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A compelling look at the influence of ancient Egypt on modern fashion, by a dress, textile, and decorative arts historian—includes illustrations. In November 1922, when the combined efforts of Howard Carter and Lord Carnarvon revealed to the world the “wonderful things” buried in Tutankhamen’s tomb, Egypt had already been a source for new trends in fashion for quite some time. In the early nineteenth century, for example, Napoleon’s Egyptian campaign contributed to the popularization of Kashmir shawls, while the inauguration of the Suez Canal in 1869 stimulated “Egyptianizing” trends in gowns, jewelry, and textiles. But post-1922, a veritable Egyptomania craze invested all artistic fields, quickly becoming a dominant Art Deco motif. That included fashion. “Flapper-style” dresses were elaborately embroidered with beaded “Egyptian” patterns; evening bags were decorated with hieroglyphics; brooches nonchalantly sported ancient scarabs; and the sleek black bobs favored by the admired icons of the time, Louise Brooks and Clara Bow, looked up to the fabled Egyptian beauty of Nefertiti and Cleopatra. Egyptomania continues to influence twenty-first-century fashion as well: the awe-inspiring John Galliano’s designs for Dior Spring-Summer 2004 brought back pharaonic crowns in lieu of headdresses in a triumph of gold-encrusted creations; the ancient practice of mummification was referenced by Iris van Herpen’s Fall 2009 collection; and Egyptian vibes resonated in Chanel’s Métiers d’Art 2018/2019 collection. Through the combination of rigorous fashion history research, intriguing images, and well-informed, approachable writing, Style from the Nile offers a comprehensive overview of a phenomenon that, to this day, has a mesmerizing appeal.
From classics like Fava Bean Puree, Yogurt with Honey, and Egyptian Whole-Wheat Pita Bread, to tempting Lamb-Filled Phyllo Triangles and Peanut, Coconut, and Raisin Baklava, Nile Style spans the range of the Egyptian kitchen with recipes that will appeal to every palate! Includes 23 full menus showcasing, 150 easy-to-follow recipes and much more.
Friendship, deceit, fear, and persecution at an elite boarding school for young women in Rwanda, fifteen years before the 1994 genocide of the Tutsi . . . “Mukasonga’s masterpiece” (Julian Lucas, NYRB) Scholastique Mukasonga drops us into an elite Catholic boarding school for young women perched on the edge of the Nile. Parents send their daughters to Our Lady of the Nile to be molded into respectable citizens and to escape the dangers of the outside world. Fifteen years prior to the 1994 Rwandan genocide, we watch as these girls try on their parents’ preconceptions and attitudes, transforming the lycée into a microcosm of the country’s mounting racial tensions and violence. In the midst of the interminable rainy season, everything unfolds behind the closed doors of the school: friendship, curiosity, fear, deceit, prejudice, and persecution. With masterful prose that is at once subtle and penetrating, Mukasonga captures a society hurtling towards horror.
Discusses life in ancient Egypt, with an overview and timeline of the years between 3050 and 30 B.C., and looks at agriculture, belief systems, art, health, the role of women and children, rulers, war, and other aspects of life along the Nile.
From Herodotus's day to the present political upheavals, the steady flow of the Nile has been Egypt's heartbeat. It has shaped its geography, controlled its economy and moulded its civilisation. The same stretch of water which conveyed Pharaonic battleships, Ptolemaic grain ships, Roman troop-carriers and Victorian steamers today carries modern-day tourists past bankside settlements in which rural life – fishing, farming, flooding – continues much as it has for millennia. At this most critical juncture in the country's history, foremost Egyptologist Toby Wilkinson takes us on a journey up the Nile, north from Lake Victoria, from Cataract to Cataract, past the Aswan Dam, to the delta. The country is a palimpsest, every age has left its trace: as we pass the Nilometer on the island of Elephantine which since the days of the Pharaohs has measured the height of Nile floodwaters to predict the following season's agricultural yield and set the parameters for the entire Egyptian economy, the wonders of Giza which bear the scars of assault by nineteenth-century archaeologists and the modern-day unbridled urban expansion of Cairo – and in Egypt's earliest art (prehistoric images of fish-traps carved into cliffs) and the Arab Spring (fought on the bridges of Cairo) – the Nile is our guide to understanding the past and present of this unique, chaotic, vital, conservative yet rapidly changing land.
Rosemary Mahoney was determined to take a solo trip down the Egyptian Nile in a small boat, even though civil unrest and vexing local traditions conspired to create obstacles every step of the way. Starting off in the south, she gained the unlikely sympathy and respect of a Muslim sailor, who provided her with both a seven-foot skiff and a window into the culturally and materially impoverished lives of rural Egyptians. Egyptian women don't row on the Nile, and tourists aren't allowed to for safety's sake. Mahoney endures extreme heat during the day, and a terror of crocodiles while alone in her boat at night. Whether she's confronting deeply held beliefs about non-Muslim women, finding connections to past chroniclers of the Nile, or coming to the dramaticm realization that fear can engender unwarranted violence, Rosemary Mahoney's informed curiosity about the world, her glorious prose, and her wit never fail to captivate.
While her father is in hiding after attempts on his life, 12-year-old Cleopatra records in her diary how she fears for her own safety and hopes to survive to become Queen of Egypt some day.
First published in 1966, Naguib Mahfouz’s Adrift on the Nile is an atmospheric novel that dramatizes the rootlessness of Egypt’s cosmopolitan middle class. Anis Zani is a bored and drug-addicted civil servant who is barely holding on to his job. Every evening he hosts a gathering on a houseboat on the Nile, where he and a motley group of cynical and aimless friends share a water pipe full of kif, a mixture of tobacco and marijuana. When a young female journalist—an “alarmingly serious person”—joins them and begins secretly documenting their activities, the group’s harmony starts disintegrating, culminating in a midnight joyride that ends in tragedy.
By combining extracts from their most famous works with Rees' insightful essays, Women on the Nile illuminates the life and writings of three remarkable women and captures something of the romance of 19th century travel to the East. Harriet Martineau was a doughty and influential campaigner for multiple social causes; Florence Nightingale became a universally acclaimed reformer of nursing and hospital practices; Amelia Edwards, formerly a novelist and prolific professional writer, returned from Egypt to found the Egypt Exploration Society and endow the first Chair of Egyptology at a British University. All three were independent-minded women of strong character and exceptional gifts. They were accomplished writers, each with a distinctive style, and their accounts of their Nile journeys are richly individual and full of life, thought and observation.