Download Free Stories From Iran Book in PDF and EPUB Free Download. You can read online Stories From Iran and write the review.

This collection of thirty-five Persian short stories by twenty-six of Iran's best known contemporary writers gives voice to the concerns, strivings, and visions of their generation. In styles ranging from the dark to the humorous, from the elegant to the poetic, these stories depict aspects of both traditional and modern life in Iran with its many religious, political, cultural and class tensions. The expanding role of women in Iranian society is attested to both by the large number of women writers included in the volume, and by the central role played by women in many of the stories. Written during the last 75 years and arranged in chronological order, these stories span a period in Iranian history from the Constitutional Revolution (1906-11) through the long reign of the Pahlavis (1925-79), the upheavals of the 1950s, the 1979 Islamic Revolution, to the present. Stories From Iran was selected, edited, and translated by scholars of Persian Literature at the University of Chicago. Accompanied by a complete glossary, author biographies and photos, it will give the reader an unmatched insight into Iranian life -- an insight that only true works of art can provide.
Iran has mountains striped with snow, dense forests where bears and lynxes still roam, deserts, bazaars...but above all it has stories - of fairies and demons, of a monstrous metal eagle called the okab, of romantic cockroaches and foolish weavers. During her travels, Elizabeth Laird has gathered a wealth of stories, and here she retells, in her own inimitable style, some of Iran's best, with delightfully offbeat illustrations from Shirin Adl. Praise for A Fistful of Pearls and Other Tales from Iraq: 'Its baddies are wolves and thieves; its stories are fabulous.' The Daily Telegraph
Maryam Rostampour and Marziyeh Amirizadeh knew they were putting their lives on the line. Islamic laws in Iran forbade them from sharing their Christian beliefs, but in three years, they’d covertly put New Testaments into the hands of twenty thousand of their countrymen and started two secret house churches. In 2009, they were finally arrested and held in the notorious Evin Prison in Tehran, a place where inmates are routinely tortured and executions are commonplace. In the face of ruthless interrogations, persecution, and a death sentence, Maryam and Marziyeh chose to take the radical—and dangerous—step of sharing their faith inside the very walls of the government stronghold that was meant to silence them. In Captive in Iran, two courageous Iranian women recount how God used their 259 days in Evin Prison to shine His light into one of the world’s darkest places, giving hope to those who had lost everything and showing love to those in despair.
In 1979, there were fewer than 500 known Christians from a Muslim background in Iran. Today there are at least 100,000 believers . Church leaders believe that millions can be added to the church in the next few years ' such is the spiritual hunger that exists. The religious violence that accompanied the reign of President Ahmadinejad drained its perpetrators of political and religious legitimacy, and has opened the door to other faiths. This book sets the rapid church growth in Iran in the context of the deteriorating relationship between Iranians and their national religion. There is a major focus on the Ahmadinejad years, but the author also covers the history of the church before 1979, picking up on the central idea that the spark may have become buried in the ashes but has never been extinguished. The book is careful, proportionate, well-informed and accurate. Throughout the text there will be boxes with stories of faith, persecution, and encouragement.
Ashley Dartnell's mother was a glamorous American, her father a dashing Englishman, each trying to slough off their past and upgrade to a more romantic and exotic present in Iran. As the story starts, Ashley is eight years old and living in Tehran in the 1960s: the Shah was in power, life for Westerners was rich and privileged. But somehow it didn't all add up to a fairytale. There were bankruptcies and prisons, betrayals and lovers, lies and evasions. And throughout it all, Ashley's passionate and strong-willed mother, Genie. Stories of mothers and daughters are some of the most compelling in contemporary memoir, from The Liar's Club and The Glass Castle to Don't Let's Go to the Dogs Tonight and Bad Blood. Farangi Girl deserves to be in their company. It's an honest and endlessly recognisable portrait of a mother by a daughter who loved her (and was loved in return). Against this extraordinary background, Ashley's journey into adulthood was more helter-skelter than most and this portrait of a bewitching and endlessly inventive mother is surprising and deeply moving.
Tales of Persia is a timely book of missionary tales that will teach readers about Islam and encourage a new generation of Christians to spread the gospel. As the stories unfold, we also learn what Islam is, how it differs from Christianity, and why people need to be saved from it. This book is especially useful for family devotions and Sunday school classes.
"A history of the relationship between Iran and America from the 1700s through the current day"--
Darius doesn't think he'll ever be enough, in America or in Iran. Hilarious and heartbreaking, this unforgettable debut introduces a brilliant new voice in contemporary YA. Winner of the William C. Morris Debut Award “Heartfelt, tender, and so utterly real. I’d live in this book forever if I could.” —Becky Albertalli, award-winning author of Simon vs. the Homo Sapiens Agenda Darius Kellner speaks better Klingon than Farsi, and he knows more about Hobbit social cues than Persian ones. He’s a Fractional Persian—half, his mom’s side—and his first-ever trip to Iran is about to change his life. Darius has never really fit in at home, and he’s sure things are going to be the same in Iran. His clinical depression doesn’t exactly help matters, and trying to explain his medication to his grandparents only makes things harder. Then Darius meets Sohrab, the boy next door, and everything changes. Soon, they’re spending their days together, playing soccer, eating faludeh, and talking for hours on a secret rooftop overlooking the city’s skyline. Sohrab calls him Darioush—the original Persian version of his name—and Darius has never felt more like himself than he does now that he’s Darioush to Sohrab. Adib Khorram’s brilliant debut is for anyone who’s ever felt not good enough—then met a friend who makes them feel so much better than okay.
Iranian history was long told through a variety of stories and legend, tribal lore and genealogies, and tales of the prophets. But in the late nineteenth century, new institutions emerged to produce and circulate a coherent history that fundamentally reshaped these fragmented narratives and dynastic storylines. Farzin Vejdani investigates this transformation to show how cultural institutions and a growing public-sphere affected history-writing, and how in turn this writing defined Iranian nationalism. Interactions between the state and a cross-section of Iranian society—scholars, schoolteachers, students, intellectuals, feminists, and poets—were crucial in shaping a new understanding of nation and history. This enlightening book draws on previously unexamined primary sources—including histories, school curricula, pedagogical materials, periodicals, and memoirs—to demonstrate how the social locations of historians writ broadly influenced their interpretations of the past. The relative autonomy of these historians had a direct bearing on whether history upheld the status quo or became an instrument for radical change, and the writing of history became central to debates on social and political reform, the role of women in society, and the criteria for citizenship and nationality. Ultimately, this book traces how contending visions of Iranian history were increasingly unified as a centralized Iranian state emerged in the early twentieth century.