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In 1999, with Forge's publication of The Buckskin Line, Elmer Kelton launched a series of novels on the formative years of the Texas Rangers. In Texas Justice, the first three of these critically acclaimed books are now brought together in a single volume. In The Buckskin Line, Kelton introduces the red-haired boy captured by a Comanche war party after the massacre of his family. Rescued by Mike Shannon, a member of a Texas "ranging company" protecting settlers from Indian raids, the boy known as Rusty is adopted by the Shannon family. In 1861, Mike Shannon is ambushed and killed, and Rusty follows in his footsteps and joins the Rangers. In the throes of the coming War Between the States, Rusty searches for the Confederates who lynched his adoptive father and awaits meeting the Comanche warrior who killed his family two decades past. At the end of the Civil War, Rusty Shannon is thrown adrift when the Rangers are disbanded, and makes his way to his home on the Red River, where he hopes to marry the girl he left behind, Geneva Monahan. But as Badger Boy, the second novel of the saga, unfolds, Geneva has married another man in Rusty's absence. Faced with this betrayal, he must contend with the hate-filled Confederate and Union soldiers infesting Texas and with the continuing Indian raids against innocent settlers. Rusty's own childhood captivity returns to haunt him when he rescues Andy, a white child called Badger Boy by his Comanche captors. In The Way of the Coyote, Andy rides with Rusty Shannon as the Rangers are re-formed in postwar turmoil. With Texas overrun with outlaws, disenfranchised Confederate veterans, nightriders, and marauding Comanche bands, Rusty tries to resume his pre-war life. When his friend Shanty, a freed slave, is burned out of his home by Ku Klux Klan and Rusty's own homestead is confiscated by a murderous band of thugs, he must follow perilous trails before he can put the war and its aftermath behind him. Texas Justice is not only a masterful re-creation of the early years of the Texas Rangers, it is vintage Elmer Kelton, the undisputed master of the Western story. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A collection of Courtney's columns from the Texas Monthly, curing the curious, exorcizing bedevilment, and orienting the disoriented, advising "on such things as: Is it wrong to wear your football team's jersey to church? When out at a dancehall, do you need to stick with the one that brung ya? Is it real Tex-Mex if it's served with a side of black beans? Can one have too many Texas-themed tattoos?"--Amazon.com.
Most histories of Civil War Texas—some starring the fabled Hood’s Brigade, Terry’s Texas Rangers, or one or another military figure—depict the Lone Star State as having joined the Confederacy as a matter of course and as having later emerged from the war relatively unscathed. Yet as the contributors to this volume amply demonstrate, the often neglected stories of Texas Unionists and dissenters paint a far more complicated picture. Ranging in time from the late 1850s to the end of Reconstruction, Lone Star Unionism, Dissent, and Resistance restores a missing layer of complexity to the history of Civil War Texas. The authors—all noted scholars of Texas and Civil War history—show that slaves, freedmen and freedwomen, Tejanos, German immigrants, and white women all took part in the struggle, even though some never found themselves on a battlefield. Their stories depict the Civil War as a conflict not only between North and South but also between neighbors, friends, and family members. By framing their stories in the analytical context of the “long Civil War,” Lone Star Unionism, Dissent, and Resistance reveals how friends and neighbors became enemies and how the resulting violence, often at the hands of secessionists, crossed racial and ethnic lines. The chapters also show how ex-Confederates and their descendants, as well as former slaves, sought to give historical meaning to their experiences and find their place as citizens of the newly re-formed nation. Concluding with an account of the origins of Juneteenth—the nationally celebrated holiday marking June 19, 1865, when emancipation was announced in Texas—Lone Star Unionism, Dissent, and Resistance challenges the collective historical memory of Civil War Texas and its place in both the Confederacy and the United States. It provides material for a fresh narrative, one including people on the margins of history and dispelling the myth of a monolithically Confederate Texas.
Texas Vendetta, fifth in Elmer Kelton's memorable and critically acclaimed Texas Rangers series, is filled with the author's always engaging characters and is set against the historically accurate backdrop of the turmoil of post-Civil War Texas. Ranger privates Andy Pickard, the onetime Comanche captive called Badger Boy, and the war-anguished Farley Brackett, are assigned to deliver a prisoner to the sheriff of a county some distance from the ranger camp on the San Saba River. The prisoner, Jayce Landon, has recently killed a man named Ned Hopper and is to stand trial for murder. The rangers quickly learn that the Landon and Hopper families are involved in a blood feud and that Jayce Landon is the target of both clans: the Landons want to rescue him and the Hoppers want to kill him. Worse, Jayce is to be delivered, jailed, and tried for murder in Hopper's Crossing, a settlement owned, populated, and run by the family dedicated to killing Jayce and all his Landon kin. The young rangers soon encounter the main figures in the hate-filled Hopper clan -Big'un, a huge lout who is deputy sheriff at Hopper's Crossing, and Judd Hopper, county judge and patriarch of the family. And when Jayce escapes, hell breaks loose with the rangers caught between the warring factions. Andy Pickard, reunited with his old mentor, retired ranger Rusty Shannon, has another problem or two to deal with. He is worried about Scooter Tennyson, a young son of an outlaw who has been "adopted" by the rangers at their San Saba River camp and who earns his way as a cook's helper. Scooter's father, now released from prison, has come to take his son back-and into a life on the run. And Andy has a growing affection for Bethel Brackett, sister of his worrisome partner, Farley. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Take a trip to the small Texas town where only outsiders fit in with the first novel in #1 New York Times bestselling author Charlaine Harris’ paranormal mystery series. Welcome to Midnight, Texas, a town with many boarded-up windows and few full-time inhabitants, located at the crossing of Witch Light Road and the Davy highway. It’s a pretty standard dried-up western town. There’s a pawnshop with three residents. One is seen only at night. There’s a diner, but people stopping there tend not to linger. There’s a newcomer, Manfred Bernardo, who just wants to work hard and blend in. But Manfred has secrets of his own...
