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The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.
Italy in the Middle Ages was unique among the countries of Europe in recreating, in a changed environment, the urban civilization of antiquity - the society, culture, and political formations of city-states. This book examines the origins and nature of this phenomenon from the fall of Rome to the eve of its consummation, the Italian Renaissance. The explanation is sought in Italy's singular `double existence' between two contrasted worlds - ancient and medieval. The ancient was characterised by the total predominance of the landed aristocracy in economy and society, enforced through a peculiar system of city states embracing town and country. The new medieval influences were marked by the separation of town, country and aristocracy, by the identification of towns with trade and a mercantile bourgeoisie, and by commercial and proto-industrial revolution. Italy shared in both worlds. It remained a land of cities and of an urbanized ruling class (except in the Norman South) and re-established territorial city states; but the staes were very different from those of antiquity, the city leaders in the commercial revolution, and Italy itself seen as a nation of shopkeepers, birthplace of capitalism. In this fascinating and ground-breaking study, Philip Jones traces in detail the tension and interaction between the two traditions, civic and patrician, mercantile and bourgeois, through all phases of Italian life to their culmination in two rival regimes of communes and despots.
The Handbook of International Futurism is the first reference work ever to presents in a comparative fashion all media and countries in which the movement, initiated by F.T. Marinetti in 1909, exercised a particularly noteworthy influence. The handbook offers a synthesis of the state of scholarship regarding the international radiation of Futurism and its influence in some fifteen artistic disciplines and thirty-eight countries. While acknowledging the great achievements of the movement in the visual and literary arts of Italy and Russia, it treats Futurism as an international, multidisciplinary phenomenon that left a lasting mark on the manifold artistic manifestations of the early twentieth-century avant-garde. Hundreds of artists, who in some phase in their career absorbed Futurist ideas and stylistic devices, are presented in the context of their national traditions, their international connections and the media in which they were predominantly active. The handbook acts as a kind of multi-disciplinary, geographical encyclopaedia of Futurism and gives scholars with varying levels of experience a detailed overview of all countries and disciplines in which the movement had a major impact.
This book undertakes a critical survey of art history across Europe, examining the recent conceptual and methodological concerns informing the discipline as well as the political, social and ideological factors that have shaped its development in specific national contexts.