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This book details queer Singaporeans’ efforts to fashion their sense of national belonging and highlights how the Singaporean state could have better incorporated its diverse population into its nation-building framework. Inspired by previous studies that document the history of the gay rights movement, the construction of post-colonial lesbian identities, and online queer activism, this book invokes the concept of "cultural citizenship." It argues that as citizens, gay men appreciate the material wealth the People’s Action Party (PAP) has created. Yet, the PAP’s illiberal governance inhibits the development of genuine fondness for the party and, by extension, the nation. Worse, the state’s heteronormative social policies further alienate these men. Even so, queer Singaporeans continue to assert their national belonging during Pink Dot and other queer events. As the first monograph to focus on Singaporean gay men, this book aims to enrich scholarly understanding of queer life in Southeast Asia. Academics and students of anthropology and sociology (especially those interested in the nation-state), Southeast Asian Studies, and Queer Studies will find this book innovative and insightful.
This book details queer Singaporeans' efforts to fashion their sense of national belonging and highlights how the Singaporean state could have better incorporated its diverse population into its nation-building framework. Inspired by previous studies that document the history of the gay rights movement, the construction of post-colonial lesbian identities, and online queer activism, this book invokes the concept of "cultural citizenship." It argues that as citizens, gay men appreciate the material wealth the People's Action Party (PAP) has created. Yet, the PAP's illiberal governance inhibits the development of genuine fondness for the party and, by extension, the nation. Worse, the state's heteronormative social policies further alienate these men. Even so, queer Singaporeans continue to assert their national belonging during Pink Dot and other queer events. As the first monograph to focus on Singaporean gay men, this book aims to enrich scholarly understanding of queer life in Southeast Asia. Academics and students of anthropology and sociology (especially those interested in the nation-state), Southeast Asian Studies, and Queer Studies will find this book innovative and insightful.
From chewing gum bans to bizarre courtesy campaigns to the distinctive Singaporean linguistic landscape and some of the region¿s most notable personalities, Singapore at Random brings together a whole host of anecdotes, statistics, quotes, facts, recipes, folklore, and other unusual tidbits. Peppered with attractive illustrations throughout, this an irresistible celebration of the boundless diversity that makes Singapore so unique.
Listed as a national bestseller in Singapore for about half a year, A Singapore Love Story charts the tragic relationship of a couple trying to be together, ignoring the harsh knocks of reality. Can they bend reality for love, or will reality bend their lives? Print Book Price: RM45.89 / SGD$17.90 / USD$14.29 Note: Just like the physical copy, the novel starts with Chapter -5 followed by Chapter 1. Full Money-back Guarantee Your satisfaction is our priority. Don't like the story after purchasing it? Simply refund it from Google Play Book with a click (if purchase is made within seven days), or email us. No questions asked.
Singapore’s tough stance on human rights, however, does not negate the long and persistent existence of a human rights society that exists almost unknown to the world. The focus of this book is on independent activists and writers, documenting this tradition in Singapore society that has a legacy of defending universal values of individual human rights. It uncovers their discourses, main contentions, campaigns, survival strategies, prominent activists and their untold stories during Singapore’s first 50 years of independence.
Through close readings of contemporary made-in-Singapore films (by Jack Neo, Eric Khoo, and Royston Tan) and television programs (Singapore Idol, sitcoms, and dramas), this book explores the possibilities and limitations of resistance within an advanced capitalist-industrial society whose authoritarian government skillfully negotiates the risks and opportunities of balancing its on-going nation-building project and its a oeglobal citya aspirations. This book adopts a framework inspired by Antonio Gramsci that identifies ideological struggles in art and popular culture, but maintains the importance of Herbert Marcusea (TM)s one-dimensional society analysis as theoretical limits to recognize the power of authoritarian capitalism to subsume works of art and popular culture even as they attempt consciouslya "even at times successfullya "to negate and oppose dominant hegemonic formations.
Examines how pre-modernist conceptions and social organizations of pleasure have impacted post-WWII film