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The definitive biography of James Brown, the Godfather of Soul, with fascinating findings on his life as a Civil Rights activist, an entrepreneur, and the most innovative musician of our time Playing 350 shows a year at his peak, with more than forty Billboard hits, James Brown was a dazzling showman who transformed American music. His life offstage was just as vibrant, and until now no biographer has delivered a complete profile. The One draws on interviews with more than 100 people who knew Brown personally or played with him professionally. Using these sources, award-winning writer RJ Smith draws a portrait of a man whose twisted and amazing life helps us to understand the music he made. The One delves deeply into the story of a man who was raised in abject-almost medieval-poverty in the segregated South but grew up to earn (and lose) several fortunes. Covering everything from Brown's unconventional childhood (his aunt ran a bordello), to his role in the Black Power movement, which used "Say It Loud (I'm Black and Proud)" as its anthem, to his high-profile friendships, to his complicated family life, Smith's meticulous research and sparkling prose blend biography with a cultural history of a pivotal era. At the heart of The One is Brown's musical genius. He had crucial influence as an artist during at least three decades; he inspires pity, awe, and revulsion. As Smith traces the legend's reinvention of funk, soul, R&B, and pop, he gives this history a melody all its own.
An high impact tribute to the artists who changed rock forever: Musicians from Macon (Little Richard, Otis Redding, James Brown, The Allman Brothers Band, Etc)
HAVE I LIVED BEFORE? WAS I A DERANGED KILLER IN A PAST LIFE? COULD I COMMIT A VIOLENT, BLOODY MURDER AND NOT REMEMBER IT? Ceeoni Jones asks herself these bizarre questions soon after arriving in Starcross, Georgia to manage the restored Civil War Era Starcross Theatre. Within hours, she encounters the first mutilated corpse, killed by a relentless, illusive perpetrator who leaves no clues. One attack follows another as Ceeoni secretly grapples with an eerie episode of déjà vu that reveals her own vivid memories of 19th Century Starcross. When charismatic concert pianist Adam Delayno disappears without a trace, Past Life Therapist, Nasrene Asher probes the past lives of the Souls gathered at Starcross. Each testimony uncovers more clues to a 100-year-old tangled web of unresolved intrigue, deception and murder. A psychopathic killer, 'arrayed in some new flesh disguise' is once again stalking the Starcross Complex, seeking revenge. Tension escalates in a frantic race to unmask the killer's present identity, before he--or she--strikes again. Who will be the next victim? And most of all, who among them is a brutal murderer?
Many of the architects of rock and roll in the 1950s, including Elvis Presley, Jerry Lee Lewis, and Little Richard, were Southerners who were rooted in the distinctive regional traditions of country, blues, and R&B. As the impact of the British Invasion and the psychedelic era faded at the end of the following decade, such performers as Bob Dylan and the Band returned to the simplicity of American roots music, paving the way for Southern groups to reclaim their region's rock-and-roll heritage. Embracing both Southern musical traditions and a long-haired countercultural aesthetic, such artists as the Allman Brothers Band and Lynyrd Skynyrd forged a new musical community that Charlie Daniels called “a genre of people more than a genre of music.” Focusing primarily on the music's golden age of the 1970s, Southbound profiles the musicians, producers, record labels, and movers and shakers that defined Southern rock, including the Allmans, Skynyrd, the Marshall Tucker Band, Wet Willie, the Charlie Daniels Band, Elvin Bishop, the Outlaws, the Atlanta Rhythm Section, .38 Special, ZZ Top, and many others. From the rise and fall of the mighty Capricorn Records to the music's role in helping Jimmy Carter win the White House and to its continuing legacy and influence, this is the story of Southern rock.
Have you ever been locked in a cooler with piles of decomposing humans for so long that you had to shave all the hair off your body in order to get rid of the smell? Joseph Scott Morgan did. Have you ever lit a Marlboro from the ignited gas of a bloated dead man's belly? Joseph Scott Morgan has. Have you ever wept over a dead dog while not giving a shit about the dead owner laying next him? Morgan did. Were you named after a murder victim? Joseph Scott Morgan was. This isn't Hollywood fantasy—it's the true story of a boy born into the deprivations of a white trash trailer park who as an adult gets further involved in the desperate backdoor sagas of the "new South." No hot blondes here, just maggots, grief, and the truth about forensics and death investigation. Joseph Scott Morgan became a death investigator with the Jefferson Parish Coroner's Office in suburban New Orleans in 1987, the youngest medicolegal death investigator in the country. During the day, Morgan worked in the morgue, and at night investigated for the coroner. In 1992 Morgan became senior investigator with the Fulton County Medical Examiner's Office in Atlanta. Morgan is now a college professor at North Georgia College and State University, where he teaches a death investigation course based on the national standards which he helped develop. He and his family reside in the Blue Ridge Mountains of north Georgia.
