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Despite war, repression and censorship, a renaissance has taken place in Iran over the last quarter-century. PEN have gathered selections that have lain completely unknown outside of Iran since 1979, from over 40 writers of three different generations. The first book of its kind to apear in English, this is a major anthology displaying the extraordinary scope and progress of Iranian literature.
When Arcade Publishing originally contracted this extraordinary collection of poetry and literature, the Department of the Treasury was attempting to censor the publication of works from countries on America’s “enemies list.” Arcade, along with the PEN American Center, the Association of American Publishers Professional and Scholarly Publishing Division, and the Association of American University Presses, filed a lawsuit in federal court against the United States government. Their landmark case forced the Office of Foreign Assets Control to change their regulations regarding editing and publishing literature in translation, and Arcade is proud to reissue this anthology that showcases the developments in Iranian literature over the past quarter-century. Since the Iranian revolution of 1979, the United States has been virtually cut off from that country’s culture. Despite severe difficulties imposed by social, political, and economic upheavals, as well as war, repression, and censorship, a veritable cultural renewal has taken place in Iran over the past quarter-century, not only in literature, but in music, art, and cinema. Over forty writers from three generations contributed to this rich and varied collection—or, to use the Persian term, golchine, a bouquet—one that provides a much-needed window into a largely undiscovered branch of world literature. In the wake of the Green Revolution and sweeping changes in the region, this particular golchine is more relevant than ever, and will bring literary enjoyment as well as a fuller understanding of a complex and ever-shifting culture.
"In these pointed and wide–ranging essays, Wendy Willis explores everything from personal resistance to the rise of political podcasts, civic loneliness to the exploitation of personal data, public outrage to the opioid crisis—all with a poet's gift for finding the sacred in the mundane, a hope in the dark. One of the country's sharpest observers of politics, art, and the American spirit, Willis returns often to the demanding question posed by Czech writer, activist, and politician Václav Havel: What does it mean to live in truth? Her view is honed by her place as a poet, as a mother, and, when necessary, as an activist. Together, the essays in These Are Strange Times, My Dear work within that largely unmapped place where the heartbreaks and uncertainties of one's inner life brush up against the cruelties and responsibilities of politics and government and our daily lives."
"In these pointed and wide–ranging essays, Wendy Willis explores everything from personal resistance to the rise of political podcasts, civic loneliness to the exploitation of personal data, public outrage to the opioid crisis—all with a poet's gift for finding the sacred in the mundane, a hope in the dark. One of the country's sharpest observers of politics, art, and the American spirit, Willis returns often to the demanding question posed by Czech writer, activist, and politician Václav Havel: What does it mean to live in truth? Her view is honed by her place as a poet, as a mother, and, when necessary, as an activist. Together, the essays in These Are Strange Times, My Dear work within that largely unmapped place where the heartbreaks and uncertainties of one's inner life brush up against the cruelties and responsibilities of politics and government and our daily lives."
AS HEARD ON RADIO 4 'Utterly wonderful' NINA STIBBE, author of Love, Nina Twenty hours have gone since I last wrote. I have been thinking of you. I shall think of you until I post this, and until you get it. Can you feel, as you read these words, that I am thinking of you now; aglow, alive, alert at the thought that you are in the same world, and by some strange chance loving me. In September 1943, Chris Barker was serving as a signalman in North Africa when he decided to brighten the long days of war by writing to old friends. One of these was Bessie Moore, a former work colleague. The unexpected warmth of Bessie's reply changed their lives forever. Crossing continents and years, their funny, affectionate and intensely personal letters are a remarkable portrait of a love played out against the backdrop of the Second World War. Above all, their story is a stirring example of the power of letters to transform ordinary lives.
Nine-year-old Elizabeth keeps a journal of her experiences in the New World as she encounters Indians, suffers hunger and the death of friends, and helps her father build their first home.
The foundational text for the acclaimed international best seller Reading Lolita in Tehran “Empathetic, incisive. . . . A sweeping overview of Nabokov's major works. . . . Graceful [and] discerning.”—Kirkus Reviews The ruler of a totalitarian state seeks validation from a former schoolmate, now the nation’s foremost thinker, in order to access a cultural cache alien to his regime. A literary critic provides commentary on an unfinished poem that both foretells the poet’s death and announces the critic’s secret identity as the king of a lost country. The greatest of Vladimir Nabokov’s enchanters—Humbert—is lost within the antithesis of a fairy story, in which Lolita does not hold the key to his past but rather imprisons him within the knowledge of his distance from that past. In this precursor to her international best seller Reading Lolita in Tehran, Azar Nafisi deftly explores the worlds apparently lost to Nabokov’s characters, their portals of access to those worlds, and how other worlds hold a mirror to Nabokov’s experiences of physical, linguistic, and recollective exile. Written before Nafisi left the Islamic Republic of Iran, and now published in English for the first time and with a new introduction by the author, this book evokes the reader’s quintessential journey of discovery and reveals what caused Nabokov to distinctively shape and reshape that journey for the author.
Sent to the prestigious Dunhammond Conservatory, Sing da Navelli must work with the mysterious Apprentice Nathan Daysmoor as her vocal coach, who is both her harshest critic and staunchest advocate. But Nathan has secrets of his own, secrets that are entwined with the myths and legends surrounding Dunhammond, and the great creature they say lives there.
"Before he enlisted as a soldier in the Iran-Iraq war and disappeared, Amir Yamini was a carefree playboy whose only concerns were seducing women and riling his religious family. Five years later, his mother and sister Reyhaneh find him in a mental hospital for shell-shocked soldiers, his left arm and most of his memory lost. Amir is haunted by the vision of a mysterious woman whose face he cannot see-- the crescent moon on her forehead shines too brightly. He names her Moon Brow. Back home in Tehran, the prodigal son is both hailed as a living martyr to the cause of Ayatollah Khomeini's Revolution and confined as a dangerous madman. His sense of humor, if not his sanity, intact, Amir cajoles Reyhaneh into helping him escape the garden walls to search for Moon Brow. Piecing together the puzzle of his past, Amir decides theres only one solution: he must return to the battlefield and find the remains of his severed arm-- and discover its secrets"--Amazon.com.
WINNER OF THE NOBEL PRIZE© IN LITERATURE 2013 A New York Times Notable Book A Washington Post Notable Work of Fiction A Best Book of the Year: The Atlantic, NPR, San Francisco Chronicle, Vogue, AV Club In story after story in this brilliant new collection, Alice Munro pinpoints the moment a person is forever altered by a chance encounter, an action not taken, or a simple twist of fate. Her characters are flawed and fully human: a soldier returning from war and avoiding his fiancée, a wealthy woman deciding whether to confront a blackmailer, an adulterous mother and her neglected children, a guilt-ridden father, a young teacher jilted by her employer. Illumined by Munro’s unflinching insight, these lives draw us in with their quiet depth and surprise us with unexpected turns. And while most are set in her signature territory around Lake Huron, some strike even closer to home: an astonishing suite of four autobiographical tales offers an unprecedented glimpse into Munro’s own childhood. Exalted by her clarity of vision and her unparalleled gift for storytelling, Dear Life shows how strange, perilous, and extraordinary ordinary life can be.