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"Nemo Non Metuit": Magic in the Roman World has the ambitious goal of discussing some of the fundamental themes in the development of the idea of magic, in all its facets, in the long chronological span of the Roman world, between the 8th century BCE and the 5th century CE. At the same time, this volume is the result of a team effort that has brought together both accomplished scholars and young researchers at the beginning of their scholarly careers. Altogether, this ample work is the result of a synergy that brought together different approaches to the study of Roman magic. The broad content of this volume includes studies on magical gems of Etruscan, Greek and Phoenician background; curse tablets; amulets targeting malaria; erotic spells; the use of veneficia or poisons for magical purposes; judicial prayers in Roman Britain; witches in the literary tradition; the role of women in the matter of magic and divination; the figure of the "Orphic witch" in the age of Augustus; sorcerers and rivals of Jesus Christ; early-Christian sermons against magic and superstition; the fight of late-antique Church against magical powers. By addressing such a diverse spectrum of topics, this volume aims to challenge traditional views and open new paths of interpretation in the reconstruction of a long-term cultural-historical object such as magic in connection to the Roman civilization.
This volume offers the first comprehensive treatment of how the five canonical Greek novels represent slaves and slavery. In each novel, one or both elite protagonists are enslaved, and Owens explores the significance of the genre’s regular social degradation of these members of the elite. Reading the novels in the context of social attitudes and stereotypes about slaves, Owens argues for an ideological division within the genre: the earlier novelists, Xenophon of Ephesus and Chariton, challenge and undermine elite stereotypes; the three later novelists, Longus, Achilles Tatius, and Heliodorus, affirm them. The critique of elite thinking about slavery in Xenophon and Chariton opens the possibility that these earlier authors and their readers included literate ex-slaves. The interests and needs of these authors and their readers shaped the emerging genre and not only made the protagonists’ slavery a key motif but also made slavery itself a theme that helped define the genre. The Representation of Slavery in the Greek Novel will be of interest not only to students of the ancient novel but also to anyone working on slavery in the ancient world.
Slavery and sexuality in the ancient world are well researched on their own, yet rarely have they been examined together. Chapters address a wealth of art, literature, and drama to explore a wide range of issues, including gendered power dynamics, sexual violence in slave revolts, same-sex relations between free and enslaved people, and the agency of assault victims.
Addressed to readers of modern literature as well as to those interested in Greco-Roman literature and in religious history, Auctor and Actor examines Apuleius's The Golden Ass as an early example of self-consciousness in narrative. Entering into the spirit of the novel's crafty playfulness, John Winkler carries the reader on a journey that is, like that of the hero Lucius, both entertaining and enlightening. Addressed to readers of modern literature as well as to those interested in Greco-Roman literature and in religious history, Auctor and Actor examines Apuleius's The Golden Ass as an early example of self-consciousness in narrative. Entering into the spirit of the novel's crafty playfulness, John Winkler carries the reader on a journey that is, like that of the hero Lucius, both entertaining and enlightening.
A provocative new theory about fairy tales from one of the world's leading authorities If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread—or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold—and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved—and why we still use them to make meaning of our lives.
DigiCat Publishing presents to you this special edition of "Stories of Old Greece and Rome" by Emilie K. Baker. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Introduction: Degradation and Resistance -- Ephesiaca: Enslavement and Folktale -- Callirhoe: Narratives of Slavery Explicit and Implied, Told and Retold -- Two Novels About Slavery -- Daphnis and Chloe: Slavery as Nature and Art -- Slavery and Literary Play in Leucippe and Clitophon -- Aethiopica: Love and Slavery, Philosophy and the Novel -- Afterword: Conclusions Summarized and Two Points of Speculation.
Positions Revelation within an ancient Jewish context and demonstrates how the author used humor to resist Roman power.