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Since its founding by Jacques Waardenburg in 1971, Religion and Reason has been a leading forum for contributions on theories, theoretical issues and agendas related to the phenomenon and the study of religion. Topics include (among others) category formation, comparison, ethnophilosophy, hermeneutics, methodology, myth, phenomenology, philosophy of science, scientific atheism, structuralism, and theories of religion. From time to time the series publishes volumes that map the state of the art and the history of the discipline.
This book is the place to go for a deep dive into the forward-thinking, multi-faceted ideas of Creative Systems Theory. From the book's back cover: "Creative Systems Theory brings big-picture, long-term perspective to understanding who we are and why we think and act in the ways that we do. It is pertinent equally to appreciating the past, teasing apart current cultural challenges, and making sense of what a vital human future will require of us. This is the definitive work on Creative Systems Theory and its implications. "At a practical level, Creative Systems Theory provides powerful tools for making effective choices in both our personal and our collective lives. More conceptually, it makes a major contribution to the history of ideas. It clarifies how, while modern age institutions, values, and ways of thinking have served us well, they cannot be sufficient for the tasks ahead. And it offers a comprehensive approach to understanding that reflects the more mature and encompassing kind of thinking that will become more and more essential in times ahead. "This volume brings together fifty years of committed inquiry and practical application. It is part guidebook, part memoir, part compilation, and part an effort to extend Creative Systems Theory's thinking just as far into the future as is possible."
This book is a sympathetic critique of process theology with responses to the arguments addressed by leading thinkers.
The second holy text of the Creativity Religion for the survival, expansion, and advancement of the white race.
The Poetry and Music of Science examines aspects of science and art that bear close comparison - for example the art of the novel and the art of scientific experimentation. The book eavesdrops on conversations between scientists on how new theories arise, and listens to artists' and composers' witness of their own creative processes.
Cultural Maturity: A Guidebook for the Futureis the most detailed of three new future-related works by the author. It looks deeply at how the most important challenges ahead for the species will require not just better ideas, but new human capacities; in the end, an essential "growing up" as a species-a new Cultural Maturity. It is written for those inter- ested in acquiring the newly sophisticated leadership abilities that we will more and more need in all parts of our lives in times ahead. The concept of Cultural Maturity makes understandable how institutional structures and beliefs that in modern times have served us well can't be the ideals and end points that we have assumed them to be. It goes on to articulate a new guiding story for our time, one able to take us equally beyond denial, cynicism, and naïve wishful thinking. This book looks deeply at the changes the concept of Cultural Maturity describes-both how they make needed new capacities possible, and how we see their beginnings in many parts of our personal and collective lives. The concept of Cultural Maturity is based on the ideas of Creative Systems Theory, a comprehensive framework for understanding change, purpose, and interrelationship in human systems. Creative Systems Theory describes how Cultural Maturity's changes are as, or more, significant than those that brought us modern democratic governance 250 years ago. It also argues that if the concept of Cultural Maturity is not basically correct, it is hard to imagine a healthy and vital human future. In addition to introducing the concept of Cultural Maturity, Cultural Maturity: A Guidebook for the Future presents important related ideas from Creative Systems Theory. Creative Systems Theory represents an example of culturally mature conception and offers a rich array of conceptual tools able to guide us in making the future's increasingly complex choices.
This volume offers 37 original essays from leading scholars on the crucial topics, issues, methods, and resources for studying and teaching religion and the arts.
"Creative Spirituality is a fascinating, brilliant, and suggestive book, to be read and appreciated both for its spiritual insights and for the author's astute observations on artistic creativity and spiritual practice. Robert Wuthnow explores the intimate engagements of art and spirituality in their common quests for meaning. This volume represents a substantial contribution to the growing literature on art and religion in the United States and an intelligent appeal to the artist and the truth-seeker in each of us."—Sally M. Promey is author of Painting Religion in Public and coauthor of The Visual Culture of American Religions "Wuthnow's careful listening to the voices of working artists speaking of their work, and his analysis of the rich variety of their experiences, show the universally human, transforming power of creativity. Creative practice reveals itself here as a primary spiritual practice. While some of these artists follow a traditional religious path and make fascinating connections between their working experience and their religious faith others speak directly of spirituality as a discovering of the power of Spirit. Whether religious or not, their voices are witness to the holy power of human creativity and to the mystery in which it leads."—Reverend Donald Schell, St. Gregory of Nyssa Episcopal Church, San Francisco "Robert Wuthnow has written a brilliant, insightful exploration of how contemporary artists struggle to express their deepest spiritual yearnings. At a time when the notion of spirituality seems inchoate, artists, writers and musicians can often eloquently articulate the mysterious otherness of our lives. Especially powerful are the personal testimonials which reveal the empowerment of transcendence over alienation and disbelief."—Marci Whitney-Schenck, Publisher and Editor, Christianity and the Arts "Here one finds wonderful stories about artists and of the creative spirituality arising out of their work. Wuthnow goes beyond telling us simply that these are people living at the edges of our culture, suggesting that they are spiritual models for our time—people who cultivate spiritual depth through sustained practice, or doing something that is fresh, expressive, and worthwhile. The book addresses the serious, many-sided aspects of their search—indeed, of our search—for 'moments of transcendence' today."—Wade Clark Roof, J. F. Rowny Professor of Religion and Society, University of California at Santa Barbara and author of Spiritual Marketplace
A new philosophy of religion for a secular world How can we live in such a way that we die only once? How can we organize a society that gives us a better chance to be fully alive? How can we reinvent religion so that it liberates us instead of consoling us? These questions stand at the center of Roberto Mangabeira Unger’s The Religion of the Future: an argument for both spiritual and political revolution. It proposes the content of a religion that can survive without faith in a transcendent God or in life after death. According to this religion—the religion of the future—human beings can be more human by becoming more godlike, not just later, in another life or another time, but right now, on Earth and in their own lives. They can become more godlike without denying the irreparable flaws in the human condition: our mortality, groundlessness, and insatiability.
“Take one man who rejects authority and religion, and leads a punk band. Take another man who wonders whether vertebrates arose in rivers or in the ocean….Put them together, what do you get? Greg Graffin, and this uniquely fascinating book.” —Jared Diamond, author of Guns, Germs, and Steel Anarchy Evolution is a provocative look at the collision between religion and science, by an author with unique authority: UCLA lecturer in Paleontology, and founding member of Bad Religion, Greg Graffin. Alongside science writer Steve Olson (whose Mapping Human History was a National Book Award finalist) Graffin delivers a powerful discussion sure to strike a chord with readers of Richard Dawkins’ The God Delusion or Christopher Hitchens God Is Not Great. Bad Religion die-hards, newer fans won over during the band’s 30th Anniversary Tour, and anyone interested in this increasingly important debate should check out this treatise on science from the god of punk rock.