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Detective Inspector Geraldine Steel returns in the fifth in the series, facing a case of grisly murder in London When a successful businessman is the victim of a vicious murder, all evidence points to his wife and her young lover. But then the victim's business partner suffers a similarly brutal fate and when yet another body is discovered, seemingly unrelated, the police are baffled. The only clue is DNA that leads them to two women: one dead, the other in prison. With rumours growing of a serial killer in the city, the pressure to solve the case is high. But can Geraldine find the killer before there's yet another deadly attack?
"It's been five months since Special Agent Sydney Parnell survived a violent confrontation with a gang of brutal thugs, an encounter that left her physically and emotionally scarred. Deep down, Sydney fears she isn't ready for another investigation. But when a woman is murdered on the train tracks and a child goes missing, she knows she's the only one who can lead the hunt for the killer. While Denver police and the FBI chase down blind alleys, Sydney focuses on a single cryptic clue left behind at the crime scene--one that will send her down a path of greed, violence, and long-ago love"--Back cover.
Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him--the club rooms of Brooklyn, the Mafia dives of New York's Lower East Side, the wilds of Alaska, or the hills of Hollywood--he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'" In When I Stop Talking, You'll Know I'm Dead, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road with the help of Colonel Tom Parker; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God!, The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen. Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs (the games went on for days), to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow and the Great Palace in Beijing-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer . . .well, the list goes on forever. And of course, the story is not yet over . . .as the old-timers say, "The best is yet to come." As Weintraub says, "When I stop talking, you'll know I'm dead." With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists . . . everyone.
“Whether you’re an individual woman looking for help or a reader looking for the truth about the thousands of women who are battered by the men they live with, Next Time, She’ll Be Dead is the one book you should read.” —Gloria Steinem At least 1 in 4 women will be abused during her lifetime—that is 25% of our mothers, daughters, sisters, partners, and friends. Thousands will be killed. As author Ann Jones observes, despite its devastation battering is regarded not as a serious crime, but instead as an inevitable “problem” blandly labeled “domestic violence.” Stories of household assaults and murders are all over the news, but the blame is usually pinned on the woman who is said to have either provoked the attack or failed to “leave.” In this groundbreaking book, Jones points instead to the many factors in society that promote, trivialize, and perpetuate brutality against women: from popular psychology, academic “expertise,” mass media, and pop culture, to the criminal justice system and the law itself. Delving deep into the history, legality, and personal politics of male violence against wives and girlfriends, Next Time, She’ll Be Dead fearlessly reframes the issue. This critically acclaimed masterwork offers productive ways of thinking and speaking about battering and explains what must be done to stop it.
Revenge never felt so good ... When a successful businessman is brutally murdered, a long list of suspects develops that is filled with colleagues, ex-lovers, and debt collectors. But no one is more suspicious than his beautiful wife and her young lover. That is, until the victim's business partner suffers the same gruesome fate and another murder, seemingly unconnected except for the killer's signature, occurs soon after. Confounded, Detective Geraldine Steel is left with only one more lead: DNA at the crime scenes pointing to two women—one dead and one in prison. With a steady stream of bodies arriving at the morgue, Detective Geraldine Steel and her team are in a race against time to stop a vicious killer.
Ninth Grade's crazy, it's supposed to be; everybody's just getting their act together. But Vanessa's new friend is more like a best girlfriend than a boy. They're both smart, and when they see people playing assassination at the mall and passing enciphered messages in bus stop caches, of course they try to break the codes! But there's a real mystery here: Who's stalking them from the shadows? How do they know so many intimate details of their lives? Will the principal make good on his threat to expel them? Are they just in trouble, or mortal danger? Ness races to solve the mystery and save her best friend. The first in the "My Friend Chloe" stories, Bus Stop Dead Drop serves up suspense, romance, mystery, secret codes, cover stories, and answers the age-old question, "Can a transsexual win the Science Fair?"
'Ruthlessly efficient, entertainment. Pedigree fun' - The Times Discover the darkness that lurks around every corner in the latest instalment of the award-winning Grace series, now a major ITV series. A ruthless crime. A race against time. In the dead of night, a farmer confronts the intruders of a break in, having no idea that the encounter will leave him dead. What’s more chilling is the truth of what the perpetrators were willing to kill for. At the scene, DS Roy Grace senses that this is no mere botched robbery; it’s the tip of the iceberg of a nationwide crime epidemic. Ruthless gangs, operating with military precision, have discovered a new black market flourishing in the shadows – an unthinkable source of wealth even more profitable than drugs. Grace’s investigation into this deadly trade pits him against people who will kill anyone who gets in their way, because where there is greed, there is murder. ‘Peter James is one of the best British crime writers, and therefore one of the best in the world.’ - LEE CHILD, author of The Jack Reacher series ‘The master of the craft’ - DAILY EXPRESS
In this “long overdue manifesto on gender equality in the workplace, a practical playbook with tips you can put into action immediately…simply priceless” (Angela Duckworth, bestselling author of Grit), The No Club offers a timely solution to achieving equity at work: unburden women’s careers from work that goes unrewarded. The No Club started when four women, crushed by endless to-do lists, banded together to get their work lives under control. Running faster than ever, they still trailed behind male colleagues. And so, they vowed to say no to requests that pulled them away from the work that mattered most to their careers. This book reveals how their over-a-decade-long journey and subsequent groundbreaking research showing that women everywhere are unfairly burdened with “non-promotable work,” a tremendous problem we can—and must—solve. All organizations have work that no one wants to do: planning the office party, screening interns, attending to that time-consuming client, or simply helping others with their work. A woman, most often, takes on these tasks. In study after study, professors Linda Babcock (bestselling author of Women Don’t Ask), Brenda Peyser, Lise Vesterlund, and Laurie Weingart—the original “No Club”—document that women are disproportionately asked and expected to do this work. The imbalance leaves women overcommitted and underutilized as companies forfeit revenue, productivity, and top talent. The No Club walks you through how to change your workload, empowering women to make savvy decisions about the work they take on. The authors also illuminate how organizations can reassess how they assign and reward work to level the playing field. With hard data, personal anecdotes from women of all stripes, self- and workplace-assessments for immediate use, and innovative advice from the authors’ consulting Fortune 500 companies, this book will forever change the conversation about how we advance women’s careers and achieve equity in the 21st century.
Dexter Morgan—blood-spatter analyst, husband, father, serial killer—knew that he couldn’t burn the candle at both ends forever, and now, his dark deeds have finally ensnared him. • The Killer Character That Inspired the Hit Showtime Series Dexter He is in prison on multiple homicide charges, although, ironically, he did not commit any of the murders of which he is accused. He’s lost everything: his wife, kids, career, and the loyalty of his sister. Now his sole, small shot at redemption may come from his brother, Brian, a homicidal maniac who makes Dexter look like the angel in the family. By helping Brian through some serious trouble of his own making, Dexter sees a potential path to proving himself innocent. But the stakes are truly deadly. And, with nothing left to hold him back, Dexter hurtles into an epic showdown ... which may be his last.
"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.