Download Free Stone Architecture In Santa Barbara Book in PDF and EPUB Free Download. You can read online Stone Architecture In Santa Barbara and write the review.

Building with stone requires a commitment to permanence, like the extraordinary, almost citywide conviction of builders in Santa Barbara from the 1870s through the 1930s. As Santa Barbara was evolving from a dusty little port and outlying resort into a vibrant and growing city, there occurred an extraordinary era of stone construction. This was made possible by a fortuitous conjunction of factors: abundant material, a cadre of expert artisans, and almost unlimited financing. This period provided an atmosphere not only conducive to the building of public spaces, homes, bridges, walls, and an assortment of other stonework, but encouraged some exceptional expressions of the stoneworkers' art. Many of these artistic fabrications remain a testimony to the skills and tastes of their creators and add a distinctive element to the particular ambiance that makes Santa Barbara the special place that it is.
The Colorful Story of a Santa Barbara Landmark The Santa Barbara County Courthouse is a widely recognized icon of the city called the e oeCalifornia Riviera, e and just as widely known as a historic architectural achievement. Thousands, if not millions, visit it each yeare "jurists and tourists alikee "but although everyone appreciates its beauty, few really know how it came to be. Surprisingly, in the three-quarters of a century that the building has graced its grounds, no one has undertaken to document this architectural masterpiece. Authors Patricia Gebhard and Kathryn Masson have changed that once and for all with their book, The Santa Barbara County Courthouse. Together with photographer James Chen and book designer Eric Larson, they have created a work that is not only historically important, but nearly as beautiful as the courthouse itself. Many people know or assume that Santa Barbara had a courthouse before the present building was erected in 1929, but almost no one knows anything about it. Gebhard and Masson begin there, with historic photos of the original, classical-style courthouse and its Queen Anne hall of records add-on. In 1919 the county, needing more room, held a design competition for a new courthouse, and the entries received, as Gebhard and Masson show us, were heavily inA3/4uenced by the Spanish baroque style that was popularized by the 1915 Panama-California Exhibition in San Diego. None of these designs was built, however, because the county was unable to raise money to pay for construction. It wasne (TM)t until 1925, when the old courthouse was destroyed by the earthquake that leveled much of Santa Barbara, that a new building became imperative and funds were Aznally secured. Construction began in 1926, with the result we see today. (The footprint of the old building is reflected in the contours of the ! sunken gardens behind the present courthouse.) To document their story, Gebhard and Masson spent months poring over County Supervisorse (TM) minutes, news reports in the Santa Barbara Morning Press and articles in architectural magazines, and courthouse docentse (TM) records. They were able to identify nearly all of the architects, craftsmen, and artists who designed the building and created the exquisite tile, ironwork, furniture, murals and landscaping that grace it inside and out. Many of these individuals and companies are long gone, of course, but many are still active, and, as the authors point out, some of the courthousee (TM)s Azttings can still be ordered from their catalogs. Chene (TM)s 75 full-color photographs beautifully capture the courthousee (TM)s ambiance, and Larsone (TM)s open and asymmetrical book design reA3/4ects the buildinge (TM)s balance between void space and intricate detail. They combine with Gebhard and Massone (TM)s careful research to produce a deAznitive study and appreciation of the Santa Barbara County Courthouse, one that can hope to stand as long as the building itself.
An ode to the classic Spanish-style houses of Santa Barbara. Spanish Colonial Style celebrates an extraordinary tradition in architecture whose hallmarks include whitewashed stucco and plaster walls, wood-beamed ceilings, dramatic fireplaces, and, above all, mystery and romance. Homes in this much-loved style of architecture welcome the visitor and embrace the resident, and architects James Osborne Craig and Mary McLaughlin Craig, early proponents of the style and influential disseminators of it, were masters of the form. Their work, until now, has been largely underappreciated and little seen. The Craigs played pivotal roles in the development of the Spanish Colonial Revival and of other styles of architecture in Santa Barbara, and the influence of their work spread much beyond that. In addition to shining a long overdue spotlight on the rich career of these tremendously influential architects, Spanish Colonial Style also heralds Santa Barbara as the small city of international importance that it became in the first half of the twentieth century.
An exclusive look at the exquisite residential gardens of the American Riviera. Private Gardens of Santa Barbara is an invitation into eighteen distinctive private, and beautiful gardens; large estates, modest homes, and surf retreats run the gamut from sublime and naturalistic to bold and urban. What they have in common, however, is what makes them truly inspiring. Showcased through 190 stunning images in more than 250 pages in this elegant coffee table book format, each beautiful landscape represents a widely varied garden style developed in response to the unique character of each site, the architecture, and the larger environment; and adapted to the lifestyle, personality, and practical needs of the individuals and families who live there. In a career that spans over 30 years, Margie Grace, principal of Grace Design Associates, has established herself as an expert in sustainable landscape design and advocate for environmentally sensitive gardens. These gardens offer endless inspiration for sustainable home garden design, created with water-smart, maintenance-smart, and fire-smart priorities in mind, with high habitat value and plants well adapted to the Southern California climate of Santa Barbara.
