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Tales of Giants from Brazil is Elsie Spicer Eells’ second collection of twelve, illustrated Brazillian stories. In this volume you will find unique stories with unfamiliar titles. Stories like The Princess Of The Springs, The Fountain Of Giant Land, The Little Sister Of The Giants, The Giant’s Pupil plus eight more. When one thinks of giants in folklore, South America is not usually the region of the world that first comes to mind. We are more familiar with tales of giants in the fairy tales and folklore of the West. So, to have twelve absolutely unique stories of giants from Brazil in one volume is extra-special. For this we have Elsie Spicer-Eells to thank. As Eells puts it, “Brazil is the land of giant fruits and giant flowers. Of course it is the land of giant stories too.” It is safe to stay that storytelling was alive and well in Central and South America when the Portuguese arrived in circa AD1500. It would also be safe to say that the Portuguese brought their folk tales along with their trade. Therefore it does not take a leap of the imagination to conclude that at some point the folklore from these two cultures became entwined to form new stories – much like the mixing of the dark, almost black, waters of the Rio Negro and the brown, lighter, muddy waters of the Rio Solimoes just north of the City of Manaus. It is often claimed that this is where the Amazon River truly starts. So, find a comfy chair, sit back with a hot toddy, and enjoy these twelve unique and authentic folk stories for children.
Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals July - December)
The tales in this book were told to the renowned author and academic Aziza Jafarzade by her mother "Grandmother Boyukhanim" when she was a child in Azerbaijan in the first half of the last century. In later life she faithfully wrote them down and preserved them for posterity in the collection "My Mother's Tales" published in Baku in 1982. They are a joy to read. Influenced by fairy tales and folklore they are rich in mysticism, metaphor, allegory and magic. With dragons and serpents, speaking animals, flying horses and other strange creatures, every story has a strong moral element to it. Good usually triumphs over evil, but not always, for - like all good fairy tales - there is a dark side to them. All aspects of human life are addressed with consummate skill and these stories will appeal to both children and adults alike. This universal appeal and timelessness is best summed up by Professor Maharramova: "She used the language of the marvellous to mirror the hopes and fears of our own world".
Clever Maids, Fearless Jacks, and a Cat showcases the stories of two Newfoundland storytellers, Philip Pius Power and Alice Lannon. Ethnopoetic transcriptions of these sensitive and artful tales, which have been passed on orally for generations as part of a community tradition, give accounts of living oral performances from the last quarter of the twentieth century and demonstrate the artistry that is possible without the written word. Here, eight tales from Power and five tales from Lannon take up issues of vital concern—such as spousal abuse, bullying, and social and generational conflict—allusively, through a screen of fiction. In commentary following the stories Anita Best, Martin Lovelace, and Pauline Greenhill discuss the transmission of fairy tales in oral tradition, address the relation of these magic tales to Lannon’s and Power’s other stories, and share specifics about Newfoundland storytelling and the two tellers themselves. The text is further enriched by expressive illustrations from artist Graham Blair. Clever Maids, Fearless Jacks, and a Cat presents the fairy-tale oeuvres of two superb storytellers as a contribution to interdisciplinary fairy-tale studies and folklore—countering fairy-tale studies’ focus on written traditions and printed texts—as well as to gender studies, cultural studies, Newfoundland studies, and Canadian studies. Students, scholars, and general readers interested in folk and fairy tales, contemporary Märchen, Newfoundland folklore, or oral tradition more generally will find much of value in these pages. Support for this publication was provided, in part, by the University of Winnipeg.