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A smart and funny guide to writing fiction, with engaging infographics that bring storytelling techniques to life. Whether you are daunted by a blinking cursor or frustrated trying to get the people in your head onto the page, writing stories can be intimidating. It takes passion, tenacity, patience, and a knowledge of?and faith in?the often-digressive writing process. A do-it-yourself manual for the apprentice fiction writer, Storyville! demystifies that process; its bold graphics take you inside the writer’s comfortingly chaotic mind and show you how stories are made. In Storyville!, seasoned guide John Dufresne?whose approach “will anchor the newbie and entertain the veteran” (San Francisco Chronicle)?provides practical insight into the building blocks of fiction, including how to make the reader see your characters, create a suspenseful plot, and revise, revise, revise. Storyville! is a combination handbook and notebook, with original prompts and exercises crafted with Dufresne’s singular dry wit and Evan Wondolowski’s playful and illuminating graphics on every page.
A spectacular new anthology of the best short-short fiction from across the United States. It has been more than thirty years since the term “flash fiction” was first coined, perfectly describing the power in the brevity of these stories, each under 1,000 words. Since then, the form has taken hold in the American imagination. For this latest installment in the popular Flash Fiction series, James Thomas, Sherrie Flick, and John Dufresne have searched far and wide for the most distinctive American voices in short-short fiction. The 73 stories collected here speak to the diversity of the American experience and range from the experimental to the narrative, from the whimsical to the gritty. Featuring fiction from writers both established and new, including Aimee Bender, K-Ming Chang, Bonnie Jo Campbell, Bryan Washington, Robert Scotellaro, and Luis Alberto Urrea, Flash Fiction America is a brilliant collection, radiating creativity and bringing together some of the most compelling and exciting contemporary writers in the United States.
“A novella compresses the world with a short story’s focus, but it explores that smaller space with a novel’s generosity.”—Josh Weil, author of The New Valley: Novellas While the novella has existed as a distinct literary form for over four hundred years, Writing the Novella is the first craft book dedicated to creating this intermediate-length fiction. Innovative, integrated journal prompts inspire and sustain the creative process, and classic novellas serve as examples throughout. Part 1 defines the novella form and steers early decision-making on situation, character, plot, and point of view. Part 2 provides detailed directions for writing the scenic plot points that support a strong but flexible narrative arc. Appendix materials include a list of recommended novellas, publishing opportunities, and blank templates for the story map, graphs, and charts used throughout the book. By turns instructive and inspirational, Writing the Novella will be a welcome resource for new and experienced writers alike.
From bestselling author Gary Krist, a vibrant and immersive account of New Orleans’ other civil war, at a time when commercialized vice, jazz culture, and endemic crime defined the battlegrounds of the Crescent City Empire of Sin re-creates the remarkable story of New Orleans’ thirty-years war against itself, pitting the city’s elite “better half” against its powerful and long-entrenched underworld of vice, perversity, and crime. This early-20th-century battle centers on one man: Tom Anderson, the undisputed czar of the city's Storyville vice district, who fights desperately to keep his empire intact as it faces onslaughts from all sides. Surrounding him are the stories of flamboyant prostitutes, crusading moral reformers, dissolute jazzmen, ruthless Mafiosi, venal politicians, and one extremely violent serial killer, all battling for primacy in a wild and wicked city unlike any other in the world.
At a time when women were denied opportunity, the lavish parlors of Storyville offered advancement for women who welcomed the vice. Mary Deubler, the Storyville madam who called herself Josie Arlington, more than welcomed carnal enterprise. A turbulent childhood forced her into a life of prostitution at an early age, but fueled by ambition, she opened a brothel that soon developed a dangerous reputation in a city famous for competitive iniquity. Devastating circumstances spun her into a new path lined with luxury. Her palace, the brothel she named the Arlington, cemented her legacy. An establishment filled with exotic girls, who added a rare air of refinement to its proffered debauchery, it allowed Josie to become something even rarer for her time: a self-made woman of vast wealth and influence. Author Marita Woywod Crandle charts Josie's rise while painting a vivid picture of New Orleans's red-light district.
When the pastor of an evangelical church hires a new keyboardist to take his congregation electric, things get weird in a hurry. Objects go missing-paint buckets, Bibles, pieces of the stage, and even the neighborhood dog. Worse, Pastor Zacharias Hembrey himself goes missing the night he's abducted by members of a cartel who've chosen his church as a front for their drug smuggling operation. While the congregants suspect the new keyboardist is behind the illegal activity, Pastor Zacharias refuses to admit how much his own daughter might be involved. Alternately told from the perspective of the pastor's daughter, Elizabeth, and from Pastor Zacharias, The Watershed Project is a southern literary novel about the limits of faith, the struggle for meaning in a corrupt, dispirited town, and the lengths to which one father will go to reconcile with his rebellious teenage daughter.
Megachurch pastor Matthew Goodman is tired, focusing on the demands of his work. What he doesn't know about his new assistant Trish Card and her real reason for appearing will dismantle his world. In the #ChurchToo era, this novel invites readers to see life's shadowed edges—isolation, power, and abuse—illumined by the light of truth.
Teenage siblings Josie and Jack are each other's whole world. Josie lives inside Jack's love and happily submits to his control, following him on his sociopathic path. When their father's erratic behavior finally drives them away, things get complicated, sinister, and interesting, in this contemporary Hansel and Gretel story.
Whose turn will it be next?In her work as a loan processor at Sunshine City Bank in Saint Petersburg, Colleen Smithwick has always found it hard to cope with the increasing pressures of work-suffering myopic and tyrannical loan officers while grinding through unreasonable deadlines. She plays the part of a committed wife well, but a restlessness weighs heavy on her mind. When murders of two high-officials rock the bank, Colleen becomes enamored with the lead detective investigating the case.It's Detective Gary Black's job to see the risk in every situation, but he is unaware of the danger surrounding his own life. Since the time he first met Colleen, he has felt a strange attraction for her, the attraction that leads him into a world of dark secrets, throwing him into the path of a psychopathic killer. He must do whatever it takes to solve the case. That is, if he can stay ahead in the game.Who is in danger? Who is in control? In this devilishly gripping thriller, nothing is what it seems on the surface.
Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players--some say the originator of jazz--who was, in any case, the genius, the guiding spirit, and the king of that time and place. In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.