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Trevor J. Hawkeswood is a scientist who has experienced hundreds of paranormal events in his lifetime. In Light and Dark, he recounts some of these incredible interactions. He believes that reality occurs on two separate but interwoven planes of existence the Earth plane and the multiple levels of the spiritual planes, including the lower levels, from where the dark souls of humans who have died reach out to us. He has experienced more than one hundred sightings of the shadow people, or "black ghosts." He credits guardian angels with saving him from harm or certain death on a number of occasions. Hawkeswood also shares accounts of his numerous sightings of strange aerial phenomena he believes were caused by UFOs. He has personally experienced clairaudience voices from beyond and precognition, or the ability to see the future. His detailed account of a unique out-of-body experience (OOBE) challenges what is known about this remarkable ability. His OOBE was unlike anything that has ever been described by others who have experienced it and he shares it all in Light and Dark. But it hasn't all been safe or pleasant. At eighteen, he survived a terrifying encounter with a demon gargoyle who tried to steal his soul energy after paralysing him. A comprehensive handbook for the paranormal enthusiast, Hawkeswood's work also provides a glossary and reference list of English-language UFO books. In Light and Dark, he shares a lifetime of experiences, ideas, and theories about this fascinating field of study.
For years, serious researchers have known that triangular-shaped UFOs are one of the most common types observed. The phenomenon has sparked intense debate among many and excited the imagination of many others. But until now, there has never been a book-length treatment of this fascinating subject.Finally, we have one. David Marler has provided a comprehensive analysis of "the triangles." He has collected, collated, and analyzed hundreds of reports. In the process, he has created a detailed profile of these objects and written a rich narrative of their history.Marler is well-suited to the task, having at his disposal an enormous collection of newspaper archives, declassified military reports, UFO books and journals, and the transcripts of many first-hand interviews he has conducted. He has also received input from many prominent individuals from within the military, FAA, Aerospace, and UFO research field.He tackles the arguments made by skeptics that dismiss these triangular UFO reports outright. He also address the claims of so-called insiders who claim these objects are a creation of the U.S. military.The results of his years of research are documented in his book, Triangular UFOs: An Estimate of the Situation. It is a book that has long been needed, not only by the UFO research community, but the general public, as it opens up an entirely new discussion that has long been ignored: who is making the triangles?
In Japan, it is well-known that there are mysterious documents that may be related to modern UFO phenomena. It is certain that they were written about two hundred years ago, long before 1947 (when the first UFO sighting was recorded). These documents state the details of an incident that occurred on a Japanese beach in 1803 and the description provided resembles modern UFO close encounters of the third kind. In most of the documents, a disk-shaped ship called Utsuro-bune (UFO?), a strange woman speaking an unknown language (alien?) and strange characters (alien hieroglyphs?) are depicted. At present, a total of twelve documents detailing the same incident have been found which is an indicator of the validity of the incident, given the high number. If the UFO-like craft described in the documents based on actual observations of UFOs in Japan two hundred years ago is verified, the documents can be considered as strong evidence of the existence of UFOs.From the viewpoint of folklore, the incident has been considered as part of the legends of Utsuro-bune (hollow ship in English) for a long time; these legends have been passed down in Japan, and Utsuro-bune is a ship based on the human imagination. However, following the arrival of UFO fever from the USA in 1947, a mystery emerged around how the disk-shaped ship depicted in the documents resembles a UFO to such an extent. Can it be considered the long-waited hard evidence of the existence of UFOs? This intriguing story has been known as the Utsuro-bune UFO legend in Japan.The purpose of this book is to document an exhaustive study of this Utsuro-bune UFO legend from scientific, historical, and folkloric viewpoints. How did the Japanese author of the documents in the Edo Period, which was two hundred years ago, imagine UFO-like shapes when the visual characteristics of a modern UFO could not possibly have been known at that time? Were the pictures of the Utsuro-bune UFO drawn based on an actual UFO sighting dating back to the Edo Period?This book will be the first, the only, and the most complete documentation of this mystery; it is available in English and employs principles of both science and reason. The reader will be fascinated by the bizarre circumstances of this mystery which can be summarized by the following question: "Why are ships similar to UFOs depicted in the ancient literature of the Edo Period, which took place two hundred years ago, in Japan?
A cultural study of an array of popular North American science fiction film and television texts, Excavating the Future explores the popular archaeological imagination and the political uses to which it is being employed by the U.S. state and its adversaries.
Jean Baudrillard meets Cookie Mueller in this gathering of French theory and new American fiction. Compiled in 2001 to commemorate the passing of an era, Hatred of Capitalism brings together highlights of Semiotext(e)'s most beloved and prescient works. Semiotext(e)'s three-decade history mirrors the history of American thought. Founded by French theorist and critic Sylvere Lotringer as a scholarly journal in 1974, Semiotext(e) quickly took on the mission of melding French theory with the American art world and punk underground. Its Foreign Agents, Native Agents, Active Agents and Double Agents imprints have brought together thinkers and writers as diverse as Gilles Deleuze, Assata Shakur, Bob Flanagan, Paul Virillio, Kate Millet, Jean Baudrillard, Michelle Tea, William S. Burroughs, Eileen Myles, Ulrike Meinhof, and Fanny Howe. In Hatred of Capitalism, editors Kraus and Lotringer bring these people together in the same volume for the first time.
An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe. Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread—to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard—the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.
The fast-paced novel from the internationally bestselling author of The Best Laid Plans, Morning, Noon & Night and Bloodline.