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This title presents a record of the Cultural Olympiad sponsored project headed by Simon Armitage to carve specially commissioned poems into rocks in the landscape surrounding the Pennine Way. The book is filled with pictures accompanying the poems and accounts of the project.
Water is a symbol of life, wisdom, fertility, purity, and death. Water also sustains and nourishes, irrigates our crops, keeps us clean and healthy, and contributes to our energy needs. But a strain has been put on our water resources as increased energy demands combine with the effects of climate change to create a treacherous environment. Individuals and communities around the globe increasingly face droughts, floods, water pollution, water scarcity, and even water wars. We tend to address and solve these concerns through scientific and technological innovations, but social and cultural analyses and solutions are needed as well. In this edited collection, contributors tackle current water issues in the era of climate change using a wide variety of recent literature and film. At its core, this collection demonstrates that water is an immense reservoir of artistic potential and an agent of historical and cultural exchange. Creating familiar and relatable contexts for water dilemmas, authors and directors of contemporary literary texts and films present compelling stories of our relationships to water, water health, ecosystems, and conservation. They also explore how global water problems affect local communities around the world and intersect with social and cultural aspects such as health, citizenship, class, gender, race, and ethnicity. This transformative work highlights the cultural significance of water—the source of life and a powerful symbol in numerous cultures. It also raises awareness about global water debates and crises.
This book brings together three verse form pieces each of which was created to be part of a broader form. 'Out of the Blue' itself is a powerful, award-winning, poem-film created five years after the attacks which destroyed the twin towers in NewYork. With a title from a speech of Churchill, 'We May Allow Ourselves a Brief Period of Rejoicing' was a Channel 5 commission for a broadcast celebrating the 60th anniversary of VE Day. The third, 'Cambodia', comes from the radio drama The Violence of Silence set 30 years after the Khmer Rouge
Find inspiration on the trails that influenced hundreds of artists, musicians, and writers from around the world. Step onto the trails in 500 Inspiring Walks, which takes readers around the world to the footpaths that inspired classic and contemporary works of art, music, and literature. Each walk is associated with a well-known artist, musician, or writer: the White Cliffs of Dover seen by Matthew Arnold, the landscapes of New Mexico through the eyes of Georgia O’Keeffe, the streets of Vienna once trodden by Beethoven, and many more. Each walk includes a description of the landscape, helpful tips for navigating the route, and insight into how the walk inspired the artist.
A thrilling new collection from the hugely acclaimed British poet Simon Armitage. With its vivid array of dramatic monologues, allegories, and tall tales, this absurdist, unreal exploration of modern society brings us a chorus of unique and unforgettable voices. All are welcome at this twilit, visionary carnival: the man whose wife drapes a border-curtain across the middle of the marital home; the black bear with a dark secret; the woman who oversees giant snowballs in the freezer. “My girlfriend won me in a sealed auction but wouldn’t / tell me how much she bid,” begins one speaker; “I hadn’t meant to go grave robbing with Richard Dawkins / but he can be very persuasive,” another tells us. The storyteller behind this human tapestry has about him a sly undercover idealism: he shares with many of his characters a stargazing capacity for belief, or for being, at the very least, entirely “genuine in his disbelief.” In these startling poems, with their unique cartoon-strip energy and air of misrule, Armitage creates world after world, peculiar and always particular, where the only certainty is the unexpected.
One of the earliest great stories of English literature after ?Beowulf?, ?Sir Gawain? is the strange tale of a green knight on a green horse, who rudely interrupts King Arthur's Round Table festivities one Yuletide, challenging the knights to a wager. Simon Armitrage, one of Britain's leading poets, has produced an inventive and groundbreaking translation that " helps] liberate ?Gawain ?from academia" (?Sunday Telegraph?).
The large village of Marsden, West Yorkshire not only was home to Simon Armitage's beginnings as writer, but has continued as a vital presence throughout his works: from his very first pamphlet, Human Geography (1988), to his forthcoming new collection New Cemetery (scheduled for 2022). This edition gathers all the Marsden poems together to create a 'poetry of place' edition, which will offer a new way of appraising Simon's body of work, as well as celebrating this overlooked region that has meant so much to him personally. Simon will be announcing a decade-long tour of libraries in the UK as a central strand of his laureateship: every spring he'll be reading in a handful of libraries across the country, and would like to feature this collection as part of it, donating a copy to each library. Even in Marsden the extraordinary could happen, apparently. Staring out of that window every night I developed a new sense of the world, one that went beyond the factual and the informational. A sense of what it was like, and how it felt. That was the beginning of my life as a writer, even though I still didn't know how to capture experiences in words. - Simon Armitage in the Guardian, on growing up in Marsden.
"Excellent piece of knowledge packed into a book. I love it and would recommend it to friends and family intending to engage in research." 5 Star Amazon Review, 2013 • Why is accurate referencing important? • How do I reference print and digital sources correctly? • What must I do to avoid plagiarism in my written work? • How can I use referencing to assert my own ideas? The Complete Guide to Referencing and Avoiding Plagiarism, Third Edition demystifies the referencing process and provides essential guidance on how to avoid plagiarism when writing for university. It provides clear guidelines on why and when to reference, as well as how to correctly cite from a huge range of sources. The book explains what is considered good referencing practice and ensures you have a watertight understanding of what plagiarism is and isn't, and how to avoid it in your written assignments. Thoroughly updated throughout, this new edition has also been carefully restructured to make it easier to find the precise solutions to all your referencing dilemmas. It offers: • Practical examples of writing and referencing in action - how to ensure you are citing correctly and critically to meet your lecturers’ requirements • Referencing advice for all students new to higher education, and particularly international students studying in the UK for the first time • A new chapter with clear instructions for correctly referencing online material • A chapter of worked examples referencing over 30 different types of sources, plus answers to Frequently Asked Questions and quizzes to ensure you get your references right every time. Tried and trusted by thousands of Higher Education students, The Complete Guide to Referencing and Avoiding Plagiarism 3e is an essential book for anyone engaged in academic writing.
Publishing is currently going through dramatic changes, from globalisation to the digital revolution. A whole culture of events, practices and processes has emerged centred around books and writing, which means that scholars of publishing need to understand it as a social and cultural practice as much as it is a business. This book explores the culture, practice and business of book production, distribution, publication and reception. It discusses topics as diverse as emerging publishing models, book making, writers’ festivals, fan communities, celebrity authors, new publishing technologies, self-publishing, book design and the role of class, race, gender and sexuality in publishing or book culture. This volume will be of interest to those in the disciplines of publishing studies, creative writing, English literature, cultural studies and cultural industries.