WHEN AN ELEVEN-YEAR-OLD, WHISKY DRINKING, PIANO PRODIGY ENCOUNTERS A WEALTHY FAMILY POSSESSING SUPERNATURAL BEAUTY, HER ENSUING OBSESSION UNLEASHES FAMILY SECRETS AND A CATACLYSMIC PLAGUE OF CICADAS. The summer of 1956, a brood of cicadas descends upon Providence, Georgia, a natural event with supernatural repercussions, unhinging the life of Analeise Newell, an eleven-year-old piano prodigy. Amidst this emergence, dark obsessions are stirred, uncanny gifts provoked, and secrets unearthed. During a visit to Mistletoe, a plantation owned by the wealthy Mayfield family, Analeise encounters Cordelia Mayfield and her daughter Marlissa, both of whom possess an otherworldly beauty, a lineal trait regarded as that Mayfield Shine. A whisper and an act of violence perpetrated during this visit by Mrs. Mayfield all converge to kindle Analeise's fascination with the Mayfields. Analeise's burgeoning obsession with the Mayfield family overshadows her own seemingly, ordinary life, culminating in dangerous games and manipulation, setting off a chain of cataclysmic events with life-altering consequences-all of it unfolding to the maddening whir of a cicada song. When an eleven year old, whisky drinking, piano prodigy encounters a wealthy family possessing supernatural beauty, her ensuing obsession unleashes family secrets and a cataclysmic plague of cicadas. "Following in the magnificent footsteps of Carson McCullers and Harper Lee, Robert Gwaltney creates a wonderful snapshot of the friendship that forms between Analeise and Etta Mae, two eleven-year-old girls in '50s small town Georgia... This is a book to love and remember, and every book club in America would be wise to snap it up."- Robert Goolrick, #1 New York Times bestselling author  "The gothic beauty of a relentless Georgia summer is brought to life through Gwaltney's deliberate details and exquisite imagery, while all the while evil lurks beneath the surface; from where or what the reader does not know but is as convinced by Gwaltney's expert storytelling as he is."-Zoe Fishman, bestselling author of Invisible Air and Georgia Author of the Year 2020 "Gwaltney's Southern Gothic, THE CICADA TREE mesmerizes and seduces, the language redolent and deadly, the characters steeped in secrets and madness, and the whole of it an enthralling and perfect read. Easily my favorite book of the year."-Kim Taylor Blakemore, bestselling author of After Alice Fell
Looks at the life and career of the rock and roll legend.
Bringing fierce guitar playing and swing to gospel music, Sister Rosetta Tharpe was a legend in her time and a huge influence on Elvis Presley, Johnny Cash, Jimi Hendrix, and Ray Charles. Marie and Rosetta chronicles her first rehearsal with a young protégée, Marie Knight, as they prepare to embark on a tour that would establish them as one of the great duos in musical history.
Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. This book profiles dozens of outsider musicians, both prominent and obscure—figures such as The Shaggs, Syd Barrett, Tiny Tim, Jandek, Captain Beefheart, Daniel Johnston, Harry Partch, and The Legendary Stardust Cowboy—and presents their strange life stories along with photographs, interviews, cartoons, and discographies. About the only things these self-taught artists have in common are an utter lack of conventional tunefulness and an overabundance of earnestness and passion. But, believe it or not, they're worth listening to, often outmatching all contenders for inventiveness and originality. A CD featuring songs by artists profiled in the book is also available.
SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZERoots, Radicals & Rockers: How Skiffle Changed the World is the first book to explore this phenomenon in depth - a meticulously researched and joyous account that explains how skiffle sparked a revolution that shaped pop music as we have come to know it. It's a story of jazz pilgrims and blues blowers, Teddy Boys and beatnik girls, coffee-bar bohemians and refugees from the McCarthyite witch-hunts. Billy traces how the guitar came to the forefront of music in the UK and led directly to the British Invasion of the US charts in the 1960s.Emerging from the trad-jazz clubs of the early '50s, skiffle was adopted by kids who growing up during the dreary, post-war rationing years. These were Britain's first teenagers, looking for a music of their own in a pop culture dominated by crooners and mediated by a stuffy BBC. Lonnie Donegan hit the charts in 1956 with a version of 'Rock Island Line' and soon sales of guitars rocketed from 5,000 to 250,000 a year. Like punk rock that would flourish two decades later, skiffle was a do-it-yourself music. All you needed were three guitar chords and you could form a group, with mates playing tea-chest bass and washboard as a rhythm section.