Does Texas’s experience as a republic make it unique among the other states? In many ways, Texas was an “accidental republic” for nearly ten years, until Texans voted overwhelmingly in favor of annexation to the United States after winning independence from Mexico. Single Star of the West chronicles Texas’s efforts to maneuver through the pitfalls and hardships of creating and maintaining the “accidental republic.” The volume begins with the Texas Revolution and examines whether or not a true Texas identity emerged during the Republic era. Next, several contributors discuss how the Republic was defended by its army, navy, and the Texas Rangers. Individual chapters focus on the early founders of Texas—Sam Houston, Mirabeau B. Lamar, and Anson Jones—who were all exceptional men, but like all men, suffered from their own share of fears and faults. Texas’s efforts at diplomacy, and persistence and transformation in its economy, also receive careful analysis. Finally, social and cultural aspects of the Texas Republic receive coverage, with discussions of women, American Indians, African Americans, Tejanos, and religion. The contributors also focus on the extent that conditions in the republic attracted political and economic opportunists, some of whom achieved a remarkable degree of success. Single Star of the West also highlights how the Texas Republic was established on American political ideology. With the majority of the white settlers coming from the United States, this will not surprise many scholars of the era. In some cases, the Texans successfully adopted American political and economic ideology to their needs, while other times they failed miserably.
The story of Texas is the story of struggle and triumph in a land of extremes. It is a story of drought and flood, invasion and war, boom and bust, and of the myriad peoples who, over centuries of conflict, gave rise to a place that has helped shape the identity of the United States and the destiny of the world. “I couldn’t believe Texas was real,” the painter Georgia O’Keeffe remembered of her first encounter with the Lone Star State. It was, for her, “the same big wonderful thing that oceans and the highest mountains are.” Big Wonderful Thing invites us to walk in the footsteps of ancient as well as modern people along the path of Texas’s evolution. Blending action and atmosphere with impeccable research, New York Times best-selling author Stephen Harrigan brings to life with novelistic immediacy the generations of driven men and women who shaped Texas, including Spanish explorers, American filibusters, Comanche warriors, wildcatters, Tejano activists, and spellbinding artists—all of them taking their part in the creation of a place that became not just a nation, not just a state, but an indelible idea. Written in fast-paced prose, rich with personal observation and a passionate sense of place, Big Wonderful Thing calls to mind the literary spirit of Robert Hughes writing about Australia or Shelby Foote about the Civil War. Like those volumes it is a big book about a big subject, a book that dares to tell the whole glorious, gruesome, epically sprawling story of Texas.
In the ninth and final novel in the Texas Ranger series, Ranger Andy Pickard and his partner, Logan Daggett, are sent to central Texas to investigate a series of killings and cattle thefts.
Collects legends of buried treasure in Texas, including the gold of Haystack Mountain, a missing Incan hoard, and the Deer Island shipwrecks
The epic biography Starring Red Wing! brings the exciting career, dedicated activism, and noteworthy legacy of Ho-Chunk actress Lilian Margaret St. Cyr vividly to life. Known to film audiences as "Princess Red Wing," St. Cyr emerged as the most popular Native American actress in the pre-Hollywood and early studio-system era in the United States. Today St. Cyr is known for her portrayal of Naturich in Cecile B. DeMille's The Squaw Man (1914); although DeMille claimed to have "discovered the little Indian girl," the viewing public had already long adored her as a petite, daredevil Indian heroine. She befriended and worked with icons such as Mary Pickford, Jewell Carmen, Tom Mix, Max Sennett, and William Selig. Born on the Winnebago Reservation in 1884 and orphaned in 1888, she spent ten years in Indian boarding schools before graduating from the Carlisle Indian Industrial School in 1902. She married James Young Johnson, and in 1907 the couple reinvented themselves as the stage personas "Princess Red Wing" and "Young Deer," performing in Wild West shows around New York and beginning their film careers. As their popularity grew, St. Cyr and Johnson decamped from the East Coast and helped establish the second motion picture company in Southern California, where Red Wing became a Native American leading lady in westerns until her career waned in 1917. After returning to the reservation to work as a housekeeper, she took her show on a two-year tour to educate the public about Native culture and lived out her life in New York, performing, educating, and crafting regalia. Starring Red Wing! is a sweeping narrative of St. Cyr's evolution as America's first Native American film star, from her childhood and performance career to her days as a respected elder of the multi-tribal New York City Indian Community.