Of the many practitioners of art nouveau in Great Britain, Charles Rennie Mackintosh (1868-1928) has outlasted them all. His work bridged the more ornate style of the later nineteenth century and the forms of international modernism that followed. Like Frank Lloyd Wright, with whom he is frequently compared, he is known for so thoroughly integrating art and decoration that the two became inseparable. His work has been honored by a major exhibition at the Metropolitan Museum of Art, and his designs have proliferated to such an extent that they can be found reproduced in posters, prints, jewelry, and even new buildings. His most important project was the Glasgow School of Art, which still functions as a highly prestigious art school. This glorious building is visited each year by thousands of tourists from around the world. Built over a dozen years, beginning in 1897, the Glasgow School of Art is Mackintosh's greatest and most influential legacy. This completely redesigned and heavily illustrated edition of Mackintosh's Masterwork has been greatly expanded and contains newly discovered material about both the early life of the architect and the formative years in which his plans for the School of Art were executed.
A celebration of the uniquely vibrant architecture and interiors of classic and new Spanish-style houses in the southwestern and southern United States, Mexico, and Spain. Casa Bohemia showcases a collection of some of the most beautifully preserved Spanish style houses, from restored haciendas in Mexico to early and recent 20th century California mission styles. Twenty-nine residences built between the late seventeenth century and the present day are featured in new, stunning color photography that captures architectural details inside and out and enchanting Spanish, Moorish, European and Mexican antique furnishings, artifacts, and crafts. Author Linda Leigh Paul traces the history of Spanish style architecture from its Iberian sources to the development of the Mission style in the Americas to the still-flourishing Spanish Revival and Mediterranean styles, and endlessly rich details, including ornate wrought-iron, wood balconies, crafted glass, colorful tiles and textiles, and graceful arches. But what all of the houses featured in Casa Bohemia have in common—though they range across centuries and places as diverse as San Miguel de Allende, Santa Barbara, San Francisco, Hollywood, Malibu, Texas, and Wyoming—is a visual richness and vitality that emerges from the distinctive approaches to preservation and decoration found in each.
Surveys the work of the father of the Spanish-Colonial Revival style ofrchitecture that can be found throughout the warm, dry climate of Southernalifornia and is identified by enclosed courtyards, white stucco walls,rought-iron window grilles, and shady balconies.
The aura and romance of Old California lives on in this treasury of inviting homes. The California House presents the magic of the "golden state," that land of infinite promise and dreams, the most tangible expression of which can be found in the homes built by early California dreamers. Here domestic visions of tranquility and repose were inventively realized—in stucco or stone, wood and wrought iron, plaster, and glass and tile. Spanish Colonial Revival–style homes with elaborate wrought-iron window grilles, romantic, shadowy interiors, and lush courtyard gardens stand beside other particularly Californian architectural wonders such as the San Francisco Victorian Painted Lady, the Monterey Colonial, Eurekan Queen Anne, and the homey California Arts & Crafts. Including houses designed by luminaries George Washington Smith, Stanford White, Greene & Greene, and Reginald Johnson, this book will fascinate both the architecture aficionado and interior design enthusiasts, as well as the everyday lover of homes. Including, but going beyond, the much-adored Spanish style (in its many manifestations) and Mission Revival, the book features as well the Victorian of San Francisco's Painted Lady and Eureka's Queen Anne, Monterey Colonial, California Arts & Crafts, French Chateau, classic Colonial farm house, and more. All new color photography of 25 houses in California ranging in style from Spanish Colonial Revival, Mission, Victorian, Queen Anne, California Arts & Crafts, Monterey, French Chateau, Colonial Farm House. The book includes little known California work by well known architect Stanford White, known primarily for his East Coast work (designer of the original Penn Station with McKim, Mead & White, and original Madison Square Garden, and many others); as well as the Magdelena Zanone House (Queen Anne late Victorian style home in Eureka, CA); the Murphy House, San Francisco (Classic French Chateau); a Gothic Victorian 1860s home in Sonoma; Casa Amesti (Monterey style home); "El Cerrito" designed by Russel Ray and Winsor Soule and built in 1913 in Santa Barbara (an amalgam of Mission and Spanish Colonial Revival); the Frothingham House designed by George Washington Smith in 1922 (Spanish Colonial Rev.); Cuartro Ventos House by Reginald Johnson, 1929 in Santa Barbara; William Edwards House by Roland E. Coate, Sr. in San Marino, 1926; Robinson House by Greene and Greene in Pasadena, 1905; Sack House in Berkeley (California Arts & Crafts) Brune-Reutlinger House in San Francisco (classic Painted Lady Victorian); a colonial mid-19th cent farm house in Sonoma; "Mariposa," classic Spanish style in Montecito; The Marston House in San Diego (Arts & Crafts/Tudoresque); Rancho Los Alamos De Santa Elena in Los Alamos (Span. Col. Rev.); Pepper Hill Farm in Balard.
The architectural identity of the wealthy southern California town Santa Barbara is explored with emphasis on the architects who designed its major buildings, estates and historic homes. 200 illustrations.