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And when you see what's out there. What do you want with it. Do you want to fuck it. Like, weekly? Or do you want to sort of. Put your hands in its pockets. Take it to your mother. Love it until you die. Sort of thing. With acid wit, Miriam Battye's play takes a scalpel to modern romance. No! Fuck NO. I don't want to, like, go for WALKS and use and reuse those METAL FOIL SERVING trays all my life NO. I want to TEAR SOMEONE APART. Strategic Love Play opened at the Belgrade Theatre, Coventry, in July 2023, produced by Paines Plough, Soho Theatre and Belgrade Theatre, in association with Landmark Theatres.
Probably more than in any other area of human existence, the road to broken relationships is paved with good intentions. No one falls in love with the aim of hurting the object of their affections, much less hurting themselves. But, sadly, this happens all too often. Why? This book effectively demonstrates that there's nothing mysterious, whimsical or uncertain about love. It gives clear and pragmatic answers to three simple questions- What is love? How do I know the right person? What do I need to do, from day to day, to have a good relationship? By illustrating explanations with real life situations, this book reveals the very simple and practical principles that guarantee that love always works.
Explains how companies must pinpoint business strategies to a few critically important choices, identifying common blunders while outlining simple exercises and questions that can guide day-to-day and long-term decisions.
Jacqueline Lloyd Smith and Denise Meyerson collectively have over 50 years' global experience in the design and delivery of incredible learning experiences for clients in the private and public sectors. They have partnered with top tier, medium size, and small corporate clients to produce events that rock. They are now opening their files to other facilitators, and educators-of all levels-to share tools and techniques they have personally tested and used.They are generously allowing you to benefit from their years of experience in the training, facilitation, and design space so you too are able to prepare, structure, and implement teachable moments, workshops, events, training days, learning experiences, offsites, and seminars that have a strong impact-and are memorable. Dip into this essential guide after you have been briefed by the executive team, managers, or human resource professionals and you are required to deliver a face-to-face session for anything between 1 and 100 hours. Play with these practical, user-friendly techniques to help your participants feel engaged and energized, so they will remember the key messages long after the event. Redesign and restructure the tools to suit your audience and the topic so the session remains vibrant and focused. Create experiences for any topic, whether for technical, personal, or professional development purposes.Not only do you have access to great openers and closers to activate thinking, we also provide you with a roadmap and overall layout so you have examples of how to structure your sessions.
To increase revenue, improve customer experience, and develop higher-performing teams, it's time for leaders to stop looking for quick fixes to complex business problems and start building a culture of love. Yes, love. Anchored by Softway's own transformational journey, Love as a Business Strategy offers a new, people-first framework for achieving any business outcome-written by folks that aren't fans of run-of-the-mill business books. As a matter of fact, Love as a Business Strategy is so chock-full of real-world examples of mistakes, heartbreak, and redemption that it reads more like a juicy exposé than a business book. Love as a Business Strategy steers clear from piety and theoretical concepts and instead shares grounded stories of resilient people running a real business. A business, as you'll come to find out, that was on the brink of disaster before 'love' took hold. Love As A Business Strategy doesn't preach or mislead, rather it lays out the blueprints for better business outcomes-like better employee engagement, enhanced patient experiences, and increased efficiency-then walks you through it step-by-step. A better way of doing business is possible. The workplace revolution has arrived. Love as a Business Strategy will help you ditch the status quo, embrace humanity, and achieve lasting success.
This marriage was very hasty, a child shouldn't be born so easily.She did not know if she liked him, much less who he liked!But then one morning she woke up crying in his arms.He looked deeply at her and asked softly, "Did you have a sad dream?""I dreamed I lost you!"He held her tighter, running his fingers over the tears at the corners of her eyes. "Don't cry, this is just a dream!"She rubbed her hand against his chest, "But I'm afraid. I'm afraid that I might really lose you in the real world. What should I do then?"He squeezed her cold little hand and said softly, "It doesn't matter, I'll find you!"By then, the purple violets on the balcony were all in full bloom.Ps: purple violet flowery language: in a beautiful dream to fall in love with you.
I remember thinking, what difference is there between donating my body to science and donating it to someone who might find pleasure in it when I'm dead. Sergio Blanco and Daniel Goldman collaborate again, after the success of their critically acclaimed Offie award-winning productions of Thebes Land and The Rage of Narcissus, to tell a mesmerising story of love and lust beyond the grave. Desire, friendship and eroticism intertwine in When You Pass Over My Tomb, a dazzling play by Latin America's biggest living playwright that asks, how far would you go for love? And will the world allow it? This edition was published to coincide with the world premiere at London's Arcola Theatre in February 2024.
In an era of increasingly patient-centered healthcare, understanding how health and illness play out in social context is vital. This volume opens a unique window on the role of play in health and wellbeing in widely varied contexts, from the work of Patch Adams as a hospital clown, to an Australian facility for dementia treatment, to a New Zealand preschool after an earthquake, to a housing complex where Irish children play near home. Across these and other featured studies, play is shown to be shaman-like in its transformative dynamics, marshaling symbolic resources to re-align how patients construe and experience illness. Even when illness is not an issue, play promotes wellbeing by its power to reimagine, invigorate, enliven and renew through sensory engagement, physical activity, and symbolism. Play levels social barriers and increases flexible response, facilitating both shared social support and creative reassessment. This book challenges assumptions that play is inefficient and unproductive, with highly relevant evidence that playful processes actually work hard to dislodge unproductive approaches and thereby aid resilience. Solid research evidence in this book charts the course and opens the agenda for taking play seriously, for the sake of health. This book was originally published as a special issue of the International Journal of Play.
Despite the recent turn to affects and emotions in the humanities and despite the unceasing popularity of romantic and erotic love as a motif in fictional works of all genres, the subject has received surprisingly little attention in academic studies of contemporary drama. Love in Contemporary British Drama reflects the appeal of love as a topic and driving force in dramatic works with in-depth analyses of eight pivotal plays from the past three decades. Following an interdisciplinary and historical approach, the study collects and condenses theories of love from philosophy and sociology to derive persisting discourses and to examine their reoccurrence and transformation in contemporary plays. Special emphasis is put on narratives of love’s compensatory function and precariousness and on how modifications of these narratives epitomise the peculiarities of emotional life in the social and cultural context of the present. Based on the assumption that drama is especially inclined to draw on shared narratives for representations of love, the book demonstrates that love is both a window to remnants of the past in the present and a proper subject matter for drama in times in which the suitability of the dramatic form has been questioned.