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Every life retells the hero or heroine's journey: a wondrous, sometimes painful but always necessary movement toward wholeness. What better way to understand our own experiences of growth and transformation than to hear from others who have gone before us? In "Such Stuff as Dreams Are Made On" Helen Luke explores the inner life through dream and imagery, story and symbol. The first half of the book covers Luke's life from her earliest recollections until the age of seventy. It weaves together dreams and symbolic images from her inner life with accounts of personal events, including her seminal meeting with Jung. The book's second half is comprised of selections from the journals she kept during her last twenty years of life, offering a rare glimpse into a personal path of individuation.
"God does not play dice with the universe." So said Albert Einstein in response to the first discoveries that launched quantum physics, as they suggested a random universe that seemed to violate the laws of common sense. This 20th-century scientific revolution completely shattered Newtonian laws, inciting a crisis of thought that challenged scientists to think differently about matter and subatomic particles.The Dreams That Stuff Is Made Of compiles the essential works from the scientists who sparked the paradigm shift that changed the face of physics forever, pushing our understanding of the universe on to an entirely new level of comprehension. Gathered in this anthology is the scholarship that shocked and befuddled the scientific world, including works by Niels Bohr, Max Planck, Werner Heisenberg, Max Born, Erwin Schrodinger, J. Robert Oppenheimer, Richard Feynman, as well as an introduction by today's most celebrated scientist, Stephen Hawking.
Dung Kai-cheung’s A Catalog of Such Stuff as Dreams Are Made On is a playful and imaginative glimpse into the consumerist dreamscape of late-nineties Hong Kong. First published in 1999, it comprises ninety-nine sketches of life just after the handover of the former British colony to China. Each of these stories in miniature begins from a piece of ephemera, usually consumer products or pop culture phenomena, and develops alternately comic and poignant snapshots of urban life. Dung’s sketches center on once-trendy items that evoke the world at the turn of the millennium, such as Hello Kitty, Final Fantasy VIII, a Windows 98 disk, a clamshell mobile phone, Air Jordans, and cargo shorts. The protagonist of each piece, typically a young woman, is struck by an odd, even overriding obsession with an object or fad. Characters embark on brief dalliances or relationships lasting no longer than the fashions that sparked them. Dung blends vivid everyday details—Portuguese egg tarts, Japanese TV shows, the Hong Kong subway—with situations that are often fantastical or preposterous. This catalog of vanished products illuminates how people use objects to define and even invent their own selves. A major work from one of Hong Kong’s most gifted and original writers, Dung’s archaeology of the end of the twentieth century speaks to perennial questions about consumerism, nostalgia, and identity.
A popular insider offers a fascinating history of science fiction filled with provocative critiques, tidbits, and insights that reveal much about our cultural and literary history.
Roberto Piazza says: “Physics should be made simple enough to be amusing, but not so trivial as to spoil the fun.” This is exactly the approach of this book in making the science of ‘soft matter’ relevant to everyday life things such as the food we eat, the plastic we use, the concrete we build with, the cells we are made of.
Hollywood is a transitory place. Stars and studios rise and fall. Genres and careers wax and wane. Movies and movie moguls and movie makers and movie palaces are acclaimed and patronized and loved and beloved, and then forgotten. And yet… And yet one place in Southern California, built in the 1920s by (allegedly murdered) producer Thomas Ince, acquired by Cecil B. DeMille, now occupied by Amazon.com, has been the home for hundreds of the most iconic and legendary films and television shows in the world for a remarkable and star-studded fifty years. This bizarre, magical place was the location for Tara in Gone with The Wind, the home of King Kong and Superman, of Tarzan and Batman, of the Green Hornet, of Elliot Ness, of Barney Fife, of Tarzan, of Rebecca, of Citizen Kane, of Hogan’s Heroes and Gomer Pyle, of Lasse, of A Star is Born and Star Trek, and at least twice, of Jesus Christ. For decades, every conceivable star in Hollywood, from Clark Gable to Warren Beatty, worked and loved and gave indelible performances on the site. And yet, today, it is completely forgotten. Pretty much anyone alive today, from college professors to longshoremen, have probably heard of Paramount and of MGM, of Warner Bros. and of Universal, and of Disney and Fox and Columbia, but the place where many of these studio’s beloved classics were minted is today as mysterious and unknowable as the sphinx. Hollywood’s Lost Backlot: 40 Acres of Glamour and Mystery will, for the first time ever, unwind the colorful and convoluted threads that make for the tale of one of the most influential and photographed places in the world. A place which most have visited, at least on screen, and which has contributed significantly and unexpectedly to the world’s popular culture, and yet which few people today, paradoxically, have ever heard of.
