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The action moves from the boardroom to the football pitch and involves betrayal and devotion. Luke uses skills he has developed throughout his adult life to help protect his family, his friend and the way of life his father held so dear. The final stakes are worth millions – but the human cost could be inestimable.
It is paradoxical that instinct became a central term for late Victorian sexual sciences as they were elaborated in the medicalized spaces of confession and introspection, given that instinct had long been defined in its opposition to self-conscious thought. The Ploy of Instinct ties this paradox to instinct’s deployment in conceptualizing governmentality. Instinct’s domain, Frederickson argues, extended well beyond the women, workers, and “savages” to whom it was so often ascribed. The concept of instinct helped to gloss over contradictions in British liberal ideology made palpable as turn-of-the-century writers grappled with the legacy of Enlightenment humanism. For elite European men, instinct became both an agent of “progress” and a force that, in contrast to desire, offered a plenitude in answer to the alienation of self-consciousness. This shift in instinct’s appeal to privileged European men modified the governmentality of empire, labor, and gender. The book traces these changes through parliamentary papers, pornographic fiction, accounts of Aboriginal Australians, suffragette memoirs, and scientific texts in evolutionary theory, sexology, and early psychoanalysis.
Building on the success of Soccer: the Ultimate Guide, we're bringing the world's game to readers in a revised and updated edition, including fantastic World Cup 2010 information. More pages, more pictures, more facts, stats, and info make the Ultimate Soccer Book truly ultimate.
Explores how working-class identity in documentary photography and radical literature of the 1930s and 1940s has been repressed and manipulated to fit the expectations of liberal politicians, radical authors, Marxist historians, feminist academics, and contemporary cultural theories. Work analyzed includes photography by Dorothea Lange and Marion Post Wolcott, and writing by Meridel Le Sueur. Work by Esther Bublet and Tillie Olsen is examined to suggest how working- class female identity might be represented in more complicated ways. Includes bandw photos. Paper edition (unseen), $24.95. Annotation copyrighted by Book News, Inc., Portland, OR
In 1980 Polish workers astonished the world by demanding and winning an independent union with the right to strike, called Solidarity--the beginning of the end of the Soviet empire. Jack M. Bloom's Seeing Through the Eyes of the Polish Revolution explains how it happened, from the imposition to Communism to its end, based on 150 interviews of Solidarity leaders, activists, supporters and opponents. Bloom presents the perspectives and experiences of these participants. He shows how an opposition was built, the battle between Solidarity and the ruling party, the conflicts that emerged within each side during this tense period, how Solidarity survived the imposition of martial law and how the opposition forced the government to negotiate itself out of power.
What has happened in Poland? Poland has erupted four times in the last twenty five years, but only the events of 1980 have had comprehensive media coverage. As a result, many questions have been raised in the minds of Western observers. How were such changes possible? What forces lay behind them? In what way did the workers' strike relate to the demands for political democracy? Although a colourful and vivid eye-witness account of the 1980 upheavals, it is to these questions that Neal Ascherson's brilliant and thoughtful analysis mainly addresses itself. Viewing the situation in perspective, he argues that the Polish working class has brought about a controlled revolution, but is not intent on taking power for itself: the real heirs to the gains of 1980 and 1981 are likely to be the intelligentsia, in or out of the Communist Party. It is this social and political ferment that poses fundamental questions about the future of the whole Soviet system in Eastern Europe.
Bring Me that Horizon is a fascinating quest into the heart and soul of Portuguese football. Journeying across its landscape, from old and forgotten bastions of invincibility to new, muscled industrial areas where dreams come true, the book uncovers the multiple identities of Portugal as a nation. Whether visiting historical clubs that were miraculously brought back to life or getting to grips with the complexity of Portugal's 'Game of Thrones' fight for supremacy, the book traces a route north to south, island to island, without forgetting the profound connection with Africa and Brazil. From Eusébio's glorious career to Cândido de Oliveira's adventures as a British intelligence agent, the book reveals a nation that already had fantastic tales to tell before it became the flavour of the month for football hipsters at the turn of the millennium. There's much more to Portugal's football heritage than Ronaldo and Mourinho.
“As he settled down to try to sleep, the Colonel saw the light flashing on his bedside warning system. His instincts, honed over forty years, made him freeze...” Ludvig Korotski is the ex-station head of the KGB in Berlin. During the early 80’s he trained a ruthless team of saboteurs, assassins and overseas agents. A cruel, ruthless man, he had left mother Russia when the ‘soft liberals’ began to root out the hardliners. He earned a living, based in Sweden, offering his freelance ‘services’ to all comers, including Iran, Libya and the militant Al Qaeda. Out of the blue, he is approached by an old adversary, an ex-CIA operative who offers him a contract to put together a new team to kill people in Britain. Ludvig doesn’t care what they’ve done – his only concern is the £6,000,000 he is offered to fulfil the contract. All is going well until one of his agents tries to kill ex-SAS Colonel Harriman. Harriman is now running his own security firm and, after the failed attempt, begins to investigate why he had been targeted. Was it an old grudge? He sets about finding out why the murders are being committed and unravels a frightening story... Death is a Certainty was inspired by Ted York’s knowledge of the financial services industry. He also takes inspiration from a number of novelists, including Jack Higgins, Lee Child and Ken Follett.