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How to use painting mediums such as acrylic, watercolor, oil paint, ink, tempera, and pastels in combination with glazes, gesso, wax, and other materials for use in collages, scrapbooks, memory boxes, photo albums, and individual art pieces.
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Environmental arts therapy and the Tree of life guides us through the Celtic calendar to explore the relationship between the feeling experience of the human heart and the turning year. Practical, poetic, innovative and magical, it invites us to make environmental art and ritual a vital and healing part of our lives once again and teaches us how to take the personal issues that bind and oppress us out into Nature where they can be met, confronted and transformed.
The Poet Laureate's clear and entertaining account of how poetry works. "Poetry is a vocal, which is to say a bodily, art," Robert Pinsky declares in The Sounds of Poetry. "The medium of poetry is the human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. In this sense, poetry is as physical or bodily an art as dancing." As Poet Laureate, Pinsky is one of America's best spokesmen for poetry. In this fascinating book, he explains how poets use the "technology" of poetry--its sounds--to create works of art that are "performed" in us when we read them aloud. He devotes brief, informative chapters to accent and duration, syntax and line, like and unlike sounds, blank and free verse. He cites examples from the work of fifty different poets--from Shakespeare, Donne, and Herbert to W. C. Williams, Frost, Elizabeth Bishop, C. K. Williams, Louise Glück, and Frank Bidart. This ideal introductory volume belongs in the library of every poet and student of poetry.
Persephone loses her innocence in the Underworld, but finds herself. She is Everywoman coming through darkness, betrayal and disillusion to discover a new life, a new sense of herself. And she is many women in Jenny Joseph's extraordinary novel, which retells the Greek myth of spring and winter, of good and evil.Demeter the earth goddess is every worried mother struggling to understand her daughter. Hades is the reckless man, brutal, possessive, but mellowed by the girl he takes for himself, the woman who goes back to him.In Persephone, Jenny Joseph has created a new kind of novel, a story made up of many stories, our stories, using poetry, narrative, parody and many other kinds of writing. Like the myth itself, Persephone is unforgettable. The book won her the 1986 James Black Memorial Prize for Fiction.
This open access book studies breath and breathing in literature and culture and provides crucial insights into the history of medicine, health and the emotions, the foundations of beliefs concerning body, spirit and world, the connections between breath and creativity and the phenomenology of breath and breathlessness. Contributions span the classical, medieval, early modern, Romantic, Victorian, modern and contemporary periods, drawing on medical writings, philosophy, theology and the visual arts as well as on literary, historical and cultural studies. The collection illustrates the complex significance and symbolic power of breath and breathlessness across time: breath is written deeply into ideas of nature, spirituality, emotion, creativity and being, and is inextricable from notions of consciousness, spirit, inspiration, voice, feeling, freedom and movement. The volume also demonstrates the long-standing connections between breath and place, politics and aesthetics, illuminating both contrasts and continuities.