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"Stockholm Noir "joins "Copenhagen Noir "and "Helsinki Noir "in powerfully representing the Akashic Noir Series in Scandinavia.
Drug dealer Jorge is just out of prison but already bored with his new existence selling lattes and cappuccinos at a cafe. Who wouldn't be? But big money looms, if he can pull off an audacious last heist. What he doesn't know is that the police are already closing in: an undercover investigator has wormed his way deep into Stockholm's criminal circles, close to Jorge. And also close to JW, the part-time student, part-time cab driver who turned to crime - and got in over his head - in order to keep himself in with a rich party crowd. At the same time, someone is trying to take down the Godfather himself, Radovan Kranjic. What would Stockholm be like with Radovan gone? Who would be Stockholm's new king - or queen - of crime? As the novel unfurls answers will be found amid the voracious hunt for money, power, and a carefree life. The goal is easy - and the life deluxe
From one of Sweden’s most successful defense lawyers comes an unflinching look at Stockholm’s underworld, told from the perspective of the mob bosses, the patsies, and the thugs who help operate its twisted justice system. JW is a student having trouble keeping up appearances in the rich party crowd he has involved himself with. He’s desperate for money, and when he’s offered a job dealing drugs to the very crowd he’s vying for a place in, he accepts it. Meanwhile, Jorge, a young Latino drug dealer, has just broken out of jail and is itching for revenge. When JW’s supplier gets wind of Jorge’s escape, he suggests JW track him down and attempt to win his trust in order to cover more area in the drug circuit. But JW’s not the only one on Jorge’s trail: Mrado, the brutal muscle behind the Yugoslavian mob boss whose goons were the ones who ratted Jorge out to the cops, is also on the hunt. But like everyone else, he’s tired of being a mere pawn in an impossibly risky game, and he’s seeking to carve out a niche of his own. As the paths of these antiheroes intertwine further, they find themselves mercilessly pitted against one another in a world where allegiances are hard-won, revenge is hard-fought, and a way out of it all is even harder to come by. Fast and intricately paced, and with pitch-perfect dialogue, Easy Money is a raw, dark, and intelligent crime novel that has catapulted Jens Lapidus into the company of Sweden’s most acclaimed crime writers.
Joining Rome, Paris, Istanbul, London and Dublin as European hosts of the Akashic Noir series, Copenhagen Noir features brand-new stories from a top-notch crew of Danish writers, with several Swedish and Norwegian writers thrown into the mix. This volume definitively reveals why Scandinavian crime fiction has come to be so popular across the world. Features stories by Helle Helle, Benn Q. Holm, Klaus Rifbjerg, Naja Marie Aidt, Gretelise Holm and many more.
Dirty money, no matter where it comes from, will be clean cash after it has been laundered by the right person. JW hasn't wasted his time in prison and he's planning a grand comeback. Jorge is tired of his new, square existence selling lattes and cappuccinos. Life deluxe looms on the horizon as he plans his last heist. This time it will be very big money. But the police are closing in and an undercover officer has got deep into Stockholm's criminal inner circle. Close to Jorge, close to JW. At the same time, someone is out to get the Godfather himself - Radovan Kranjic. People are starting to think about what life will be like once he's gone. Who will be Stockholm's new king - or queen? The methods vary but the hunt for money, power and a carefree life somewhere warm and sunny goes on. The goal is easy money - and life deluxe.
With the same raw energy and verve he displayed in Easy Money, Jens Lapidus delivers an electrifying tale of Stockholm's vicious underworld. Mahmud is fresh out of jail, but he's forced to work for a brutal mob boss to pay off his debts to a drug lord. Niklas, a mercenary and weapons expert with an appetite for vigilante justice, is back in Sweden and plans to keep a low profile. But the discovery of a murdered man in his mother's building severely threatens those plans. Thomas, the volatile detective on the case, finding his efforts suspiciously stymied and the evidence tampered with, goes off the grid in search of the truth. But as the paths of these three men intertwine and the identity of the murdered man is revealed, crimes and secrets bigger, deeper, and darker than a mere murder will come to light.
The International Sensation It begins in a Stockholm city park where the abused body of a young boy is discovered. Detective Superintendent Jeanette Kihlberg heads the investigation, battling an apathetic prosecutor and a bureaucratic police force unwilling to devote resources to solving the murder of an immigrant child. But with the discovery of the mutilated corpses of two more children, it becomes clear that a serial killer is at large. Superintendent Kihlberg turns to therapist Sofia Zetterlund for her expertise in the psychopathology of those who kill, and the lives of the two women become quickly intertwined—professionally and personally. As they draw closer to each other and to the truth about the killings, what surfaces is the undeniable fact that these murders are only the most obvious evidence of an insidious evil woven deep into Swedish society.
Marxist theories have had a profound influence on crime fiction, beginning with the works of the American writers of the 1930s. This study explores the development of a Swedish Marxist noir subgenre after the 1990s through a Marxist reading of central works, from the Marlowe novels of Raymond Chandler to the 1960s social crime fiction of Sjowall-Wahloo to modern bestselling authors such as Henning Mankell, Stieg Larsson, Roslund & Hellstrom, Jens Lapidus, Arne Dahl and others. The works of these writers show a common thread of Marxist worldview in their portrayal of a modern world gone wrong.
A lawyer, an ex-con, and his nephew team up to solve a grisly murder in this explosive crime novel by internationally bestselling Swedish author Jens Lapidus. When a house alarm goes off in Värmdö, an island in Stockholm’s archipelago, a security guard shows up expecting a break-in. But what he finds is far from ordinary: an unidentifiable body, brutally slaughtered. Complicating matters is the wounded young man he finds near the crime scene—a man who police will count as their prime suspect. Emelie Jansson, a newly-minted lawyer at a top firm, takes on the young man’s case. By her side is Teddy, an ex-con trying to stay on the right side of the law as he works as the firm’s fixer. But Teddy has his own problems to worry about—namely his wayward nephew, who’s on the verge of following in his uncle’s criminal footsteps. Who is the murder victim, and who is the murderer? And why do all roads seem to lead to Mats Emanuelsson, a man Teddy once kidnapped? As Emilie investigates, Teddy must confront his past and save his nephew from a troubled fate. Soon, all three get caught in a high-stakes game that threatens to undo their lives.
What is often termed 'Nordic Noir' has dominated detective fiction, film and television internationally for over two decades. But what are the parameters of this genre, both historically and geographically? What is noirish and what is northern about Nordic noir? The foreword and coda in this volume, by two internationally-bestselling writers of crime fiction in the north, Yrsa Sigurðardóttir and Gunnar Staalesen, speak to the social contract undertaken by writers of noir, while the interview with the renowned crime writer Val McDermid adds nuance to our understanding of what it is to write noir in the North. Divided into four sections – Gender and Sexuality, Space and Place, Politics and Crime, and Genre and Genealogy – Noir in the North challenges the traditional critical histories of noir by investigating how it functions transnationally beyond the geographical borders of Scandinavia. The essays in this book deepen our critical understanding of noir more generally by demonstrating, for example, Nordic noir's connection to fin-de-siècle literatures and to mid-century interior design, and by investigating the function of the state in crime fiction.