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Be Straight with Me is an unforgettable memoir-in-verse about a love that blurs the boundaries of gender and sexuality—told from the perspective of a young, straight woman who finds herself in a serious relationship with her gay male best friend. With unabashed honesty and piercing emotional clarity, Emily Dalton brings to life this timely, true story about a nonconforming romance and its consequences. During her sophomore year at Middlebury College, Emily meets Max—“you” as she intimately refers to him in the book. Not exactly a tomboy, but not quite a girly girl either, Emily is intent on finding a masculine boyfriend to assuage a deeply rooted fear that she may not be quite feminine enough. Max—a boisterous class clown beloved by his many straight guy friends—has recently come out as gay and is embracing his newly claimed identity. Initially, Max and Emily dislike each other, but end up growing close after a make-out dare on Halloween. Then one night, Max reveals an unexpected physical attraction that catches them both by surprise. The relationship begins, playfully and in secret, and then spirals into something more. Max and Emily’s journey takes many forms—they experiment with drugs; they travel abroad; they try sleeping with other people (together), and everything in between—all in the name of “this bizarre, beautiful thing” they call love.
From actor/writer/producer Dan Bucatinsky, executive producer of NBC’s Who Do You Think You Are?, a collection of snort-milk-through-your-nose funny stories of parenthood that will obliterate the boundaries of gender and sexual orientation, and sweep readers up on a journey into fatherhood—warts and all. In 2005, Dan Bucatinsky and his partner, Don Roos, found themselves in an LA delivery room, decked out in disposable scrubs from shower cap to booties, to welcome their adopted baby girl—launching their frantic yet memorable adventures into fatherhood. Two and a half years later, the same birth mother—a heroically generous, pack-a-day teen with a passion for Bridezilla marathons and Mountain Dew—delivered a son into the couple’s arms. In Does This Baby Make Me Look Straight? Bucatinsky moves deftly from sidesplitting stories about where kids put their fingers to the realization that his athletic son might just grow up to be straight and finally to a reflection on losing his own father just as he’s becoming one. Bucatinsky’s soul-baring and honest stories tap into that all-encompassing, and very human, hunger to be a parent—and the life-changing and often ridiculous road to getting there.
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
Covering over 10,000 idioms and collocations characterized by similarity in their wording or metaphorical idea which do not show corresponding similarity in their meanings, this dictionary presents a unique cross-section of the English language. Though it is designed specifically to assist readers in avoiding the use of inappropriate or erroneous phrases, the book can also be used as a regular phraseological dictionary providing definitions to individual idioms, cliches, and set expressions. Most phrases included in the dictionary are in active current use, making information about their meanings and usage essential to language learners at all levels of proficiency.
The Beauty of the Dead (Jonathan Cape, 1940) featuring fifteen stories, was released to critical acclaim. Pamela Hansford Johnson wrote in John O'London's Weekly that "all have that delicate luminosity by which visions are seen more clearly than in the bright sunlight." 'Old' is a snapshot of an elderly man – no longer appreciated or respected by his children and extended family – during a Sunday tea. He finds a companion in his seven-year-old grand-niece, making animal shapes out of biscuits and eventually falling into a "mesmeric peace" as she brushes his hair. There is a glimpse of Bates's childhood experiences in 'Quartette', written through the eyes of a music director. The story accounts the attraction between two of the singers which the director worries is breaking up the group, yet on their last song he can feel "the passionate quality of their singing transcending the small hot room and the small bewildered minds". Bates had much personal knowledge of choirs and singing through his father, who was a choir director. 'The Bridge' is narrated by a twenty-two-year-old woman while she and her older sister vie for the attention of the same man. The Spectator praised it as "a masterly short story...courageously conceived... thick with symbolism, it is a triumphant display of control." For the first time, this collection features the comic bonus story 'Obadiah'. After a tough, poverty-stricken childhood, Obadiah's scheme to make his fortune begins with a pig. He wanted neither children nor romance, but a partner in business, so when he meets a widow with similar values, he wins her over in what becomes a comic sketch of a bickering couple – a rare and brilliant piece of caricature in Bates's canon. Published in the New Clarion (1933), and not republished since.
DigiCat Publishing presents to you this special edition of "The Stingaree" by Frederick Schiller Faust. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
"This book offers the reader the best example of how a great idea can, eventually, create a revolution and change a whole community. I met Frank Cruz years ago on the streets of Los Angeles. He witnessed the Latino wave from its beginnings. Frank is a pioneer, a creator, and a fantastic journalist. I doubt he ever expected to be writing his own story. But, if you want to understand us, read this book." Jorge Ramos, Journalist and Author "Frank Cruz has cracked open that unmarked box tucked away in America's attic. So afraid to reveal its contents, we forget the jewels it hides. Through his story, Frank lets us peek into our history. A diverse, complicated people with a textured history. Grit, faith and ingenuity -- we shouldn't hide that. Bravo, Frank. " Xavier Becerra, Attorney General of California Latino Public Broadcasting is dear to my heart and its legitimization of our stories exists because of the guidance and expertise of my compadre Frank Cruz. His wisdom and leadership developed as he broke through barriers in multiple industries and ultimately rose to the top in each of his careers, as he has recounted in this memoir. Through his own story, Frank continues to teach, inspire, and give voice to the Latino experience. Edward James Olmos, Actor, Director, Producer, and Activist "Frank Cruz has lived a life of accomplishment and contributions. He paved an untrodden path of Latino journalistic professionalism and was courageously and determinedly true to his vision. In so doing, he touched many lives and set a stellar example." Henry Cisneros, former HUD Secretary and San Antonio Mayor "This important story is very well told and full of good anecdotes, reflections and advice. Frank Cruz's graduate work in history, experience in journalism, and ability to make a point by telling a compelling story, are all put to good use in telling his own unique story which will inform and inspire." Felix Gutierrez, Journalism Professor Emeritus, USC
This is a story about a 12 year old boy growing up on the family homestead on the banks of the Osage River near the Missouri-Kansas border in the period at the start of the American Civil War. It details the everyday events in the life of his family until their idyllic world is devastated when the town of Osceola is pillaged and burned by Kansas Jayhawkers. In the weeks that follow the family struggles for survival and finally flee for safety further north. The young boy then enlists in the Union Army from a misguided quest for solace and revenge. His service in the 21st Missouri Regiment then chronicles the everyday life of a common soldier as he experiences the full horrors of war in the epic Battle of Shiloh. He then endures the long and tedious march to Corinth, Mississippi, culminating in the bloody Battles of Iuka and Corinth.
The new Adam Roberts novel is a story of global apocalypse, old hatreds and new beginnings. It is his best novel to date. And this is how the world will end ... 'The snow started falling on the sixth of September, soft noiseless flakes filling the sky like a swarm of white moths, or like static interference on your TV screen - whichever metaphor, nature or technology, you find the more evocative. Snow everywhere, all through the air, with that distinctive sense of hurrying that a vigorous snowfall brings with it. Everything in a rush, busy-busy snowflakes. And, simultaneously, paradoxically, everything is hushed, calm, as quiet as cancer, as white as death. And at the beginning people were happy.' But the snow doesn't stop. It falls and falls and falls. Until it lies three miles thick across the whole of the earth. Six billion people have died. Perhaps 150,000 survive. But those 150,000 need help, they need support, they need organising, governing. And so the lies begin. Lies about how the snow started. Lies about who is to blame. Lies about who is left. Lies about what really lies beneath.