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The selection of writing in this anthology brings alive the excitement, wit, and exuberance of the Restoration and eighteenth century.
Reading Material in Early Modern England rediscovers the practices and representations of sixteenth- and seventeenth-century English readers. By telling their stories and insisting upon their variety, Brayman Hackel displaces both the singular 'ideal' reader of literacy theory and the elite male reader of literacy history.
English literature is the mother lode to English-language speakers and deservedly so. The English have a rich history of writing with lights so bright they bedazzle the student: Shakespeare, Byron, Keats, Bronte, Shelly, Dickens, Chaucer and on and on. Yet English literature also competed with French, Russian, Chinese and many other literatures on the world stage. How has the language effected the literature? Does the English speaker feel drawn to Shakespeare the same as a Russian does to Pushkin? Did England fully share in the literary movements of the day? Can a small country possess the literary firepower to keep up with the giants? Does it matter? This new book presents an overview of the entire field of English literature as well as a selective bibliography indexed by subject, author and title for easy access.
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This remarkable anthology assembles for the first time 144 primary texts and documents written by women between 1550 and 1700 and reveals an unprecedented view of the intellectual and literary lives of women in early modern England
The first study of English historical plays about the Turks, using works in Greek, Arabic, and Turkish. Drawing on Bakhtin's concept of the dialogic, McJannet shows that instead of adverse authorial commentary playwrights such as Marlowe and Fulke Greville use dialogue and commentary to enhance the sultan's stature and mitigate his negative acts.
This is the first book-length study of early modern English approaches to Medea, the classical witch and infanticide who exercised a powerful sway over literary and cultural imagination in the period 1558-1688. It encompasses poetry, prose and drama, and translation, tragedy, comedy and political writing.
Available for the first time in English, these thirteen selections from André Thevet’s Les vrais pourtraits et vies des hommes illustres offer a glimpse of France during a time of great upheaval. Originally published in 1584, Thevet’s collection contains over two hundred biographical sketches, detailing the lives of important persons from antiquity to the sixteenth century. Edward Benson and Roger Schlesinger have translated and annotated Thevet’s portraits of his contemporaries, and divided them into three categories: monarchs, aristocrats, and scholars. Additionally, an extensive introduction places the work in context and describes the critical attention that Thevet and his writings have received. Together these portraits provide a history of sixteenth-century France as the country underwent tremendous change: from an intellectual renaissance and its first encounter with the New World to the Protestant Reformation and the Wars of Religion that followed. France was irrevocably altered by these events and Thevet’s account of the lives of individuals who struggled with them is indispensable.