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First Published in 2010. Routledge is an imprint of Taylor & Francis, an informa company.
America is in the midst of a bloody civil war. Donald Trump has won re-election in what the majority of Americans are considering a scandal. Political, religious, gender, and racial animosities are inflamed. Full scaled rioting, that has claimed the lives of thousands, rages across the land. In New California, America's recently constituted 51st state, rookie reporter Frank Lee falls in love with Yvonne, the young leader of a militant leftist group. He discovers that she may have ties to the corrupt Francis Kintuket, warden of New California's Prachard Colony. Frank Lee has been tasked with interviewing Warden Kintuket, who has organized and will supervise a series of state sponsored capital punishment verdicts, all of them one after the other. But there is a twist that Frank encounters, and his survival and the fate of the nation depends on his navigating his way through the calamity of Warden Kintuket's warped mind.
Howard and Ivy return for a third adventure! This time, the drama’s backstage when someone sets out to sabotage the school play . . . and frame Howard. “I wasn’t taking the fall for this. You couldn’t force a guy into a job and then blame him when it all went sideways.” Spring (musical) fever has hit the Grantleyville Middle School Drama Club! Since Ivy Mason is busy with the production, she decides to take a break from sleuthing, while Howard Wallace keeps things running smoothly with their detective agency. Then, just a few weeks before showtime, suspicious things start happening backstage: missing costumes, damaged props, and too many other mishaps to be coincidental. Ivy calls in Howard and their crew to take on the case. Howard tries to lay low and quietly sniff out the perp, but he’s soon brought into the spotlight when he’s framed as the saboteur! Can the team of intrepid P.I.s clear Howard’s name and catch the culprit before the curtain falls on the big show?
Actors, Singers, Musicians, Dancers: is it time for a change in your performing career? Exit Stage Right is your transition secret weapon: packed with principles vital to creating a successful career in any industry, learn how to move forward as a performer or transition gracefully to an entirely new role. Through insightful advice, concrete tools, and inspiring true stories, get the guidance you need to Exit Stage Right. Find out how to: Create the perfect career for your experience, personality, and talent Position yourself as a strong candidate in a new industry Break through obstacles that keep performers stuck Develop a fulfilling support career that complements your craft Avoid common resume, intro letter, and networking mistakes Build your connections to expand your professional network
2019 GLAAD Media Award Winner for Outstanding Comic Book Drama! Comedy! Tragedy! For the renowned Southern playwright called Snagglepuss, these are the ingredients that have made him a star of the New York stage and the glittering world that surrounds it. But the year is 1953, and behind the bright lights, darkness is brewing. Snagglepuss is gay... and his enemies are out to destroy him for it. As Snagglepuss prepares for his next hit play, there's already a target on his back. The Red Scare is in full effect, and the House Un-American Activities Committee is hunting down every last subversive in show business. So far, Snagglepuss has stayed out of their spotlight. One by one, his best friends are being blackballed, from legends like Lillian Hellman and Dorothy Parker to his fellow Southern gentleman Huckleberry Hound. Can Snagglepuss' reputation survive the rampage of the right wing long enough for him to stage his next masterpiece? One thing's for sure: the show must go on! Hot off his surprise-hit reimagining of The Flintstones, writer Mark Russell joins artist Mike Feehan to unleash the fire and fury of his sharp-witted political satire in Exit Stage Left: The Snagglepuss Chronicles--a powerful look at what it means to be an American, no matter who or what you are. Collects Exit Stage Left: The Snagglepuss Chronicles #1-6, plus a Snagglepuss story from Suicide Squad/Banana Splits Special #1.
From legendary playwright August Wilson comes the powerful, stunning dramatic bestseller that won him critical acclaim, including the Tony Award for Best Play and the Pulitzer Prize. Troy Maxson is a strong man, a hard man. He has had to be to survive. Troy Maxson has gone through life in an America where to be proud and black is to face pressures that could crush a man, body and soul. But the 1950s are yielding to the new spirit of liberation in the 1960s, a spirit that is changing the world Troy Maxson has learned to deal with the only way he can, a spirit that is making him a stranger, angry and afraid, in a world he never knew and to a wife and son he understands less and less. This is a modern classic, a book that deals with the impossibly difficult themes of race in America, set during the Civil Rights Movement of the 1950s and 60s. Now an Academy Award-winning film directed by and starring Denzel Washington, along with Academy Award and Golden Globe winner Viola Davis.
It’s 1953. While the United States is locked in a nuclear arms race with the Soviet Union, the gay Southern playwright known as Snagglepuss is the toast of Broadway. But success has made him a target. As he plans for his next hit play, Snagglepuss becomes the focus of the House Committee on Un-American Activities. And when powerful forces align to purge show business of its most subversive voices, no one is safe! Drama! Humor! Tragedy! It all starts in Exit Stage LEFT: The Snagglepuss Chronicles #1, a new miniseries from the writer who brought you the Flintstones.
An encyclopedic dictionary of technical and theoretical terms, the book covers all aspects of a semiotic approach to the theatre, with cross-referenced alphabetical entries ranging from absurd to word scenery.
Ah, the cast list. Oh, the drama. The casting would be simple if it weren't for constant script cuts, actor trade agreements, backstabbing, helicopter parents, hysterical prima donnas, and the Assistant Director could figure out how to incorporate the songs of Grease into Romeo & Juliet without getting sued. This is a show for any student who has ever been cast or miscast in a school play or any teacher who has ever attempted to post a list without serious backlash. Comedy One-act. 30-35 minutes 10-30 actors, gender flexible