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Charlie McGraw never should have bought the angel book for his precocious daughter. Because then Meredith wouldn't be convinced that getting a new mommy was as simple as having an "angel" sprinkle him with her "miracle dust." And she never would have believed the beautiful blond-haired woman who drove a truck called the "Silver Angel" was some treetop angel come to life. Starla Richards was no angel, but try telling that to a five-year-old who was so starved for a mother's love that she'd stowed away on Starla's rig. Or convincing herself that miracles just didn't happen to ordinary people when Starla found herself snowbound with a handsome, caring widower and his adorable daughter.
In the early 1930s, George Raft, an actor and dancer from New York City's Hell's Kitchen, gained a name for himself playing stylish and charismatic gangsters in films like 1932's original Scarface. Raft's own real-life connection to the New York mob added frightening authenticity to his portrayals, and his star quality coincided with the peak years of the Hollywood factory to produce a remarkable track record of successful movies. Highly regarded during his lifetime as a performer, his reputation as an actor suffered a steep decline after his death. This definitive study of all of Raft's films offers intimate insight into all of his productions, including casts, characters, technical credits, and story synopses, and dispels a number of myths surrounding his legendary career.
This electrifying and heart-pounding sequel to Without Warning combines a profound understanding of a broken world with realistic portrayals of how Christ can still make a difference in our age of terror. Held hostage by radical Islamic terrorists in Israel, Jessica Cain's survival hangs on a chance encounter with a total stranger and the possibility that her father can save her. Guaranteed fiction!
Challenging convention with the SF nonconformist Roger Zelazny combined poetic prose with fearless literary ambition to become one of the most influential science fiction writers of the 1960s. Yet many critics found his later novels underachieving and his turn to fantasy a disappointment. F. Brett Cox surveys the landscape of Zelazny's creative life and contradictions. Launched by the classic 1963 short story "A Rose for Ecclesiastes," Zelazny soon won the Hugo Award for Best Novel with ...And Call Me Conrad and two years later won again for Lord of Light. Cox looks at the author's overnight success and follows Zelazny into a period of continued formal experimentation, the commercial triumph of the Amber sword and sorcery novels, and renewed acclaim for Hugo-winning novellas such as "Home Is the Hangman" and "24 Views of Mt. Fuji, by Hokusai." Throughout, Cox analyzes aspects of Zelazny's art, from his preference for poetically alienated protagonists to the ways his plots reflected his determined individualism. Clear-eyed and detailed, Roger Zelazny provides an up-to-date reconsideration of an often-misunderstood SF maverick.
Rory Stowaway's family tradition of adventure hunting comes to an end when his grampa comes up missing. That is, until he discovers his Gran knows what really happened to his Grampa.
When Lolita’s father dies, he leaves her a curio in his Will. It’s a box, which is not to be opened unless the town faces an existential crisis. But other people have boxes too, and they aren’t prepared to wait... which may cause the very crisis itself. Digging into the history of Sunrise uncovers a century-old mystery - a closely guarded secret which holds the key to the town’s future. Beckman and Lolita must embark on a mission to reconnect with family, rebuild a shattered friendship, and confront the most unexpected of adversaries to save the town they hold dear. Nothing can be taken for granted – not even love. The third book in the “Sunrise” trilogy is a humorous cozy mystery fuelled by coffee, break-ups, make-ups and a lot of sparkle.
A woman running from her traumatic past. A man who’s still grieving for the wife he lost eight years ago... When Kiah Stanton drives through the gateway of Windsong racing stables, she’s carrying more baggage than a freight train. Vulnerable, yet resolved to uncover her inner warrior princess, she’s determined to make a new life for herself – and never trust another man. In fact, the only male Kiah wants in her life is Jet, the equally traumatized horse she saved from the meat-man at the horse sales. After losing his wife eight years ago, single father and racehorse trainer, Jack Sullivan, is definitely not looking for a relationship. He’s too busy training racehorses and caring for his eight-year-old daughter, plus, no woman, no matter how attractive, could ever replace the wife he adored. So, what is it about the vulnerable, but gutsy woman he rescues at a horse sale and then later discovers on his doorstep? A woman whose courage and beauty stirs the long-dead ashes of his burnt-out heart? Can two broken people get a second chance at love while battling their past and dealing with the everyday ups and downs of a professional racing stable in a small rural town called Shadow Creek?
