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Collects ten stories featuring wolves and stepmothers that are based on classic fairy tales.
A brilliantly original fairy-tale twist from Children's Laureate and Charlie & Lola creator Lauren Child.
A young girl describes what it’s like when her mom’s new friend comes to stay — a moving story about domestic violence that ends on a hopeful note. The young girl tells us that her mom’s new friend is just like the big bad wolf. At first the wolf is sweet and kind to her mom, though the girl notices the wolf’s cold eyes from the very beginning. When her mom arrives home late one day, the wolf suddenly hurls angry words and terrible names at her. From that day on her mother doesn’t smile anymore. The girl is careful to clean her room and brush her teeth and do everything to keep the peace, but the wolf is unpredictable, throwing plates on the floor, yelling at her mother and holding the girl’s arm so tightly she is left with bruises. Whenever the yelling begins, she hides under the covers in her room. How will she and her mom cope as the wolf becomes increasingly fierce? Valérie Fontaine and Nathalie Dion have created a powerful, moving story about violence in the home that ends on a note of hope. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges. CCSS.ELA-LITERACY.RL.2.9 Compare and contrast two or more versions of the same story (e.g., Cinderella stories) by different authors or from different cultures. CCSS.ELA-LITERACY.RL.3.2 Recount stories, including fables, folktales, and myths from diverse cultures; determine the central message, lesson, or moral and explain how it is conveyed through key details in the text.
Big Bad provides actors and audiences of any age with a smart and wickedly funny play that lets the audience determine the outcome of the play! The most notorious criminal in the fairy-tale world, Big Bad Wolf, is being slapped with a class-action lawsuit by the countless quirky characters he has wronged. Now, the two greatest legal minds in the Enchanted Forest — the Evil Stepmother and the Fairy Godmother — will clash (on live Court TV, no less, with Sydney Grimm as commentator!) in a trial that will be remembered forever after. As Little Red Riding Hood, her Grandmother, the Three Little Pigs and the Shepherd in charge of the Boy Who Cried Wolf testify, the wolf seems deserving of all that’s coming. But, even though the disreputable Evil Stepmother couldn’t be less interested in pro-bono work on such an obviously futile defense, Mr. Wolf makes a good case for himself. Was he born a criminal, or made one? Perhaps he does deserve compassion instead of condemnation? What will the verdict be? Only the jury — your audience — can decide, when the doddering old Judge invites them to determine the outcome of the trial... and the play! With minimal set and costume requirements and a good balance of stage time for each character, you’ll love the multiple endings that make every performance unique!
The one that debates Peter Pan's alleged murder of an innocent pirate named Captain Hook. A jury of twelve of the most famous villains will decide Pan's fate, if only they could stop arguing long enough to take a vote. (​If you like The True Story of the Three Little Pigs by Jon Scieszka, consider 12 Angry Villains.) Parody One-act. 25-30 minutes 12-14 actors, gender flexible
Tales from Swankville is a collection of humorous and poignant essays inspired by the authors own experiences as mothers in suburbia where parents are blurring the lines between encouragement and competitiveness, assertiveness and aggression, common sense and a sense of entitlement. From the classroom to the soccer field; the dance studio to the beautifully tree-lined street, no arena is left unscathed by parents behaving badly. Life in Swankville is a fairy-tale . . . gone a bit askew!
Clever and daring, the artful reimaginings in this delightful collection of ten new tales offer readers another look at the fairy tale villains they thought they knew. Whether they are helping instead of hurting or appearing in unexpected forms, you will never quite look at giants or ogres the same way again. Includes stories by Jessica Lee Anderson, Melanie Cole, K.L. Critchley, J.G. Formato, John Linwood Grant, Justine Cogan Gunn, Laura Keating, Laura Ring, Hope Erica Schultz, and Lisa Timpf.
Imaginative and original, One Thousand Words for War explores in various fantastic settings the different types of conflict--from powerful internal and external conflicts with the potential to destroy the main character's world to the peace that comes from accepting change. Whether it's a transgendered girl standing up to bullies or a child soldier trying to save his fellows from war, this collection shows the powerful ways teens can overcome and embrace extraordinary circumstances.
Hearts and Minds Without Fear: Unmasking the Sacred in Teacher Preparation is the first book of its kind that focuses on the critical urgency of integrating creativity, mindfulness, and compassion in which social and ecological justice are forefronted in teacher preparation. This is especially significant at a time of cultural turmoil, educational reform, and inequities in public education. The book serves as a vehicle to unmask fear within current educational ethical deficiencies and revitalize hope for community members, teacher educators, pre-service, in-service teachers, and families in school communities. The recipients of these strategies are explicitly presented in order to build understanding of a compassionate paradigm shift in schools that envisions possibility and social imagination on behalf of our children in schools and our communities. The authors unabashedly place the arts and aesthetics at the core of the educational paradigm solution. The book lives its own message. Within each seed chapter, the authors practice authentically what they preach, offering a refreshing perspective to bring our schools back to life and instill hope in children’s and educators’ hearts and minds.