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Presents short stories set in the South, from such writers as Daniel Wallace, Rick Bragg, Mary Ward Brown, Juliana Gray, and Alix Strauss.
A collection of essays, stories, and poems by thirty-two Southern writers, including Jim Dees, Bret Anthony Johnston, and Diane McWhorter.
The successor to Stories from the Blue Moon Cafe, this new collection of short stories, essays, and poetry continues to illustrate the extraordinary range of styles, topics, and themes in the grand Southern literary tradition.
Uncompromising, often dark, and always insightful, 'Dying Light' explores the mysteries of duty, forgiveness, power, and love through a broad range of narrative voices. We meet a football coach who seeks to avenge his wife’s affair, a delusional poet who escapes from a hospital as the bombing of Baghdad begins, a woman whose son was killed in a car accident, and an almost-widower wistful about his first love. In these and other stories, Hays illuminates his characters’ most secret and human realizations with unwavering candor and clarity.
For Anyone Who's Ever Been a Teenager Who's teenage years weren't terrible? Remember the scary older kids? The sadistic gym teacher? The smelly kid who sat next to you in science class? Your first fumbling kiss? That time you threw up in the cafeteria? Your first attempt at putting on a condom? The period that arrived unexpectedly? That awful fight with your parents? The first time you got drunk? That note you wrote that you shouldn't have written? The day you forgot to zip your fly? That monster zit? When, you wondered, would it all end? In When I Was a Loser, John McNally, author of the novel America's Report Card, assembles twenty-five original essays--often hilarious, sometimes tenderhearted, always evocative--about defining moments of high school loserdom. Brad Land, Julianna Baggott, Owen King, Johanna Edwards, and many more fresh, talented writers explore their own angst, humiliation, heartache, and other staples of teen life. These essays perfectly capture what it was like to be in high school: to experience so many things for the first time, to assert independence while desperately trying to fit in, to feel misunderstood and unable to articulate the wild swings between heartbreak, anger, and euphoria. One writer recalls how his grandmother helped him with his home perm in preparation for the Senior Class picture; another recounts her discovery, sometime after hitting puberty, of the power she held over boys and men, while at the same time she felt herself at their mercy; a third remembers the casual cruelties visited on him by the cooler kids, and the cruelties he, in turn, inflicted on kids below him on the social ladder. Utterly candid and compulsively readable, these essays conjure up and untangle those raw and formative years. The writers cringe and laugh at the teenagers they were, but at the same time, they honor their adolescence and the way it shaped their lives. Because, in truth, beneath the layers of adult respectability, we all still carry a little bit of our teenage selves around with us.
A short story collection highlighting the Blue Moon Caf? series veterans. Edited by Tom Franklin, the acclaimed author of Hell at the Breach, and the endlessly talented poet Beth Ann Fennelly. As each Blue Moon volume includes new voices, the idea of loosing such enormous amounts of talent and stories going untold was too much to bear. Alumni Grill keeps a slew of southern talent from slipping out the Caf?'s back door and in front of fans.
“He’s a gambler at best. A con artist at worst,” her aunt had said of the handlebar-mustached man who snatched Ella Wallace away from her dreams of studying art in France. Eighteen years later, that man has disappeared, leaving Ella alone and struggling to support her three sons. While the world is embroiled in World War I, Ella fights her own personal battle to keep the mystical Florida land that has been in her family for generations from the hands of an unscrupulous banker. When a mysterious man arrives at Ella’s door in an unconventional way, he convinces her he can help her avoid foreclosure, and a tenuous trust begins. But as the fight for Ella’s land intensifies, it becomes evident that things are not as they appear. Hypocrisy and murder soon shake the coastal town of Apalachicola and jeopardize Ella’s family.
The production and consumption of alcohol has played a significant role in human society since the dawn of civilization. Will this still hold true when humanity is exploring and settling the outer reaches of space? This first book on the topic examines the history of alcohol in space, as well as dozens of companies and projects that are exploring the possibilities of alcohol production in orbit. Covering the long history of alcohol in human society, how alcohol has been addressed in science fiction, and space agriculture technologies, this book investigates a broad sweep of questions that bear on the manufacture of alcohol in space, as well as human space settlement in general.
Contributions by Julie Cantrell, Katherine Clark, Susan Cushman, Jim Dees, Clyde Edgerton, W. Ralph Eubanks, John M. Floyd, Joe Formichella, Patti Callahan Henry, Jennifer Horne, Ravi Howard, Suzanne Hudson, River Jordan, Harrison Scott Key, Cassandra King, Alan Lightman, Sonja Livingston, Corey Mesler, Niles Reddick, Wendy Reed, Nicole Seitz, Lee Smith, Michael Farris Smith, Sally Palmer Thomason, Jacqueline Allen Trimble, M. O. Walsh, and Claude Wilkinson The South is often misunderstood on the national stage, characterized by its struggles with poverty, education, and racism, yet the region has yielded an abundance of undeniably great literature. In Southern Writers on Writing, Susan Cushman collects twenty-six writers from across the South whose work celebrates southern culture and shapes the landscape of contemporary southern literature. Contributors hail from Mississippi, Alabama, Louisiana, Tennessee, Georgia, South Carolina, North Carolina, Virginia, and Florida. Contributors such as Lee Smith, Michael Farris Smith, W. Ralph Eubanks, and Harrison Scott Key, among others, explore issues like race, politics, and family and the apex of those issues colliding. It discusses landscapes, voices in the South, and how writers write. The anthology is divided into six sections, including “Becoming a Writer;” “Becoming a Southern Writer;” “Place, Politics, People;” “Writing about Race;” “The Craft of Writing;” and “A Little Help from My Friends.”
From the Editor: An old friend of mine once said to me, “You oughta go ahead and get the graveyard people to cut your stone now. Have ’em write on there, ‘If this is anything like his life, he won’t be here long.’ ”I’ve thought a dozen times to get a paperweight-size version of that very epitaph. I’ll get around to it someday. Or the graveyard people will. Anyway, with this short attention span I’m blessed with, I sat at my breakfast table on an Alabama springtime morning, ideas sprouting like the green outside my window, and a thought ran by: What could we do differently with the Blue Moon Café anthology? Nothing wrong with it the way it is. But that’s not the point. I thought about that little hardback I bought in the Pensacola airport, which fit so nicely into my sport coat pocket, and which I finished before I completed the loop down and back from the Miami International Book Fair: Gabriel García Márquez’s Memories of My Melancholy Whores. I fell so in love with that small volume that I used a couple precious minutes of my allotted seven on the book fair panel to read from the brief work that extends infinitely in my mind. Aha! Let’s make the next Blue Moon Café book fit into a coat pocket, a purse. Let’s peg the meter with exceptional literary talent. Let’s give readers less on their plates, but more to digest. More provocation. More beauty, horror, and sadness. More loving insight into the comedy and tragedy of the human situation.And readers’ palates, of course, will judge the effort. Here’s betting their decision leads to a long life for this new edition of our book of stories served up from the Blue Moon Café.