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Tells the stories of Aunt Vera's book of magic spells, Jeffrey's haunted guitar, and Mike and Ray's job house-sitting for a ghost.
Reader Beware you're in for ten holiday scares.
Ten creepy stories that will give you goosebumps!
As a companion volume to St. James Guide to Fantasy Writers, this volume concentrates "on those types of fiction which may be labelled as horror novels, dark fantasies, ghost stories, gothic novels, tales of terror, supernatural fictions, occult fantasies, black-magic stories, psychological thrillers, tales of unease, "grand-guignol" shockers, creepy stories, shudder-pulp fictions, "contes cruels," uncanny stories, macabre fictions and weird tales."--Editor's note, p. ix.
Magic Words: A Dictionary is a oneofakind resource for armchair linguists, popculture enthusiasts, Pagans, Wiccans, magicians, and trivia nuts alike. Brimming with the most intriguing magic words and phrases from around the world and illustrated throughout with magical symbols and icons, Magic Words is a dictionary like no other. More than sevenhundred essay style entries describe the origins of magical words as well as historical and popular variations and fascinating trivia. With sources ranging from ancient Medieval alchemists to modern stage magicians, necromancers, and wizards of legend to miracle workers throughout time, Magic Words is a must have for any scholar of magic, language, history, and culture.
Based on articles from TIME for Kids magazine, activities provide reading comprehension practice in standardized test format.
Original and thought-provoking, You're Only Young Twice reveals the complexities that underlie even the sparest picture book text and the lessons that reside in even the most familiar family movie plots. Moving from classic texts (The Secret Garden, Goodnight Moon) to ephemera (the Hardy Boys, Goosebumps, and Harry Potter series), from the printed page to the silver screen (Willie Wonka, Jumanji, 101 Dalmatians, Beethoven), Tim Morris employs his experience as a parent and teacher to interrogate children's culture and reveal its conflicting messages. Books and films for children--favorites accepted as wholesome fare for impressionable young minds --do not always teach straightforward lessons. Instead, they reflect the anxieties of the times and the desires of adults. At the heart of many a children's classic lies power, often expressed through racism, sexism, or violence. Under Morris's gaze, revered animal stories like Black Beauty turn into litanies of abuse; fantasies of childhood like Big are revealed as patriarchal struggles. You're Only Young Twice redirects the focus on children's literature, asking not "What messages should children receive?" but "What messages do adults actually send?" For example, Morris recounts his own childhood confusion upon viewing Peter Pan, with its queenish, inept pirate and a grown woman (Mary Martin) in tights who pretends to be a crowing boy. Morris shatters our long-held assumptions and challenges our best intentions, demonstrating how children's literature and films lay bare a troubled and troubling worldview.
Will Charlie's recipe for pumpkin juice cause him some hair-raising terror? Are Dave's awesome ants biting off more than they can chew? Can Max's Halloween wish turn him into an endangered species?