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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Long considered a masterpiece of the eerie and fantastic, Strange Tales from a Chinese Studio is a collection of supernatural-themed tales compiled from ancient Chinese folk stories by Songling Pu in the eighteenth century. These tales of ghosts, magic, vampirism, and other things bizarre and fantastic are an excellent Chinese companion to Lafcadio Hearn's well-known collections of Japanese ghost stories Kwaidan and In Ghostly Japan. Already a true classic of Chinese literature and of supernatural tales in general, this new edition of the Herbert A. Giles translation converts the work to Pinyin for the first time and includes a new foreword by Victoria Cass that properly introduces the book to both readers of Chinese literature and of hair-raising tales best read with the lights turned low on a quiet night. Some of the stories found in these pages include: The Tiger of Zhaocheng The Magic Sword Miss Lianziang, the Fox-Girl The Quarrelsome Brothers The Princess Lily A Rip Van Winkle The Resuscitated Corpse Taoist Miracles A Chinese Solomon
Strange Stories from a Chinese Studio is a set of short stories by Pu Songling. Presented here are early cases of a literary tradition of accounts of the weird and the strange, which Pu memorably fused in his writing.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A classic of fantastic and criminous Chinese folk tales superbly translated and annotated by the celebrated Sinologist, Herbert A. Giles. The stories in this volume are translated from the 17th Century collection called the Laio-Chai Chi-i of P'u Sung-Ling, a collection of weird tales which include stories of magic, devilry, vampirism and other fantastic themes. Giles was professor of Chinese at Cambridge as well as British Consul at Ningpo.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Chinese Ghost Stories - Strange Stories from a Chinese Studio, is a collection of 164 Classical Chinese stories compiled by Pu Songling. These hair-raising tales focus on the everyday life of commoners and their interaction ghosts, fox spirits, immortals, demons and other spirits. Pu Songling used the supernatural and the unexplainable to illustrate his ideas of society and government. Through the stories he criticized the corruption and injustice in society and sympathized with the poor. With the embedded Confucian-styled moral standards and Taoist principles this collection of supernatural stories. Dating back to the Qing dynasty, its earliest publication date is given as 1740. Since then, many of the critically lauded stories have been adapted for other media such as film and television. Long considered of true classic of Chinese literature, this second edition of Herbert Giles translation, with over 600 footnotes of backstory, provides a fascinating glimpse into the daily life of the Chinese in the time period, while tantalizing the reader with tales of the supernatural.
Strange Stories from a Chinese Studio or Liaozhai Zhiyi (also Strange Tales from a Chinese Studio or Strange Tales of Liaozhai) is a collection of nearly 500 mostly supernatural tales written by Pu Songling in Classical Chinese during the early Qing dynasty. The stories differ broadly in length, with the shortest under a page long. Many are classified as Chuanqi, or Zhiguai, sometimes translated as "marvel tales," that is, stories written in classical Chinese starting in the Tang dynasty. Pu borrows from a tradition of oral storytelling where the boundary between reality and the odd or fantastic is blurred. The stories are filled with magical foxes, ghosts, scholars, jiangshi, court officials, Taoist exorcists and beasts. --Wikicommons