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In the latest novel in the #1 New York Times bestselling series, homicide detective Eve Dallas sifts through the wreckage of the past to find a killer. The body was left in a dumpster like so much trash, the victim a woman of no fixed address, known for offering paper flowers in return for spare change—and for keeping the cops informed of any infractions she witnessed on the street. But the notebook where she scribbled her intel on litterers and other such offenders is nowhere to be found. Then Eve is summoned away to a nearby building site to view more remains—in this case decades old, adorned with gold jewelry and fine clothing—unearthed by recent construction work. She isn’t happy when she realizes that the scene of the crime belongs to her husband, Roarke—not that it should surprise her, since the Irish billionaire owns a good chunk of New York. Now Eve must enter a complex world of real estate development, family history, shady deals, and shocking secrets to find justice for two women whose lives were thrown away...
Echoes in Death, the chilling new suspense novel from #1 New York Times bestselling author J.D. Robb is the perfect entry point into the compelling In Death police procedural series featuring Lieutenant Eve Dallas. As NY Lt. Eve Dallas and her billionaire husband Roarke are driving home, a young woman—dazed, naked, and bloody—suddenly stumbles out in front of their car. Roarke slams on the brakes and Eve springs into action. Daphne Strazza is rushed to the ER, but it’s too late for her husband Dr. Anthony Strazza. A brilliant orthopedic surgeon, he now lies dead amid the wreckage of his obsessively organized town house, his three safes opened and emptied. Daphne would be a valuable witness, but in her terror and shock the only description of the perp she can offer is repeatedly calling him “the devil”... While it emerges that Dr. Strazza was cold, controlling, and widely disliked, this is one case where the evidence doesn’t point to the spouse. So Eve and her team must get started on the legwork, interviewing everyone from dinner-party guests to professional colleagues to caterers, in a desperate race to answer some crucial questions: What does the devil look like? And where will he show up next?
Excerpt from St. Martin's Eve: A Novel The dull sombre light of a November afternoon was rapidly giving place to twilight. The day had been wet and cold; and the sodden leaves that strewed the park of one of England's fair domains did not contribute to the cheerfulness of the scene. The mansion belonging to it stood on a gentle eminence, well open to view, and looking boldly down on its lands: a long but not high house of red brick, with many windows; a cheerful house, rising behind a wide and gently sloping lawn, which on this ungenial day gave out as wretched an apppearance as did all else of outward nature. But if the weather was rendering the demesne desolate, it seemed not to affect the house itself. Lights were gleaming from many of its numerous windows, were passing from room to room, from passage to passage; and fires added their red glow to the general brightness. A spectator might have said that some unusual excitement or gaiety was going on there. Excitement in that house there indeed was, but of gaiety none; for grim Death was about to pay it a visit: not to call any waiting for him in weary old age, but to snatch away the young and lovely. Had you entered the hall, so bright with light, what would have struck you most was the hushed, unusual silence. Nearly all the servants of the establishment were gathered there; but so still were they, so motionless in their repose, that it had something unnatural about it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.