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"Debut novel about a wealthy man who has reached a crossroads after a lifetime of repression and denial, sending him--and his family--into a slow spiral towards a total breakdown"--
A bright and brilliant new voice from Bangladesh 'Moving, lyrical and curious – this memoir effortlessly captures the disorientating feeling of growing up in a world that misunderstands you' Red On and on we dream, we wish, we love - no matter that the dreams come to an end, the wishes evolve or that love dissipates like dust in the wind. Perhaps, what matters only is that we have lived long enough to dream, hard enough to wish and indisputably enough to love. One of Maria's early memories growing up in Dhaka is of planning to run away with her friend Nadia. Even then, Maria couldn't quite figure out why she longed to escape. It is not that home is an unhappy place. It's just that in her family, joy is ephemeral. With a mother who yearns for the mountains, the solitude and freedom to pursue her own dreams and career, and a charismatic but distant father who finds it difficult to expresses emotion, they are never able to hold on to happiness for very long. Maria studies the Holy Book, says her daily prayers and wonders if God is watching her. She dreams, like her mother, of unstitching the seam of her life. It is her neighbour, Bablu, the Imitator of Frogs, who both excites and repulses Maria by showing her a yellowing pornographic magazine, but it is Mala, a girl her own age who comes to work in their house, whose wise eyes and wicked smile makes her dizzy with longing. When she moves to New England for university at eighteen Maria meets Yameen, a man who lives in a desperately squalid apartment in Jersey City, woos her with phone calls and a marathon night of drinking in New York bars, and is not what he seems... From Dhaka to New York, this is a candid and moving account of growing up and growing away, a meditation on why people leave their homes and why they sometimes find it difficult to return. Beloved Strangers is an unforgettable memoir marking the arrival of a brilliant new voice from Bangladesh.
A woman with no name and no memory...The two men who claim her: one with love, the other with fear...A dazzling tale of secret passions—and a love tragically lost and miraculously reborn—by the incomparable storyteller. Mere days after Ashton Wingate's wedding to the enchanting Lierin, capricious Fate stole the Mississippi plantation owner's beloved from him. Now, three years later, his carriage has collided with a cloaked rider on horseback: a woman who bears an uncanny resemblance to the young bride who was swallowed up by the merciless river. She awakens from unconsciousness in his magnificent home with no memory of who she is. Yet the tenderness of this noble, caring stranger who lovingly calls her "Lierin" soon captures her heart and enflames her with wanting. Then another enters their lives, threatening to destroy the happiness they have rediscovered in each other's arms—the dark and dangerous Malcolm Sinclair, who claims the enigmatic beauty is, in fact, his own wife, Lenore. But Ashton has sworn that he will not lose his adored one a second time, and he will risk any peril to preserve their newfound joy—no matter what the unremembered secrets of his lady's past ultimately reveal.
A young writer hits the dusty Texas highway for the California coast in this “brilliant . . . funny and dangerously tender” (Time) tale of art and sacrifice. Hailed as one of “the best novels ever set in America’s fourth largest city” (Douglas Brinkley, New York Times Book Review), All My Friends Are Going to Be Strangers is a powerful demonstration of Larry McMurtry’s “comic genius, his ability to render a sense of landscape, and interior intellection tension” (Jim Harrison, New York Times Book Review). Desperate to break from the “mundane happiness” of Houston, budding writer Danny Deck hops in his car, “El Chevy,” bound for the West Coast on a road trip filled with broken hearts and bleak realities of the artistic life. A cast of unforgettable characters joins the naïve troubadour’s pilgrimage to California and back to Texas, including a cruel, long-legged beauty; an appealing screenwriter; a randy college professor; and a genuine if painfully “normal” friend. Since the novel’s publication in 1972, Danny Deck has “been far more successful at getting loved by readers than he ever was at getting loved by the women in his life” (McMurtry), a testament to the author’s incomparable talent for capturing the essential tragicomedy of the human experience.
