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Harper Regan follows a woman's road trip through the heart of England in a violent and comic exploration of the moralities of sex and death. Quietly harrowing, this play is a barometer for our times exploring dark secrets and familial estrangement. Marine Parade is a musical about sex, betrayal and hope, set in a run-down B&B on Brighton's waterfront. A moving and poignant play, it 'captures the peculiar aroma of Brighton, with its mix of the bracing and the melancholy' (Guardian). Olivier award-winning play On the Shore of the Wide World is an epic piece about love, family, Roy Keane and the size of the galaxy. Punk Rock is based on Simon Stephens's experience as a teacher and he describes this play as 'The History Boys on crack'. It explores the underlying tensions and potential violence in a group of affluent, articulate seventeen year old students.
Three Kingdoms is a blackly entertaining and unsettling detective story cum parable about the devil in us all, international human trafficking and the changing state of Europe. As the severed human head of an Estonian woman is found in a river in Hammersmith, two British detectives set off in search of her origins in Europe and how she came to be found dead. Accompanied by a mephistophelian German detective acting as their guide, they gradually sink deeper and deeper into the world of prostitution and international human trafficking. Fighting to cross international borders and language barriers, they enter a nightmarish world that will change one of them forever. Three Kingdoms tells the stories of trafficked women, the gangs and the police forces across Europe that attempt to control them. This dark new thriller by Simon Stephens, set across three countries, explores an international business where the goods are not products, but people. Questioning and undermining not just tenets about the nature of Europe with its old and new borders, Three Kingdoms also explodes moral certainties. With good and evil presented not as polarised forces but as disturbingly shifting, overlapping and contradictory, the play provocatively unbalances convictions of truth, ethical codes, violence and justice. This edition also includes a preface with contributions from playwright Simon Stephens, German director Sebastian Nuebling and Estonian dramaturg Eero Epner, discussing this uniquely collaborative and tri-lingual project.
If you go, I don't think you should come back. On a startlingly bright autumn night in 2006, Harper Regan walked away from her home, her husband and daughter, and kept walking. She told nobody that she was going. She told nobody where she was going. She put everything she ever built at risk. For two lost days and nights, until it looked as though her entire life might unravel, she didn't turn back. From Uxbridge to Stockport to Manchester and back again, Harper Regan navigates the UK, exploring family, love and delusion. It received its world premiere at the National Theatre, London, in 2008.
THE STORY: BLUEBIRD charts a night in the life of London mini-cab driver Jimmy McNeill. We share with him a night of his fares--the despondent and delirious, the inspired, inspiring and insane. Jimmy is a surprising cabbie: a writer fallen from grac
Everything can be quantified. All worth can be quantified. Artistic worth. Human worth. Material worth. Everything. Some food is simply better than other food. Isn't it? Some clothes are better than other clothes. Aren't they? The last week of a massive international tour and rock star Paul is at the height of his fame. Everybody knows his name. Whatever he wants he can have. He can screw anybody he wants to. He can buy anything he desires. He can eat anything. Drink anything. Smoke anything. Go anywhere. As the inevitability of the end of the road looms closer and a return home becomes a reality, for Paul the music is starting to jar. Birdland received its world premiere at the Royal Court Theatre Downstairs on 3 April 2014.
Four plays inspired by and originating on the European stage from one of Britain's most important playwrights. Three Kingdoms was presented at Teater NO99 in Tallinn, Estonia on 17 September 2011, before opening at the Munich Kammerspiele, Germany, on 15 October 2011. 'An inconsolable mood of dread, abandon, violence and suspicion lurks beneath the show's skin of arty insouciance, and at times the script attains a lyrical pitch of accusation against the West that quite overrides the flippancy. There's something of value here.' Daily Telegraph; The Trial of Ubu premiered at the Schauspielhaus Essen in a co-production with the Toneelgroep Amsterdam. 'The play certainly gets at the banality of evil, and evokes the slow, sometimes dull, often uncertain slog of justice.' Sunday Times. Subtitled 'A Play For Young People', Morning was developed in partnership between the Lyric Hammersmith, London, and the Junges Theater, Göttingen. The Financial Times described it as 'theatrically daring and uncompromising'; Carmen Disruption, a reimagining of Bizet's opera, premiered at the Deutsche Spielhaus in spring, 2014, before its UK premiere at the Almeida, London, in April 2015. 'You can't help but be moved by the circumstances facing the five main characters. There's an understanding and a compassion amid the bleakness. And a fierce sense that something needs to change.' Guardian;
Heartsick unpacks the destruction of love by following the true stories of three lives altered by a major heartbreak. I wrote this book for the person who doesn’t want to be told that this too shall pass. Not yet. Who wants to sit with it. And see it for what it is. Who wants to know they’re not alone. That their pain is at once unique and universal. Belonging to them and everyone. When we’re thrown into the chaos of heartsickness, we focus so much on the end. The fact we are now unloved seems so much more important than the reality that we once were. This book was born in the hours I’ve waited for men to message me back and who never did... In the years full of almost-relationships, I thought, “I cannot handle another rejection,” and then found myself turned down by someone I wasn’t even sure I liked. I wrote this book because I know what it is to feel fundamentally unlovable. I knew when I was looking for Ana, Patrick, and Claire that their stories had to be true, because within them would be nuances I’d never noticed before and realities I couldn’t have invented. I didn’t want to be limited by what I happened to know about love and loss. I wanted to learn from people as I wrote, injecting wisdom from different places and genders and ages into this book. Weaving together these three true stories, Jessie Stephens captures the painful but wholeheartedly universal experience of heartbreak. Deeply relatable, addictive to the very last page, and powerfully human, Heartsick reminds us that emotional pain can make us as it breaks us and that storytelling has the ultimate healing power. In the solitude that reading a book demands, one is forced to reflect on one’s own life. After all, every time we explore others, we’re mostly just exploring ourselves. These are their stories—Ana’s and Patrick’s and Claire’s. But it is also my story and our story. I trust within it you will find echoes of yourself.
There's a hole running through the centre of my stomach. You must have all felt a bit awkward because you can probably see it. Sea Wall is a delicate monologue, completely devastating and beautifully powerful. Alex's story, spoken directly to the audience, begins full of clear light and smiles, as he speaks about his wife, visiting her father in the South of France, having a daughter, photography, and the bottom of the sea. His tone is natural, happy and engaging, with flickers of questions about belief and religion glimpsed under the surface. But his contentment falls away into deep and heart-breaking grief, crumbling to pieces with a vividness that is incredibly moving.
William Carlisle has the world at his feet but its weight on his shoulders. He is intelligent, articulate and f***ed. In the library of a grammar school, William and his fellow Sixth-Formers are preparing for their mock A-Levels while navigating the pressures of teenage life. They are educated and aspirational young people but step-by-step, the dislocation, disjunction and latent aggression is revealed. Punk Rock premiered at the Lyric Hammersmith on 3 September 2009 in a co-production between the Lyric Hammersmith and the Royal Exchange Theatre, Manchester.