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"The award-winning Simmons Hall, completed in 2002, is Steven Holl's 'vertical slice of a city', an urban microcosm on the Massachusetts Institute of Technology campus. Motivated by the sea sponge and the idea of porosity, Holl invents a highly innovative structure that inspires its residents and compels them to revel in the unexpected. Immense interior voids, irregular and arrhythmic geometrical holes that form unexpected public spaces, as well as extraordinarily adaptable modular wooden furnisings, create a kinetic work-in-progress to be dictated by one's experience of the space and the whims of its occupants. Holl, whose tactile architecture has been celebrated as 'buildings that satisfy the spirit as well as the eye', has channeled his love of sculptural shapes, details, and inventive and original use of light, space, color, and material in Simmons Hall to find its rightful place in the company of Alvar Aalto's Baker House, and Eero Saarinen's chapel and his Kresge Auditorium at MIT. [This book] features extensive photographic documentation by Andy Ryan of the construction and finished project. These images are accompanied by an exhaustive graphic presentation of sketches, model, rendering, and working drawings, interviews with Holl, and commentary from architects and critics that examine both the technical and cultural significance of this important structure"--Back cover.
Reveals Holl's working method from watercolor sketches to working drawings to construction shots.
Editing by Steven Holl, Janine Buinno, Jennifer Sime, William Stout.
Foreword -- Urbanisms : working with doubt -- Geo-spatial -- Experiential phenomena -- Spatiality of night -- Urban porosity -- Sectional cities -- Enmeshed experience : partial views -- Psychological space -- Flux and the ephemeral -- Banalization versus qualitative power -- Negative capability -- Fusion : landscape/urbranism/architecture -- Coda : dilated time -- The megaform and the helix / by Kenneth Frampton -- Project credits -- Image credits -- Acknowledgments.
One of our most popular titles, Anchoring presents New Yorkarchitect Steven Holl's projects from 1975 to the present. Among the worksfeatured are Void Space/Hinged Space Housing, Fukuoka; School ofArchitecture, University of Minnesota; Pace Showroom, New York; StrettoHouse, Dallas; and the Berkowitz House, Martha's Vineyard.
Examines Steven Holl's intricate and distinctive process of making architecture through approximately one hundred models, related sketches and other studies created for nine recent projects.
This new edition of Collaborations in Architecture and Engineering explores how to effectively develop creative collaborations among architects and engineers. The authors, an architect and an engineer, share insights gained from their experiences and research on fostering productive communication, engaging in interdisciplinary discussions, and establishing common design goals. Together, they share the tools, methods, and best practices deployed by prominent innovative architects and engineers to provide readers with the key elements for success in interdisciplinary design collaborations. The book offers engaging stories about prominent architect and engineer collaborations––such as those between SANAA and Sasaki and Partners, Adjaye Associates and Silman, Grafton Architects and AKT II, Studio Gang and Arup, Foster + Partners and Buro Happold, Steven Holl Architects and Guy Nordenson and Associates, and among the engineers and architects at SOM. In the second edition, the newly added case studies showcase extraordinary buildings across the globe at a range of scales and typologies, tracing the facets of high-quality collaborations. Through the examples of these remarkable synergies, readers gain insights into innovative design processes that address complex challenges in the built environment. The second edition of Collaborations in Architecture and Engineering is a terrific sourcebook for students, educators, and professionals interested in integrative design practice among the disciplines.
Steven Holl is revered among architects and students for his quiet and consistent modernist buildings. His reputation among generations of students was cemented during his early tenure at Columbia University and his founding of Storefront for Art and Architecture. His Pamphlet Architecture series furthered his standing as a leader of the avant-garde. With his embrace of computer technology, Holl smoothly transitioned from the 1980s into the digital design era of the 1990s. At the same time, his practice expanded globally and his housing projects in Japan opened to international acclaim. Recently, the ultramodern design of his Kiasma Museum of Contemporary Art earned high praise for its revitalizing influence on Helsinki's city center. Remarkably, this monograph is the only book available that documents Holl's full career, covering his early houses of the 1970s to his latest designs for museums currently under construction.
Pamphlet Architecture was begun in 1977 by William Stout and Steven Holl as an independent vehicle for dialogue among architects, and has become a popular venue for publishing the works and thoughts of a younger generation of architects. Small in scale, low in price, but large in impact, these books present and disseminate new and innovative theories. The modest format of the books in the Pamphlet Architecture Series belies the importance and magnitude of the ideas within.
In content and format the book reflects such juxtaposition, featuring images and graphic documentation of Steven Holl's recent works realized in China alongside critiques and analyses by a new generation of theorists.