A biracial son of a subcontinental, migrant family searches for his estranged father's story and ultimately rewrites his own.
An urgent manifesto and a dramatic memoir of awakening, this is the story of revolutionary love. Finalist for the Dayton Literary Peace Prize • “In a world stricken with fear and turmoil, Valarie Kaur shows us how to summon our deepest wisdom.”—Elizabeth Gilbert, author of Eat Pray Love How do we love in a time of rage? How do we fix a broken world while not breaking ourselves? Valarie Kaur—renowned Sikh activist, filmmaker, and civil rights lawyer—describes revolutionary love as the call of our time, a radical, joyful practice that extends in three directions: to others, to our opponents, and to ourselves. It enjoins us to see no stranger but instead look at others and say: You are part of me I do not yet know. Starting from that place of wonder, the world begins to change: It is a practice that can transform a relationship, a community, a culture, even a nation. Kaur takes readers through her own riveting journey—as a brown girl growing up in California farmland finding her place in the world; as a young adult galvanized by the murders of Sikhs after 9/11; as a law student fighting injustices in American prisons and on Guantánamo Bay; as an activist working with communities recovering from xenophobic attacks; and as a woman trying to heal from her own experiences with police violence and sexual assault. Drawing from the wisdom of sages, scientists, and activists, Kaur reclaims love as an active, public, and revolutionary force that creates new possibilities for ourselves, our communities, and our world. See No Stranger helps us imagine new ways of being with each other—and with ourselves—so that together we can begin to build the world we want to see.
Shelby Martin's whirlwind romance and spur-of-the moment wedding were exciting until Frank's shadowy past began to emerge. Her faith in her husband--and in God--is shaken to the core. Where will she find the strength to face her uncertain future? Copyright © Libri GmbH. All rights reserved.
The prize-winning, New York Times bestselling short story collection from the internationally bestselling author of Lincoln in the Bardo 'The best book you'll read this year' New York Times 'Dazzlingly surreal stories about a failing America' Sunday Times WINNER OF THE 2014 FOLIO PRIZE AND SHORTLISTED FOR THE NATIONAL BOOK AWARD 2013 George Saunders's most wryly hilarious and disturbing collection yet, Tenth of December illuminates human experience and explores figures lost in a labyrinth of troubling preoccupations. A family member recollects a backyard pole dressed for all occasions; Jeff faces horrifying ultimatums and the prospect of Darkenfloxx(TM) in some unusual drug trials; and Al Roosten hides his own internal monologue behind a winning smile that he hopes will make him popular. With dark visions of the future riffing against ghosts of the past and the ever-settling present, this collection sings with astonishing charm and intensity.
“You will devour these beautifully written—and very important—tales of honesty, pain, and resilience” (Elizabeth Gilbert, New York Times bestselling author of Eat Pray Love and City of Girls) from fifteen brilliant writers who explore how what we don’t talk about with our mothers affects us, for better or for worse. As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize that she was actually trying to write about how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. This gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers. Leslie Jamison writes about trying to discover who her seemingly perfect mother was before ever becoming a mom. In Cathi Hanauer’s hilarious piece, she finally gets a chance to have a conversation with her mother that isn’t interrupted by her domineering (but lovable) father. André Aciman writes about what it was like to have a deaf mother. Melissa Febos uses mythology as a lens to look at her close-knit relationship with her psychotherapist mother. And Julianna Baggott talks about having a mom who tells her everything. As Filgate writes, “Our mothers are our first homes, and that’s why we’re always trying to return to them.” There’s relief in acknowledging how what we couldn’t say for so long is a way to heal our relationships with others and, perhaps most important, with ourselves. Contributions by Cathi Hanauer, Melissa Febos, Alexander Chee, Dylan Landis, Bernice L. McFadden, Julianna Baggott, Lynn Steger Strong, Kiese Laymon, Carmen Maria Machado, André Aciman, Sari Botton, Nayomi Munaweera, Brandon Taylor, and Leslie Jamison.