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A crucial text for any university course on the interaction of archaeology and the Bible The world of early Christians was not a world lived in texts; it was a world saturated with material reality and concerns: what, where and when to eat or drink; how to present oneself in the space of bodily life and that of death; how to move from one place to another; what impacted status or the adjudication of legal charges. All these and more controlled so much of life in the ancient world. The Christians were not immune from the impact of these realities. Sometimes they absorbed their surrounds; sometimes they quite explicitly rejected the material practices bearing in on them; frequently they modified the practice and the rationale to create a significant Christian alternative. The collection of essays in this volume come from a range of international scholars who, for all their different interests and critical commitments, are yet united in treasuring research into the Greek and Roman worlds in which Christians sought to make their way. They offer these essays in honor of one who has made a lifetime's work in mining ancient material culture to extract nuggets of insight into early Christian dining practices: Dennis E. Smith. Features Rich examples of method in the utilization of ancient material culture for biblical interpretation. Thirteen essays with a response from Dennis E. Smith Maps, diagrams, and plates
Leap across time with bestselling author Harvey Rachlin as he collects over 50 of the most fascinating objects in the world, under one book. The Mounted Hide of Stonewall Jackson's Battle Horse, The Black Obelisk, The Rosetta Stone, George Washington's False Teeth, Vice Admiral Lord Nelson's Uniform Coat, The Elephant Man's Skeleton, and Lincoln's Death Bed are just some of the objects Rachlin explores with wit, pick and an amazing sense of spectacle. Publisher's Weekly calls Lucy's Bone's, Sacred Stones, and Einstein's Brain "entertaining and enlightening." Library Journal declares Rachin's work "fascinating." Parade says it is "detailed and authoritative." It is also intensely moving as Rachlin weaves together seemingly disparate histories into a holistic statement that celebrates human endeavor. This book is not simply wonderful -- it is full of wonder.
Courageous, passionate men and women battle for survival of their clans—in the shadow of the great mammoth who speaks with thunder . . . As the massive glaciers fade and the wide seas rise, the warm grasslands of the Americas bring prosperity to the gentle People of the Red World, followers of the Great Ghost Spirit, the White Mammoth. But farther north, where the harsh dry winds howl, another nation, the People of the Watching Star, are enmeshed with legends of an evil shaman and the man-eating monster called the wanawut. Relentlessly they have hunted the mammoth to near extinction. Now, as raiders and ravagers they are coming south to invade the villages of the People of the Red World. The only ones who can prevent the murder of innocents and the final slaughter of the mammoth are a young boy shaman to whom the animals speak, a man whose strength equals his conviction, and a woman who hopes that, beyond violence and cruelty, humankind will recognize a stronger power—the force of love.
Tracing the magical roots of "hoodoo" back to West Africa, the author provides a history of this nature-based healing tradition and offers practical advice on how to apply hoodoo magic to everyday life.
These fourteen essays address controversies over a variety of cultural properties, exploring them from perspectives of law, archeology, physical anthropology, ethnobiology, ethnomusicology, history, and cultural and literary study. The book divides cultural property into three types: Tangible, unique property like the Parthenon marbles; intangible property such as folktales, music, and folk remedies; and communal "representations," which have lead groups to censor both outsiders and insiders as cultural traitors.
A comprehensive dictionary of sacred and magical gem lore that draws on the rarest source texts of Antiquity and the Middle Ages • Reveals the healing and magical virtues of familiar gemstones, such as amethyst, emerald, and diamond, as well as the lore surrounding exotic stones such as astrios, a stone celebrated by ancient magicians • Examines bezoars (stones formed in animals’ bodies) and “magnets” that attract materials other than metal • Based on ancient Arabic, Greek, Jewish, and European sources, ranging from the observations of Pliny the Elder to extremely rare texts such as the Picatrix and Damigeron’s Virtue of Stones Our ancestors believed stones were home to sacred beings of power, entities that if properly understood and cultivated could provide people protection from ill fortune, envy, and witchcraft; grant invisibility and other magical powers; improve memory; and heal the sick from a wide variety of diseases. These benefits could be obtained by wearing the stone on a ring, bracelet, or pendant; through massage treatments with the stone; or by reducing the gem into a powder and drinking it mixed with water or wine. Drawing from a wealth of ancient Arabic, Greek, Jewish, and European sources--from the observations of Pliny the Elder to extremely rare texts such as the Picatrix and Damigeron’s Virtue of Stones--Claude Lecouteux provides a synthesis of all known lore for more than 800 stones. He includes such common examples as the emerald, which when engraved with the figure of a harpy holding a lamprey in its claws will banish panic and nightmares, and beryl, which when appropriately carved can summon water spirits or win its owner high renown, as well as more exotic stones such as astrios, a stone celebrated by ancient magicians and whose center glows like a star. Lecouteux also examines bezoars--stones formed in animals’ bodies--as well as “magnets” that attract materials other than iron, such as gold, flesh, cotton, or scorpions. This comprehensive dictionary of sacred and magical gem lore, drawn from the rarest sources of Antiquity and the Middle Ages, represents a one-of-a-kind resource for gem enthusiasts and magical practitioners alike.
Crystals and Sacred Sites teaches you how to tap into the healing energy of sites from around the world using the power of crystals and sacred stones.
RedRoad is a profound journey of inner exploration and spiritual awakening. As the protagonist embarks on a deeply personal vision quest, they are drawn into a world where dreams and visions intertwine, blurring the line between the conscious and subconscious. With echoes of wisdom from their ancestors, the protagonist learns that dreams hold powerful messages that guide us through life, if only we learn to listen. Guided by the words of their Grandfather, who shares ancient teachings, they discover that a dream is a vision during sleep, and a vision is a dream while awake. Through this journey, they uncover the wisdom that has been passed down through generations, awakening to the light and knowledge always present within. RedRoad offers readers a unique blend of spiritual insight and emotional resonance, encouraging them to listen to their own dreams and follow the paths laid before them. This is a book for anyone seeking meaning, connection, and the profound wisdom that can be found within.
Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars. In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation. In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship.