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Approaching this subject from the disciplines of art history and theory, art practice, biology, cultural theory, literature and philosophy, this volume greatly expands the reach of camouflage's cultural terrain. The result is a collection that provides a new perspective on the developing discourse of camouflage and contributes to debates about the roles that physical, artistic and social camouflage play in contemporary life.
An expert account of how different countries have sought to hide their forces in plain view for the past century packed with photographs and colour artworks, Camouflage at War is a fascinating exploration of how the nature of combat has changed over the last hundred years.
This book explains and illustrates the actual materials and techniques adopted (both successfully and unsuccessfully) by tactical units – i.e. the concealment of personnel, weapons, equipment, field positions, and movement by infantry riflemen and weapons crews, artillerymen, and vehicle crews. It covers all areas and seasons in the European and Mediterranean theaters of operations, for the US, British, German, and Soviet armies. It includes camouflage of the person, personal equipment, and weapons; natural materials and “expedient” techniques; issued camouflage materials such as nets, ponchos, etc; the principles of camouflaging equipment and vehicles, of positioning and terrain integration, the effects of light and shadow, and the use of decoy and dummy positions. Featuring meticulous full-color artwork and specially selected period photographs, this absorbing study casts new light on the camouflaging techniques developed by the major armies of World War II on a host of European battlefields.
The story behind the various organizations responsible for trickery and deception during World War II.