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With the adults possessed by alien invaders, can Nick, Jessie, and Frasier save their town? Twelve-year-old twins Nick and Jessie are woken up in the middle of the night by a blazing white light followed by a loud explosion. As they rush to the window, rain suddenly begins pouring down, and the water starts to glow. It is the strangest thunderstorm they’ve ever seen, and it stops as quickly as it started. Nick has a feeling it may not have been a storm at all, but visitors from another planet. When he and Jessie decide to investigate a strange sound downstairs, they find their mom and dad digging a hole in the basement. At least, they think it’s their mom and dad. But since when does their mom let them eat all the junk food they want, and why isn’t their dad going to work? Nick and Jessie know something is wrong, and if their hunch is right, their parents’ bodies have been taken over by aliens. It’s up to Nick, Jessie, and their best friend, Frasier, to solve the mystery and protect their town from an extraterrestrial threat.
A lively and reliable narrative account of the horror genre, featuring new and revised material throughout The Horror Film: An Introduction surveys the history, development, and social impact of the genre. Covering American horror cinema from its earliest period to the present, this reader-friendly volume explores the many ways horror movies have been received by filmmakers, critics, and general audiences throughout the decades. Concise, easily accessible chapters describe historical instances of the genre's social reception based on primary research, analyze landmark films such as Frankenstein, Invasion of the Body Snatchers, and The Texas Chain Saw Massacre, and more. Incorporating recent scholarship on the genre, the second edition of The Horror Film contains new discussion and context for Hollywood horror films in the 1980s and 1990s, as well as notable developments in the genre such as “torture porn,” found-footage horror, remakes and reboots of past horror films, zombies, and the “elevated horror” debate. This edition explores the rise of new filmmakers such as Ari Aster, Robert Eggers, and Jordan Peele, surveys horror films made by women and African American filmmakers, and investigates contemporary issues in the production and consumption of horror films. Combining historical narrative with close readings of significant works, The Horror Film: Covers major works in the genre such as Cat People, Halloween, and Bram Stoker's Dracula Examines important antecedents including gothic literature and the Grand Guignol Theater Offers thorough analyses of the style, context, and themes of specific horror milestones Provides examples of close analysis that can be applied to a wide range of other horror films Discusses important representative titles across the genre's evolution, including more recent films such as 2017's Get Out The Horror Film: An Introduction, Second Edition, is an ideal textbook for undergraduate surveys of the horror genre and other courses in American film history, and an invaluable resource for scholars, lecturers, and general readers with an interest in the subject.
Message Received brings together the most recent research findings of the Glasgow Media Group. It focuses on major public issues such as the impact of fictional violence on children and media coverage of ethnic minorities, the developing world and disasters. It examines media representations of mental illness and public understanding of risks about this and about other areas such as health and food safety. The Group has also studied controversies in the media such as the BSE crisis and other major events such as the collapse of communism in Eastern Europe.
Ernest R. May's Strange Victory presents a dramatic narrative-and reinterpretation-of Germany's six-week campaign that swept the Wehrmacht to Paris in spring 1940. Before the Nazis killed him for his work in the French Resistance, the great historian Marc Bloch wrote a famous short book, Strange Defeat, about the treatment of his nation at the hands of an enemy the French had believed they could easily dispose of. In Strange Victory, the distinguished American historian Ernest R. May asks the opposite question: How was it that Hitler and his generals managed this swift conquest, considering that France and its allies were superior in every measurable dimension and considering the Germans' own skepticism about their chances? Strange Victory is a riveting narrative of those six crucial weeks in the spring of 1940, weaving together the decisions made by the high commands with the welter of confused responses from exhausted and ill-informed, or ill-advised, officers in the field. Why did Hitler want to turn against France at just this moment, and why were his poor judgment and inadequate intelligence about the Allies nonetheless correct? Why didn't France take the offensive when it might have led to victory? What explains France's failure to detect and respond to Germany's attack plan? It is May's contention that in the future, nations might suffer strange defeats of their own if they do not learn from their predecessors' mistakes in judgment.
This book explores the possibilities of intercultural training through literature, especially as related to collegiate study abroad programs. It presents a behavioral analysis of American literary characters through the lens of Milton Bennett's Developmental Model of Intercultural Sensitivity, which identifies sensitivity to cultural differences within a six-stage developmental continuum. The literary characters studied in this work all undergo an early separation which forces them to experience and relate to different worldviews. Moby Dick's Ishmael leaves land for an epic whaling adventure. Hester is forced to live on the outskirts of town in The Scarlet Letter. The nameless protagonist of The Country of the Pointed Firs leaves the city for the country. The title character of The American emigrates to Europe. Ellison's narrator in Invisible Man experiences a series of separations, starting at his college acceptance. For Whom the Bell Tolls' Robert Jordan leaves his Montana teaching job to fight in the Spanish Civil War. The book tracks each character's progress along Bennett's continuum, demonstrating how people--both real and fictional--can manifest intercultural sensitivity through exposure to different people, places, and experiences. The book concludes with a firsthand account of how the author's own students advanced along Bennett's continuum themselves following an intensive study of Ernest Hemingway's novels and a study abroad experience in Havana, Cuba.
IN A FAR AWAY ENCHANTED LAND FILLED WITH MAGIC AND UNSPEAKABLE EVIL, A NEW SUPER HERO WILL EMERGE! Sixteen year old Luke Starr appears to be living a rather dull uneventful life in Milwaukee, Wisconsin. That is until fate and a nameless, faceless mysterious dark force from a different plane of existence catapults Luke into a series of wondrous adventures, adventures that will change his life and those around him forever. Luke Starr, respected, feared and hated by many as the one born to greatness is suddenly propelled with great swiftness into a nightmare, forced to come face to face with destiny. Is it all real? A mistake perhaps? Or is this unimaginable journey into the unknown real? You''re about to find out when you embark on this unforgettable fantasy adventure, filled with wizardry, magic and mystery. So get ready to take flight on the wings of magic to bewitching lands where fairies dwell, wizards rule and witches still cast their evil spells. If you liked Dorothy''s Adventures In Oz, The Lord Of The Rings, Spider-Man or Harry Potter then you''re going to love DragonMan, The Wizard Of Oz of the 21 ST Century. It''s A Magical Adventure For All Ages
Ruby Finley vs. the Interstellar Invasion is a backyard adventure-mystery by debut children’s author K. Tempest Bradford, perfect for fans of Clean Getaway, The Last Last Day of Summer, and Sideways School. Eleven-year-old Ruby is a Black girl who loves studying insects and would do just about anything to be an entomologist, much to the grossed-out dismay of her Gramma. Ruby knows everything there is to know about insects so when she finds the weirdest bug she’s ever seen in her front yard, she makes sure no one is looking and captures it for further study. But then Ruby realizes that the creature isn't just a regular bug. And it has promptly burned a hole through her window and disappeared. Soon, random things around the neighborhood go missing, and no one's heard from the old lady down the street for a week. Ruby and her friends will have to recover the strange bug before the feds do. Ruby is the science hero we’ve all been waiting for!