How far could you go living in another’s shoes? In a mid-life moment, Paul Morison travels from America to England to discover his mother’s roots. A chance encounter and uncanny resemblance leads him to agree to assume the identity of a famous singer for a while. But it’s not just the unnerving attentions of the adoring public that he must deal with. Seeking to regain his freedom, Paul flees the length of Britain from Southampton to the Scottish Isles. On the run, he discovers he has let himself in for much more than he bargained. This gentle comic caper and love story was hugely popular on first publication in the 1930s and retains a timeless appeal today. Praise for Victor Canning: ‘Quite delightful ... with an atmosphere of quiet contentment and humour that cannot fail to charm.’ Daily Telegraph ‘There is such a gentle humour in the book.’ Daily Sketch ‘What counts for most in the story ... is his mounting pleasure in vagabondage and the English scene.’ The Times ‘A paean to the beauties of the English countryside and the lovable oddities of the English character.’ New York Times ‘His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious.’ Daily Telegraph ‘A swift-moving novel, joyous, happy and incurably optimistic.’ Evening Standard ‘His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.’ Punch
The Stowaway is at once a thrilling maritime adventure and a thought-provoking morality tale based on real-life events. The novel begins in the spring of 1996 when Rodolfo Miguel, a bosun on the Taiwanese container ship Maersk Dubai, discovers a hungry and frightened pair of Romanian stowaways. He presents them to his officers, fully expecting that they’ll be put to work or else dropped off at the nearest port. Instead, he and his fellow Filipino crewmen watch in silent horror as the Romanians are cast overboard in a flimsy raft only to disappear beneath the ship’s wake. The Stowaway moves seamlessly between two storylines. Aboard the Maersk Dubai, Rodolfo and his crewmen must deal with the emotional trauma of what they’ve seen – as well as grapple with how to act on what they know. The atmosphere on the ship grows increasingly tense as fear, anxiety and paranoia grip the Filipino sailors. Trapped witnesses to a crime, they wonder whom they can trust and whether they themselves will meet with the same fate as the stowaways. Meanwhile, a nineteen-year-old Romanian named Daniel Pacepa heads out on a nail-biting adventure from Bucharest to Algeciras. Poor, brave and full of youthful indiscretion, Daniel is desperate to stow away on a ship and head to a better life in America. Along the way, he meets another Romanian named Gheorghe and together they perform cheap labour, pose as evangelical Christians and do whatever it takes to find their way to the Spanish port of Algeciras. Eventually the two stories merge when Daniel and Gheorghe sneak onto the ill-fated Maersk Dubai. One man is killed, the other discovered by Rodolfo. Once again, the Filipino crewmen find themselves faced with an excruciating moral dilemma. Do they risk their own personal safety to save the life of a complete stranger? All of the scenes involving the Filipino sailors are as close to the truth as Robert Hough could manage based on exhaustive interviews with the crewmen as well as on their letters and journals. Though Hough invented the Romanians’ land adventure, he based the story on considerable research, including interviews with Romanian-Canadians who had lived under the Ceausescu regime. Hough was widely praised for the deft way in which he mixes fact and fiction in The Stowaway. The critics were also unanimous in their admiration for the novel’s ability to seduce with suspense while at the same time posing profound issues for the reader to ponder. “This is a powerful novel that artfully combines the vivid, breathless pacing of the best adventure stories with the moral and metaphysical depth of the best literary fiction,” said Quill & Quire. And from the Vancouver Sun: “Harnessing the force of fiction and the weight of history, Hough has created a powerful, deeply human masterpiece out of tragedy and inhumanity.”
They were coming. It wasn't so much the sound that revealed them. It was the subtle vibration of the ground beneath his feet, like the percussion of a distant explosion. It was their march. The dead tread of stone against sand. A ghostly gait of menace. Alone in a desert world...a world he once called home, Zak is now a damaged man. Reckless in his battle against the creatures that destroyed his family, he roams under the glare of the two suns, seeing phantoms--seeing Aimee. Five years had passed since Aimee Patterson left the man she loved. For five long years she traveled the path of life, always waiting--always looking to the stars, knowing, hoping, that one day he would return for her. And today was that day...