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This is the fascinating story of one of America's greatest singers, Norman Treigle (1927-1975). Born in the South's most exotic city, New Orleans, he was acclaimed as one of history's finest singing-actors, specialising in rôles that evoked villainy and terror, and was a resident star at the adventurous New York City Opera. In this, the first biography of the legendary bass-baritone, you will read of his colourful life in New Orleans, his self-destructive life-style, the seeming contradictions in his complex character, his passion for the race-track, his enormous voice and emaciated physique, his electrifying stage-presence and astonishing acting ability, why he never sang at the Metropolitan Opera, and his mysterious, sudden death at the age of forty-seven. Read also of his relationships with his closest colleagues, including Beverly Sills, Phyllis Curtin, Jon Vickers, Plácido Domingo, Michael Devlin, Carlisle Floyd, Julius Rudel, Tito Capobianco and Frank Corsaro. Based on the singer's private files, years of extensive research, and interviews with many of his relatives, friends and colleagues, Strange Child of Chaos (a quote from Mefistofele, his greatest triumph) is a tale of the troubled life of an incomparable artist of an elemental power, who bestrode the stage for too brief a moment.
This book is the start of a stirring, intrigue-filled quest duology.
Galen's imagination always got him into trouble, but now it may be the only thing that can prevent Horace from opening the Vault of Chaos and unraveling the world.
John C. Wright burst onto the SF scene with the Golden Age trilogy. His next project was the ambitious fantasy sequence, The Last Guardians of Everness. Wright's new fantasy is a tale about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does. The children begin to make sinister discoveries about themselves. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls where none had previously been; Colin is a psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe: and they should not be able to co-exist under the same laws of nature. Why is it that they can? The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings no more human than they are: pagan gods or fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger than this. The children must experiment with, and learn to control, their strange abilities in order to escape their captors. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The final installment in the epic Inquisition War trilogy finds Jaq Draco hunted by Imperial and alien enemies across the ravaged universe, searching for the means to decipher the Eldar Book of Fate. Tempted to surrender to the powers of Darkness to find the answers, Jaq is haunted by the knowledge that, should he fail, the ultimate apocalypse awaits. Original.
The stories in Out of Chaos forms a profound testament to lost and found lives that are translated into compelling reading. The collection illuminates brief or elongated moments, fragments of memory and experience, what the great Holocaust writer Ida Fink called “a scrap of time.” In all, the anthology expresses survivors’ memories and reactions to a wide range of experiences as they survived in so many European settings, from Holland, Belgium, Italy, Germany, Greece, Yugoslavia, Poland, and France. The writers recall being on the run between different countries, escaping over mountains, hiding and even sometimes forgetting their Jewish identities in convents and rescuers’ homes and hovels, basements and attics. Some were left on their own; others found themselves embroiled in rescuer family conflicts. Some writers chose to write story clusters, each one capturing a moment or incident and often disconnected by memory or temporal and spatial divides.
For centuries after a devastating battle between the immortals, humanity has been protected from the Chaos realm by an invisible barrier known as the Legacy. But sealed behind the weakening barrier, the traitor Daemron makes one last, desperate bid for freedom: he casts his most deadly spell and curses four unsuspecting children. Born under the Blood Moon, they are destined to wield Daemron’s talismans of power, to either save the barrier – or bring it crashing down...
Theodosia Throckmorton has her hands full at the Museum of Legends and Antiquities in London. Her father may be head curator, but it is Theo--and only Theo--who is able to see all the black magic and ancient curses that still cling to the artifacts in the museum. When Theo’s mother returns from her latest archaeological dig bearing the Heart of Egypt--a legendary amulet belonging to an ancient tomb--Theo learns that it comes inscribed with a curse so black and vile that it threatens to crumble the British Empire from within and start a war too terrible to imagine. Intent on returning the malevolent artifact to its rightful place, Theo devises a daring plan to put things right. But even with the help of her younger brother, a wily street urchin, and the secret society known as the Brotherhood of the Chosen Keepers, it won’t be easy . . . she quickly finds herself pursued down dark alleys, across an ocean, through the bustling crowds of Cairo, and straight into the heart of an ancient mystery. Theo will have to call upon everything she’s ever learned in order to prevent the rising chaos from destroying her country--and herself!
John C. Wright established himself at the forefront of contemporary fantasy with Orphans of Chaos, which launched a new epic adventure. Wright's new fantasy, continuing in Fugitives of Chaos, is about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does. The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings: pagan gods, fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls; Colin is psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe, and they should not be able to co-exist under the same laws of nature. They must learn to control their strange abilities in order to escape their captors. Something very important must be at stake in their imprisonment.
A journalist's twenty-year fascination with the Manson murders leads to "gobsmacking" (The Ringer) new revelations about the FBI's involvement in this "kaleidoscopic" (The New York Times) reassessment of an infamous case in American history. Over two grim nights in Los Angeles, the young followers of Charles Manson murdered seven people, including the actress Sharon Tate, then eight months pregnant. With no mercy and seemingly no motive, the Manson Family followed their leader's every order -- their crimes lit a flame of paranoia across the nation, spelling the end of the sixties. Manson became one of history's most infamous criminals, his name forever attached to an era when charlatans mixed with prodigies, free love was as possible as brainwashing, and utopia -- or dystopia -- was just an acid trip away. Twenty years ago, when journalist Tom O'Neill was reporting a magazine piece about the murders, he worried there was nothing new to say. Then he unearthed shocking evidence of a cover-up behind the "official" story, including police carelessness, legal misconduct, and potential surveillance by intelligence agents. When a tense interview with Vincent Bugliosi -- prosecutor of the Manson Family and author of Helter Skelter -- turned a friendly source into a nemesis, O'Neill knew he was onto something. But every discovery brought more questions: Who were Manson's real friends in Hollywood, and how far would they go to hide their ties? Why didn't law enforcement, including Manson's own parole officer, act on their many chances to stop him? And how did Manson -- an illiterate ex-con -- turn a group of peaceful hippies into remorseless killers? O'Neill's quest for the truth led him from reclusive celebrities to seasoned spies, from San Francisco's summer of love to the shadowy sites of the CIA's mind-control experiments, on a trail rife with shady cover-ups and suspicious coincidences. The product of two decades of reporting, hundreds of new interviews, and dozens of never-before-seen documents from the LAPD, the FBI, and the CIA, Chaos mounts an argument that could be, according to Los Angeles Deputy District Attorney Steven Kay, strong enough to overturn the verdicts on the Manson murders. This is a book that overturns our understanding of a pivotal time in American history.