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Nothing says "home" like being attacked by humans with very large guns, as Jane and Anyan discover when they arrive in Rockabill. These are professionals, brought into kill, and they bring Anyan down before either Jane or the barghest can react. Seeing Anyan fall awakens a terrible power within Jane, and she nearly destroys herself taking out their attackers. Jane wakes, weeks later, to discover that she's not the only thing that's been stirring. Something underneath Rockabill is coming to life: something ancient, something powerful, and something that just might destroy the world. Jane and her friends must act, striking out on a quest that only Jane can finish. For whatever lurks beneath the Old Sow must be stopped. . .and Jane's just the halfling for the job.
The year is 2009. Nineteen-year-old Jackson Meyer is a normal guy... he's in college, has a girlfriend... and he can travel back through time. But it's not like the movies – nothing changes in the present after his jumps, there's no space-time continuum issues or broken flux capacitors – it's just harmless fun. That is... until the day strangers burst in on Jackson and his girlfriend, Holly, and during a struggle with Jackson, Holly is fatally shot. In his panic, Jackson jumps back two years to 2007, but this is not like his previous time jumps. Now he's stuck in 2007 and can't get back to the future. Desperate to somehow return to 2009 to save Holly but unable to return to his rightful year, Jackson settles into 2007 and learns what he can about his abilities. But it's not long before the people who shot Holly in 2009 come looking for Jackson in the past, and these "Enemies of Time" will stop at nothing to recruit this powerful young time-traveler. Recruit... or kill him. Piecing together the clues about his father, the Enemies of Time, and himself, Jackson must decide how far he's willing to go to save Holly... and possibly the entire world.
Critical and historical notes accompany Shakespeare's play about a shipwrecked duke who learns to command the spirits.
Shakespeare's classic romantic comedy retold for children growing in reading confidence and ability. Prospero and his daughter Miranda are stranded on a lonely desert island when a magical storm washes a royal ship ashore. Prospero finally has the chance to right old wrongs but can he conjure up a happy ending? "Crack reading and make confident and enthusiastic readers with this fantastic reading programme." - Julia Eccleshare
Timely and unsettling essays from an important and beloved writer and conservationist In Erosion, Terry Tempest Williams's fierce, spirited, and magnificent essays are a howl in the desert. She sizes up the continuing assaults on America's public lands and the erosion of our commitment to the open space of democracy. She asks: "How do we find the strength to not look away from all that is breaking our hearts?" We know the elements of erosion: wind, water, and time. They have shaped the spectacular physical landscape of our nation. Here, Williams bravely and brilliantly explores the many forms of erosion we face: of democracy, science, compassion, and trust. She examines the dire cultural and environmental implications of the gutting of Bear Ears National Monument—sacred lands to Native Peoples of the American Southwest; of the undermining of the Endangered Species Act; of the relentless press by the fossil fuel industry that has led to a panorama in which "oil rigs light up the horizon." And she testifies that the climate crisis is not an abstraction, offering as evidence the drought outside her door and, at times, within herself. These essays are Williams's call to action, blazing a way forward through difficult and dispiriting times. We will find new territory—emotional, geographical, communal. The erosion of desert lands exposes the truth of change. What has been weathered, worn, and whittled away is as powerful as what remains. Our undoing is also our becoming. Erosion is a book for this moment, political and spiritual at once, written by one of our greatest naturalists, essayists, and defenders of the environment. She reminds us that beauty is its own form of resistance, and that water can crack stone.
This is a story of the whales and dolphins who rule the Seven Seas and the odyssey of a white dolphin named Apollo whose destiny is to save whalekind from destruction on this planet man calls Earth but whales know as Planet Ocean. Whether you choose to believe it or not, humans are not the only intelligent beings on this endangered blue marble drifting silently through space; for that reason, Apollos story must be told lest you and your kind live on in ignorance of the complex civilization that lies beneath the waves. If you dare to join him, Apollo will take you into a world filled with mystery and magic, mayhem and madnessa place of budding life and sudden death where the light of the sun penetrates only the upper layers, leaving the rest of its vast dominions inked in eternal darkness. You will find pleasure in clear, sunlit shallows above rippled sandy bottoms where tiny fish zoom and zip, and feel terror in deep, dark, cold waters where monsters dwell. And when your journey is done, you will never again look upon the oceans that surround you through the same eyes, or think about the whales and dolphins who dwell within them with the same mind, for this is a true tale of life, and death, and renewal that exists beyond the thin blue line that divides Apollos world from yours: it is a world unlike anything you have ever known and you ignore it at your peril.
Jane's not happy. She's been packed off to England to fight in a war when she'd much rather be snogging Anyan. Unfortunately, Jane's enemies have been busy stirring up some major trouble -- the kind that attracts a lot of attention. In other words, they're not making it easy for Jane to get any alone time with the barghest, or to indulge in her penchant for stinky cheese. Praying she can pull of a Joan of Arc without the whole martyrdom thing, Jane must lead Alfar and halflings alike in a desperate battle to combat an ancient evil. Catapulted into the role of Most Unlikely Hero Ever, Jane also has to fight her own insecurities as well as the doubts of those who don't think she can live up to her new role as Champion. Along the way, Jane learns that some heroes are born. Some are made. And some are bribed with promises of food and sex.
Among the most enduring poetry of all time, William Shakespeare’s 154 sonnets address such eternal themes as love, beauty, honesty, and the passage of time. Written primarily in four-line stanzas and iambic pentameter, Shakespeare’s sonnets are now recognized as marking the beginning of modern love poetry. The sonnets have been translated into all major written languages and are frequently used at romantic celebrations. Known as “The Bard of Avon,” William Shakespeare is arguably the greatest English-language writer known. Enormously popular during his life, Shakespeare’s works continue to resonate more than three centuries after his death, as has his influence on theatre and literature. Shakespeare’s innovative use of character, language, and experimentation with romance as tragedy served as a foundation for later playwrights and dramatists, and some of his most famous lines of dialogue have become part of everyday speech. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.