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(Glory Sound Simply Sacred). The increasing treasury of modern hymns and sacred songs by Keith and Kristyn Getty and collaborator Stuart Townend are explored in this new resource designed for choirs of any level. Many of this writing team's biggest successes are included, all lovingly adapted by some of our most gifted arrangers. Music for the entire church year is contained in this collection. Transcending stylistic boundaries, the music and message are home in both contemporary-styled worship venues and traditional programs. Creative instrumental adornments offer additional options for performance while sensitive arranging make this compilation accessible to choirs of any size. Available separately: SAB, Listening CD, Preview Pack (Book/CD Combo), 10-Pack Listening CDs, Instrumental CD-ROM (Score & parts for flute, penny whistle, oboe, acoustic guitar, electric bass, drum set, percussion, violin 1 & 2, viola, cello *Note, instrumentation varies on each song), StudioTrax CD (Accompaniment Only), SplitTrax CD.
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
SING TO ME (Book 1) Never trust bad boy rockers. They lie. They cheat. They grasp with one hand and push away with the other. I'm done. He's not. And when we collide, this time his heart will be on the line… because I'm not risking mine. SONG FOR ME (Book 2) I fell for his lies. I trusted him with my heart. Now it's shattered. Broken beyond repair. When the bad boy rocker betrayed me, he stole more than my trust, he robbed me of my freedom. He begs forgiveness. I demand retribution. And when we collide, this time he'll be the one left in pieces… because I'm going to break him. The Rock Me Series LIE TO ME END OF ME SING TO ME SONG FOR ME BAD FOR ME ALL OF ME Topics: Romance, New Adult Romance, Rock Star Romance, Rock Star, Contemporary Romance, Alpha Heroes, Bad Boy Romance, Steamy Romance, Sexy Romance, Hot Romance, Insta Love Romance, Enemies to Lovers, Second Chance Romance, Dominant Hero Romance, Alpha, Captivating Romance, Swoon Worthy Romance, Possessive Hero Romance, HFN, HEA, Dominant Heroes, Sassy Heroines, Romance Series, Rock Me Series, On Tour Duet, Duet, Lee Piper, Lee Piper Author.
Rockin' Through the Years In the decades between his childhood baptism in the Tennessee River and his born-again baptism in a swimming pool in Las Vegas, Rockin' Reggie never stopped rockin', from early sessions with the likes of Chuck Berry and John Lennon, to gold-record fame with Alice Cooper. Singer, songwriter, guitarist, producer, arranger: Rockin' Reggie has seen the highs and the lows of the music industry. The stories in this book are unforgettable snapshots of his rockin' life: partying with Elton John, escaping the drunken wrath of Jerry Lee Lewis (and the amorous advances of Sammy Davis Jr.), mentoring KISS, finding salvation with Johnny Cash, and many others. From rockabilly, rock 'n' roll, country, and now gospel, Rockin' Reggie still hasn't come to the end of his song.
This collection contains compositions for which no composer is named and compositions by: Abt; Auber; Balfe, M.W.; Barrows; Bellini; de Beriot, C.W.; Bliss P.P., the elder; Bradbury; Bruce, M.; Converse; Cooper G.; Doane, G.W.; Donizetti; Dun, F.; Dwight, T.; Dykes; Eckert; Esser; Evans, J.M.; Ewing; Faber, F.N.; Flotow; Franc, G.; Geibel; Glover, C.W.; Glover, S.; von Gluck; Gould, J.E.; Hall, W.B.; Havergal, W.H.; Haydn, F.J.; Haydn, J.M.; Herold, F.; Lindsay, M.; Lover, S.; Lyte, E.O.; Mason, L.; Matz; Molloy, J.L.; Monk, W.H.; Moore, T.; Mozart; Muloch, Miss D.M.; Nägeli; Nairne, Lady; Normino; Offenbach; Phillips, P.; de Pinna, J.; Rimbult, E.F.; Root; Rossini; Rouget de Lisle; Schumann, R.; Sherwin; Silcher; Stevenson; Stockhausen; Taubert; Unseld; Wagner, R.; Wallace, W.V.; Webbe; von Weber; Weimar; Werner; Wesley, C.; Wilhelm, C.; Woodbury; Wrighton; Zundel.
Fearing an imminent Nazi invasion, the British government interned 28,000 men and women of enemy nationality living in Britain in the spring of 1940. Most were Jewish refugees who, having fled Nazi persecution, were appalled to find themselves imprisoned as potential Nazi spies. Using oral histories, unpublished letters and memoirs, artifacts and newspapers from the camps, and government documents, We Built Up Our Lives tells the compelling story of sixty-three of these internees. It is a seldom-told part of the history of World War II and the Holocaust and a classic tale of human courage and resilience. We Built Up Our Lives describes the survival mechanisms relied upon by the Jewish refugees. Although the internees, imprisoned in Britain, the Isle of Man, Canada, and Australia, were adequately housed and fed and rarely mistreated, they were cut off from family, friends, school, and work--everything that had given meaning to their lives. Resisting boredom, anger, and despair, the internees made the best of a bad situation by creating education, culture, and community within the camps. Before and after as well as during the internment--in Nazi Germany and in Britain--educational resources and social networks were essential to the refugees' efforts to build up their lives. Equally important were personal qualities of courage, ingenuity, assertiveness, and resilience.
American soul music of the 1960s is one of the most creative and influential musical forms of the twentieth century. With its merging of gospel, R&B, country, and blues, soul music succeeded in crossing over from African American culture into the general pop culture. Soul became the byword for the styles, attitudes, and dreams of an entire era. Female performers were responsible for some of the most enduring and powerful contributions to the genre. All too frequently overlooked by the star-making critics, seven of these women are profiled in this book -Maxine Brown, Ruby Johnson, Denise LaSalle, Bettye LaVette, Barbara Mason, Carla Thomas, and Timi Yuro. Getting started during the heyday of soul, each of these talented women had recording contracts and gave live performances to appreciative audiences. Their careers can be tracked through the popularity of soul during the 1960s and its decline in the 1970s. With humor, candor, pride, and honest recognition that their careers did not surge into the mainstream and gain superstardom, they recount individual stories of how they struggled for success. Their oral histories as told to David Freeland address compelling issues, including racism and sexism within the music industry. They discuss their grueling hardships on the road, their conflicts with male managers, and the cutthroat competition in the recording business. As each singer examines her career with the author, she reveals the dreams, hopes, and desires on which she has built her professional life. All seven face up to the career swings, from the highs of releasing the first hit to the frustrating lows when the momentum stops. Although the obstacles to stardom are heartbreaking, these singers are committed to their art. With determination and style these seven have pressed onward with club appearances and recordings. They survive through their savvy mix of talent, hubris, and honesty about their lives and their music.