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Still No Ice at the Fish Market opens with a bomb exploding in the midst of lovemaking and ends up as one of the most innovative literary experiments in years. Two narrators, Eddie Ambler and his former fiance Marsha Beauregard, unfold a harrowing but hilarious tale in alternating chapters, making a fillet of Poe and Southern Gothic storytellers. Eddie writes in huge, impassioned sentences with pyrotechnic imagery while dodging bombs galore. The woman he has loved and lost but hopes to win again confronts the chaos with exceptional clarity and precision. In the final chapter, after Marsha helps deliver Eddie from his nightmares, their divergent styles unite in deeper love, becoming indistinguishable. As the genius who guides these eerie games, the ghost of Poe is exorcised decisively in this rollicking, redemptive respite from the Gothic!
An old-fashioned mystery, a contemporary mystery, and an avant-garde mystery are presented in Three Plots for Poe. This sequence is a tribute to the Gothic genius of Poe who shaped the mystery genre. At the same time, these tales explore three phases of the genres progress and at last escape its Gothic limits altogether. An old-fashioned mystery, Death Calls the Shots invokes the golden age of pulp mysteries in a way that led Jacques Barzun, one of the ultimate authorities on this era, to express his admiration of the story for its mood, plot, pace, and structure. A contemporary mystery,Love in the Modern Landscape offers an unusual blend of evil and intelligence endangering a pair of lovers who appear unequal to the threat. An avantgarde mystery, Still No Ice at the Fish Market opens with a pair of bangsa bomb exploding in the midst of lovemakingand ends up as one of the most unusual literary experiments in many years. Two alternating narrators in this story capture the extremes of classic clarity and Gothic chaos, wit and weirdness, as they hand the story to each other from one chapter to the next until the final chapter blends their separate styles. In all three novels, passionate love affairs become more powerful than evil in competing for the center of the story. As the genius who rules these Gothic games, the ghost of Poe is exorcised at last.
Based on actual events and set against the historical backdrop of America's longest war, Wounded in Action tells the compelling and gripping story of courage and determination of one of the Army's most elite combat soldiers as he faces the realities of surviving near fatal wounds and struggles to overcome the life changing devastation inflicted on his mind and body from the explosion of an enemy landmine.
The Graffiti Genius is a bittersweet romantic tale of what inspires a person. It is also a mystery mingled with suspense. Its setting of abandoned warehouses is as much a part of the story as its three main characters: a young woman unaware of her power as a muse, a gifted, young, Hispanic artist who portrays her, and an art conservator more used to salvaging multi-million dollar masterpieces than graffiti in a setting filled with waist-high weeds, drug deals, and homicides. The youthful artist finds his inspiration in the shy but irresistible model, and the art conservator finds her inspiration in discovering their identity while she neglects her restoration of a masterpiece. The artist also wrestles bitterly with his fathers murder as an innocent victim in a South American drug war, his familys journey to America where they struggle to survive, and his desire to join his brother, who has stayed to fight against the drug lords in his native land. As for the art conservator, she finds her toughness tested by the artists lack of loyalty to his talent and the looming demolition of the warehouses that will pulverize his paintings. Desperation makes her more ingenious in her quest to spare his finest works. In such a deadly setting, though, her efforts turn into a race to save the muse, the artist, and his art from violent forces threatening to put an end to all of them.
1881/82-1882/83, 1936/38- include also the registration reports for 1881-1882, 1936/37-
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.