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Stephen Stills is one of the last remaining music legends from the rock era without a biography. During his six-decade career, he has played with all the greats. His career sky-rocketed when Crosby, Stills & Nash played only their second gig together at Woodstock in 1969. With the addition of Neil Young, the band would go on to play the first rock stadium tour in 1974. Stephen Stills is the only person to have been inducted twice in one night into The Rock and Roll Hall of Fame.
A founding member of the bands Crosby, Stills, Nash & Young and the Hollies shares the story of his life from his youth in post-war England through his creative relationship with Joni Mitchell and his career as a solo musician and political activist
The first and most complete narrative biography of Crosby, Stills, Nash and Young, by acclaimed music journalist and Rolling Stone senior writer David Browne "Riveting." -People Magazine "This is one of the great rock and roll stories." -New York Times Book Review Even in the larger-than-life world of rock and roll, it was hard to imagine four more different men. Yet few groups were as in sync with their times as Crosby, Stills, Nash & Young. Starting with the original trio's landmark 1969 debut album, their group and individual songs-"Wooden Ships," "Ohio," "For What It's Worth" (with Stills and Young's Buffalo Springfield)-became the soundtrack of a generation. But their story would rarely be as harmonious as their legendary vocal blend. Over the decades, these four men would continually break up, reunite, and disband again-all against a backdrop of social and musical change, recurring disagreements, and self-destructive tendencies that threatened to cripple them as a group and as individuals. In Crosby, Stills, Nash & Young: The Wild, Definitive Saga of Rock's Greatest Supergroup, Rolling Stone senior writer David Browne presents the ultimate deep diveinto rock and roll's most musical and turbulent brotherhood. Featuring exclusive interviewswith band members, colleagues, fellow superstars, former managers, employees,and lovers-and with access to unreleased music and documents-this is the sweepingstory of rock's longest-running, most dysfunctional, yet pre-eminent musical family,delivered with the epic feel their story rightly deserves.
(Guitar Chord Songbook). Lyrics, chord symbols, and guitar chord diagrams for 37 hits from the kings of rock harmonies, including: Almost Cut My Hair * Carry On * Chicago * Dark Star * Deja Vu * Just a Song Before I Go * Love the One You're With * Marrakesh Express * Our House * Southern Cross * Suite: Judy Blue Eyes * Teach Your Children * and more.
The music of Crosby, Stills and Nash and especially their 1969 self-titled debut album, exemplified the Woodstock generation – three men, three voices, one common view of freedom and justice. However, their decision to recruit Neil Young before their first public performance fundamentally altered the CSN band dynamic. Worldwide acclaim and success followed: their first three albums, released 1969-1971, have sold almost 30 million copies. In 1974 they embarked on the biggest stadium tour then attempted, playing baseball and football stadiums and racetracks across the US to thousands of fans. They were also pop stars, securing nine top 40 singles in the USA between 1969 and 1982. And yet today, with Neil Young regarded as a musical legend, via a classic back catalogue, his colleagues Crosby, Stills and Nash, remain far less acclaimed. They comprised Crosby: the drug-addled hippy with weird songs and golden voice, Stills: the bluesman and guitar genius and Nash: the hard-as-nails balladeer with a strong social conscience. Together, at their best, they were unbeatable. This book tells you why, aiming to set things straight, with an album by album analysis of CSN’s five studio albums, as well as the three they made with Neil Young. Andrew Wild is a music collector and experienced writer with nine books to his name. His books include The Solo Beatles (Sonicbond 2020) and Queen On Track (Sonicbond 2018). He lives in Rainow, Cheshire, UK.
One of America’s great rock and roll pioneers, Richie Furay played alongside Neil Young and Stephen Stills in Buffalo Springfield, producing some of the signature sounds of American folk rock. He went on to form Poco, one of the bands that founded California country rock, and then Souther-Hillman-Furay. After declaring himself a Christian in 1974, Furay released four solo albums before taking up the ministry in 1983. He began recording again in 1997, and over the next twenty-five years he released two Christian and five secular albums. In this biography of Rock & Roll Hall of Famer Richie Furay, Thomas Kitts provides an intimate look at Furay’s life and music. Kitts chronicles the musician’s upbringing, his musical career, and his Christianity, drawing on interviews with Furay and others close to him. In documenting Furay’s extraordinary talent as a songwriter, vocalist, and guitarist, Kitts argues that although he never attained the level of stardom of many of his bandmates, Furay is a pivotal figure in American popular music. Fans of Buffalo Springfield, Poco, and country-rock music will enjoy this quintessentially American story of a young man on a quest to fulfill his rock-and-roll dreams.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Crosby, Stills, Nash, and Young, with their distinct vocal harmonies, blending of rock, jazz, folk, and blues, and political and social activism, have remained one of the most enduring musical acts of the 1960s. This book examines their songs and themes, which continue to resonate with contemporary listeners, and argues that Crosby, Stills, Nash, and Young reflect part of the broader story of American culture. This appreciative volume contextualizes their work within the political climate of the late 1960s, and makes the case that the values and concerns expressed in their music thread through the American experience today.
DeCurtis reveals his ongoing engagement with rock music as artistic forum, source of personal inspiration, and compelling site of cultural struggle in more than 20 years as a critic.