy is very much with us today.
Jaroslav Folda traces the appropriation of the Byzantine Virgin and Child Hodegetria icon by thirteenth-century Crusader and central Italian painters and explores its transformation by the introduction of chrysography on the figure of the Virgin in the Crusader Levant and in Italy.
Volume II of The Cambridge History of War covers what in Europe is commonly called 'the Middle Ages'. It includes all of the well-known themes of European warfare, from the migrations of the Germanic peoples and the Vikings through the Reconquista, the Crusades and the age of chivalry, to the development of state-controlled gunpowder-wielding armies and the urban militias of the later middle ages; yet its scope is world-wide, ranging across Eurasia and the Americas to trace the interregional connections formed by the great Arab conquests and the expansion of Islam, the migrations of horse nomads such as the Avars and the Turks, the formation of the vast Mongol Empire, and the spread of new technologies – including gunpowder and the earliest firearms – by land and sea.
The Catalog of the Ethiopic Manuscript Imaging Project (EMIP), volume 2, provides a full catalog for EMIP codex numbers 106 through 200, and magic scrolls 135 through 284. Each catalog entry for the codices provides a full physical description, a listingof contents (with incipits), illuminations, varia (known works added later), notes on codicology and scribal practice, as well as a full quire map. Opening articles provide an introduction to the collection and its codicology, and an introduction to thisset of Ethiopian scrolls of spiritual healing. Seven indices (general, works in the codices, names in the codices, miniatures in the codices, scribal practices, works in the scrolls, and names in the scrolls) provide quick access for researchers.