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The Nobel Symposium in 2003 on String Theory and Cosmology was a gathering of many of the most active and distinguished scientists in the world, including Stephen Hawking, 2004 Nobel Prize winner David Gross, and Andrei Linde. The experts, comprising both theoreticians and experimentalists, were given the opportunity to discuss the present status of their respective subjects. Throughout the symposium, special attention was given to the connections between the fields: the questions posed ranged from ”Can cosmology be used to test string theory?” to ”Can string theory answer deep questions about cosmology?” The symposium marked a new era in the understanding of the science of the very small and the very large. This book is a unique document that reflects upon the state of fundamental physics at a historically important moment in time.
String theory is a model of fundamental physics whose building blocks are one-dimensional extended objects called strings, rather than the zero-dimensional point particles that form the basis for the standard model of particle physics. The phrase is often used as shorthand for Superstring theory, as well as related theories such as M-theory. By replacing the point-like particles with strings, an apparently consistent quantum theory of gravity emerges. Moreover, it may be possible to 'unify' the known natural forces (gravitational, electromagnetic, weak nuclear and strong nuclear) by describing them with the same set of equations. Studies of string theory have revealed that it predicts higher-dimensional objects called branes. String theory strongly suggests the existence of ten or eleven (in M-theory) space-time dimensions, as opposed to the usual four (three spatial and one temporal) used in relativity theory.
The Centenary of the World Missionary Conference, held in Edinburgh in 1910, is a suggestive moment for many people seeking direction for Christian mission in the twenty-first century. Since 2005 an international group has worked collaboratively to develop an intercontinental and multidenominational project, now known as Edinburgh 2010, and based at New College, University of Edinburgh. Essential to the work of the Edinburgh 1910 Conference, and of abiding value, were the findings of the eight think-tanks or 'commissions'. These inspired the idea of a new round of collaborative reflection on Christian mission - but now focused on nine themes identified as being key to mission in the twenty-first century. The study process is intended to contribute, from a research perspective, to the aim of Edinburgh 2010 - witnessing together to Christ in the twenty-first century - and to the development of a new vision in terms of God's purposes for creation in Christ and a renewed spirituality and mission ethos in the life of churches worldwide. Witnessing to Christ Today contains a summary of what has been achieved through the study process up to the end of 2009 and forms the preparatory volume for the centenary conference to be held in Edinburgh on 2-6 June 2010. There the material will be subjected to rigorous critique from various transversal perspectives and engaged with by church and mission delegates from around the world.
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’Counterculture’ emerged as a term in the late 1960s and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of ’counterculture’ and a critical examination of the period and its heritage. Recent developments in sociological theory complicate and problematise theories developed in the 1960s, with digital technology, for example, providing an impetus for new understandings of counterculture. Music played a significant part in the way that the counterculture authored space in relation to articulations of community by providing a shared sense of collective identity. Not least, the heady mixture of genres provided a socio-cultural-political backdrop for distinctive musical practices and innovations which, in relation to counterculture ideology, provided a rich experiential setting in which different groups defined their relationship both to the local and international dimensions of the movement, so providing a sense of locality, community and collective identity.
Detailed exposition of automorphic representations and their relation to string theory, for mathematicians and theoretical physicists.
As long as there has been culture, there has been counterculture. At times it moves deep below the surface of things, a stealth mode of being all but invisible to the dominant paradigm; at other times it’s in plain sight, challenging the status quo; and at still other times it erupts in a fiery burst of creative–or destructive–energy to change the world forever. But until now the countercultural phenomenon has been one of history’s great blind spots. Individual countercultures have been explored, but never before has a book set out to demonstrate the recurring nature of counterculturalism across all times and societies, and to illustrate its dynamic role in the continuous evolution of human values and cultures. Countercultural pundit and cyberguru R. U. Sirius brilliantly sets the record straight in this colorful, anecdotal, and wide-ranging study based on ideas developed by the late Timothy Leary with Dan Joy. With a distinctive mix of scholarly erudition and gonzo passion, Sirius and Joy identify the distinguishing characteristics of countercultures, delving into history and myth to establish beyond doubt that, for all their surface differences, countercultures share important underlying principles: individualism, anti-authoritarianism, and a belief in the possibility of personal and social transformation. Ranging from the Socratic counterculture of ancient Athens and the outsider movements of Judaism, which left indelible marks on Western culture, to the Taoist, Sufi, and Zen Buddhist countercultures, which were equally influential in the East, to the famous countercultural moments of the last century–Paris in the twenties, Haight-Ashbury in the sixties, Tropicalismo, women’s liberation, punk rock–to the cutting-edge countercultures of the twenty-first century, which combine science, art, music, technology, politics, and religion in astonishing (and sometimes disturbing) new ways, Counterculture Through the Ages is an indispensable guidebook to where we’ve been . . . and where we’re going.