M-G-M: Hollywood’s Greatest Backlot is the illustrated history of the soundstages and outdoor sets where Metro-Goldwyn-Mayer produced many of the world’s most famous films. During its Golden Age, the studio employed the likes of Garbo, Astaire, and Gable, and produced innumerable iconic pieces of cinema such as The Wizard of Oz, Singin’ in the Rain, and Ben-Hur. It is estimated that a fifth of all films made in the United States prior to the 1970s were shot at MGM studios, meaning that the gigantic property was responsible for hundreds of iconic sets and stages, often utilizing and transforming minimal spaces and previously used props, to create some of the most recognizable and identifiable landscapes of modern movie culture. All of this happened behind closed doors, the backlot shut off from the public in a veil of secrecy and movie magic. M-G-M: Hollywood’s Greatest Backlot highlights this fascinating film treasure by recounting the history, popularity, and success of the MGM company through a tour of its physical property. Featuring the candid, exclusive voices and photographs from the people who worked there, and including hundreds of rare and unpublished photographs (including many from the archives of Warner Bros.), readers are launched aboard a fun and entertaining virtual tour of Hollywood’s most famous and mysterious motion picture studio.
Jung, C.G.
First there was gold. Then oil. Then technology. Now - who controls the world's rare earths controls the future. It was supposed to be a simple corporate job. Check out the company, make sure the client was protected and take home a big paycheck. But with Boozy McBain and Boston O'Daniel nothing is ever as it seems. As their investigation draws them deeper into a world of corporate and geopolitical intrigue, they learn that their client's company may hold the key to the competition for power over the world's most vital resources - a battle for global control of rare earth minerals, critical to the future of everything modern society demands, from the green energy revolution to next generation weapons and consumer technologies. To protect the client they must navigate a mysterious array of government agencies and corporations, and go up against a man who is determined to possess the sources of the new wealth of the 21st century, from Africa to Asia to America - and perhaps the stars. A man of relentless ambition with a reputation for heartlessness in his quest to wrest control of the rare earth monopoly from China and build the empire of the future at any cost. The deeper the detectives dig the more enemies they make, from corporate boardrooms and black tie galas to the hopeless despair of the Congo, and the more personal the search becomes for each, driven by the seductive call of wealth, glamour and exotic danger.
A no-holds-barred look into the remarkable life and career of the prolific musician, songwriter, and producer behind Eurythmics and dozens of pop hits. Dave Stewart’s life has been a wild ride—one filled with music, constant reinvention, and the never-ending drive to create. Growing up in industrial northern England, he left home for the gritty London streets of the seventies, where he began collaborating and performing with various musicians, including a young waitress named Annie Lennox. The chemistry between Stewart and Lennox was undeniable, and an intense romance developed. While their passion proved too much offstage, they thrived musically and developed their own sound. They called themselves Eurythmics and launched into global stardom with the massively popular album Sweet Dreams (Are Made of This). For the first time, Stewart shares the incredible, high-octane stories of his life in music—the drug-fueled adventures, the A-list collaborations and relationships, and the creative process that brought us blockbusters from Eurythmics like “ Here Comes the Rain Again” and “Would I Lie to You” as well as Tom Petty’s “Don’t Come Around Here No More,” No Doubt’s “Underneath It All,” Golden Globe winner “Old Habits Die Hard” with Mick Jagger, and many more. From great friendships and creative partnerships including the group SuperHeavy along with Jagger, Joss Stone, Damian Marley, and A. R. Rahman, to inspired performances and intimate moments in the studio—Stewart highlights the musicians he admires and calls friends, from Bob Dylan, Stevie Nicks, Elton John, George Harrison, and Ringo Starr to Bono, Bon Jovi, and Katy Perry. With a behind-the-scenes look at Stewart’s innovative endeavors that keep him on the cutting-edge of the music business, Sweet Dreams Are Made of This is a one-of-a-kind portrait of the creative heart of one of its most gifted and enterprising contributors. With a Foreword by Mick Jagger!