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Konstantin Stanislavsky is one of the colossi not simply of Russian, but American and European theatre. His reputation is based mainly on his famous theory of acting and its application in practice. This volume contains his posthumous work, The System and Methods of Creative Art, together with an introductory essay giving a careful exposition and a critical analysis of his 'system', and two appendices dealing with his views on stage ethics and melodrama. It provides an excellent opportunity for the study of 'the essential Stanislavsky' in a comprehensive and compact form.
In this follow up to his most famous book, An Actor Prepares, Stanislavski develop his influential 'system' of acting by exploring the imaginative processes at the heart of the actor's craft. Building a Character deals with the physical realisation of character on the stage through such tools as expressions, movement and speech. It is a book in which every theory is inextricably bound up with practice - a perfect handbook to the physical art of acting. The work of Stanislavski has inspired generations of actors and trainers and - available now in the Bloomsbury Revelations series to mark the 150th anniversary of Stanislavski's birth - it remains an essential read for actors and directors at all stages of their careers.
Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
This third volume examines the development of a character from the viewpoint of three widely contrasting plays.
In his most famous book, An Actor Prepares, Stanislavski dealt with the imaginative processes. In the second book, Building a Character, he deals with the physical realisation of character on the stage, expressions, movement and speech etc. It is a book in which every theory is inextricably bound up with practice - a perfect handbook to the physical art of acting. The work of Stanislavski has inspired generations of actors and trainers. This edition, now reprinted with a new cover at a more accessible price, has stood the test of time for actors all over the world and was the original English language translation. A classic text for every actors library. An Actor must work all his life, cultivate his mind, train his talents systematically, develop his character; he may never despair and never relinquish this main pupose - to love his art with all his strength and love it unselfishly. (Constantin Stanislavski)
An interdisciplinary approach to Stanislavsky's theatre practice in sociocultural and political contexts and its legacy in the twenty-first century.