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These Are Our Stories is a collection of women's stories, thoughts, and poems about the domestic abuse they have experienced throughout their lives. Transcribed directly from Jan Rosenberg's interviews with eleven women in the Florida panhandle, their histories embody the epidemic of domestic violence in America. The eleven survivors are lower to middle class women of various ethnic orientations, and range in age from their late twenties to mid-sixties. The survivors' stories are clarified with the use of diagrams from The Domestic Abuse Intervention Project (DAIP), and examined as the women re-build their lives hours and days at a time. These Are Our Stories provides two resource guides following the women's interviews. The first guide is adapted for use in north Florida to assist an abused woman in identifying her situation using these eleven women's stories as a thread. The second resource is a brief bibliography of literature and resources for domestic violence victims that can be used throughout the U.S.
This autobiography is about my life and the humble words in this book will reflect many stories of domestic violence, abuse of all kinds, sadness, major illnesses, family tragedies, and, most important, how to survive anything that comes your way. I am just a guy who grew up under adverse situations and worked hard to heal and grow along the way. During the manuscript submission phase, Page publishing asked me if I thought readers would enjoy the book and my answer was, “I hope readers
Story Workshop, supported by the Dutch organization Cortaid initiated the Kamanga Zula programme to fight Gender-Based Violence. At the heart of the project is two weekly radio programmes: a serial drama and a panel discussion covering all aspects of Gend
"'Abuse' is an ugly word. And to many people, abuse is an ugly reality of life. This book tells the stories of two men and two women whose lives have been painfully marked by abuse. As a child, Kenyon was beaten first by his mother, later by his father and stepmother. Dawn grew up surrounded by abusive people, then married a violent man. Ryan's stepfather terrorized his entire family, physically and emotionally. Eunice was only a child when an adult relative targeted her for sexual abuse. The things that Kenyon, Dawn, Ryan, and Eunice experienced could have destroyed them inside. But that's not what happened. Read Surviving Abuse to learn how people can grow strong and healthy even after suffering at the hands of others."--Back cover.
The stories in this anthology emerged from interviews with women and young people about their experience of intervention when they were escaping a situation of abuse, neglect and/or sexual exploitation. They come from the research project “Cultural Encounters in Intervention Against Violence (CEINAV)” in four countries – England & Wales, Germany, Portugal and Slovenia. Through support services the women and young people were contacted; they came from a minority or migration background and had travelled through a history of violence and intervention, and were asked to tell who intervened, what had been helpful and what had not.
Interviews with abusers and victims form the basis of this discussion of the characteristics and dangers of unhealthy relationships, the importance of honest communication, and cooperative ways of resolving conflict.
This book was compiled by a group of students participating in a leadership course in Charlotte, North Carolina. The group has declared a vision for the world in which they are committed to creating a world that is connected, compassionate, authentic, peaceful, and abundant. This book was inspired by that commitment. And suddenly, you know its time to start something new and trust the magic of new beginnings.
Traumatic experiences and their consequences are often the core of life stories told by survivors of violence. In Trauma: Life Stories of Survivors leading academics explore the relationship between the experiences of terror and helplessness that have caused trauma, the ways in which survivors remember, and the representation of these memories in the language and form of their life stories. International case studies include the migration of Ethiopian Jews to Israel, the life stories of Guatemalan war widows, violence in South Africa, persecution of political prisoners in South Africa and the former Czechoslovakia, lynching in the Mississippi Delta, resistance in Zimbabwe's liberation war, sexual abuse, and the ongoing Irish troubles. The volume reveals the complexity of remembering and forgetting traumatic experiences, and shows that survivors are likely to express themselves in stories containing elements that are imaginary, fragmented, and loaded with symbolism. Trauma: Life Stories of Survivors is a groundbreaking work of relevance across the social sciences. This new perspective on trauma will be of particular importance to researchers in psychology, history, women's studies, anthropology, sociology and cultural studies. Kim Lacy Rogers is professor of history and American studies at Dickinson College, Pennsylvania. Selma Leydesdorff is based at the Belle van Zuylen Instituut, University of Amsterdam, The Netherlands. Graham Dawson is a senior lecturer in cultural and historical studies at the University of Brighton, UK.
Presents a powerful thesis on the nature and significance of violence and its mythos in Western culture, and offers an alternative interactive mythos that bridges the mind/body split inherent in most theories of violence. "The Violence Mythos presents us with a powerful thesis on the nature and significance of violence in human society. It develops its argument with passion and concern, combined with a lucid and sensitive intelligence. The book is sharp .and to the point, challenging any complacency with its idealism and its commitment to change. Whitmer is an author with attitude and with spirit. The violence mythos is a collection of beliefs, attitudes, behaviors, and social expectations about violence in Western culture. It includes the war hero myth, the victimizer/victim exploitative dynamic, the theory of innate violence, the mind/body dualism, the myth of male aggression and the subordination of women, the marginalization of trust, and the development of technology in a tradition of destructive instrumentalism. At the core of the violence mythos is the belief that humans are innately violent. The cultural system is then able to legitimate, rationalize, and use violence to control "violent humans", and thus becomes a self-reinforcing, self-perpetuating system of direct and indirect means of social control. This is the repetitive cycle of violence in trauma reenactment, transferred intergenerationally through the roles and rituals of the hero/perpetrator myth. The cycle ceases with the understanding of trauma in the trust triad of the interdependent mythos.