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This coffee-table book tells the story of how the unique art form Zimbabwe Stone Sculpture was born and has come to be world-renowned. It features 15 well-known Zimbabwean artists and their works, the stone sculpture process, and the different types of stone used. The text is illustrated with beautiful full-colour photographs throughout.
Stenskulpturer i Zimbabwe fra forhistorisk tid til idag
Overzicht van beeldhouwers uit Zimbabwe en hun werk vanaf de jaren zestig.
X91;Mawonero’ is a publication that sheds a bright light for the first time on modern and contemporary African art in Zimbabwe. From the Shona language, the word ‘Mawonero’ means ‘way of seeing’. This unique survey is devoted not only to present-day artistic practice, but also to the roots of contemporary Zimbabwean art. The focus is on cultural centres such as Harare and Bulawayo or institutions such as the Gallery Delta, as well as on mission schools in their role as incubators. ‘Mawonero’ ranges across the entire art scene from 1957 to 2011, and is the first publication to make Zimbabwean art history accessible.
"The first book on Zimbabwean Shona sculpture to be printed in the West will forever change the way you think and feel about contemporary art. Discover the stunning beauty of the stone sculpture, the extraordinary people who create it and the ancient African land which inspires such profound expressions of love and hope."--front cover
Artists have long been stimulated and motivated by the work of those who came before them—sometimes, centuries before them. Interviews with 120 international contemporary artists discussing works from The Metropolitan Museum of Art's collection that spark their imagination shed new light on art-making, museums, and the creative process. Images of works from The Met collection appear alongside images of the contemporary artists' work, allowing readers to discover a rich web of visual connections that spans cultures and millennia.
Beautifully produced and illustrated, this study of the Zimbabwean birds is more than a description or history of the eight soapstone carvings found at the Great Zimbabwe historical site. It offers an insight into an aspect of the cultural heritage of Zimbabwe and an interpretation of the important site of Great Zimbabwe from which it is inherited. The story of the birds is used to explore themes in Zimbabwean historiography. By focusing on the religious symbolism of the birds, the author argues that the Great Zimbabwe site was both a political and religious centre. Practically the work illustrates the central symbolic meaning of the birds to the people and nation of Zimbabwe. And the work is in the context of the construction of an authentic national history. In a foreward, the Minister of Foreign Affairs of Zimbabwe says that the birds are constitutents of a living tradition embodying the body spirit of the modern national state of Zimbabwe.
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art