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This book chronicles the evolution of architecture in the St. Louis area between 1948 and 1973, with insightful essays by established architectural scholars on the significant aspects of modern architecture in St. Louis and of the Washington University School of Architecture in the flowering of mid-century American modernism. Archival photographs and drawings illustrate the authors' historical analyses, and statements about the school written by distinguished alumni and faculty, including Fumihiko Maki, a former faculty member, illuminate a rich pocket of little-known American creativity.
Once a thriving metropolis on the banks of the Mississippi, St. Louis, Missouri, is now a ghostly landscape of vacant houses, boarded-up storefronts, and abandoned factories. The Gateway City is, by any measure, one of the most depopulated, deindustrialized, and deeply segregated examples of American urban decay. "Not a typical city," as one observer noted in the late 1970s, "but, like a Eugene O'Neill play, it shows a general condition in a stark and dramatic form." Mapping Decline examines the causes and consequences of St. Louis's urban crisis. It traces the complicity of private real estate restrictions, local planning and zoning, and federal housing policies in the "white flight" of people and wealth from the central city. And it traces the inadequacy—and often sheer folly—of a generation of urban renewal, in which even programs and resources aimed at eradicating blight in the city ended up encouraging flight to the suburbs. The urban crisis, as this study of St. Louis makes clear, is not just a consequence of economic and demographic change; it is also the most profound political failure of our recent history. Mapping Decline is the first history of a modern American city to combine extensive local archival research with the latest geographic information system (GIS) digital mapping techniques. More than 75 full-color maps—rendered from census data, archival sources, case law, and local planning and property records—illustrate, in often stark and dramatic ways, the still-unfolding political history of our neglected cities.
In the Civil War, rough-and-tumble St. Louis played a key role as a strategic staging ground for the Union army. A citadel of free labor in a slave state, it also harbored deeply divided loyalties that mirrored those of its troubled nation. Until now, however, the fascinating story of wartime St. Louis has remained largely unchronicled. By the mid-nineteenth century, St. Louis had become the nation's greatest inland city, providing a "gateway to the West," a riverine crossroads for national commerce, and an ideal base for expansion-minded industrialists from the abolitionist Northeast. Yet as Louis Gerteis reveals, many of its citizens were staunchly dedicated to both slavery and the southern agrarian tradition. For them especially, federal martial law was an outrage, one that only served to nail the coffin shut on their loyalty to the Union. Gerteis's rich and engaging narrative encompasses a wide range of episodes and events involving the lynching of freeman Francis McIntosh and murder of publisher Elijah Lovejoy, the infamous Dred Scott saga (which began in St. Louis), city politics and martial law, battles in and around the city (at Camp Jackson, Wilson's Creek, and Pea Ridge), major river campaigns, manufacture of ironclad combat ships, prison camps and hospitals, and efforts to secure civil rights for blacks while denying the same to former Confederates who would not swear loyalty to the Union. Featuring famous figures like Thomas Hart Benton, John C. Fremont, Claiborne Jackson, Ulysses S. Grant, and Sterling Price, Gerteis's study also sheds considerable light on the participation of women and the status of blacks throughout the conflict, offering gripping images of black and white Missourians contending with the issue of emancipation. Ultimately, Gerteis offers a compelling portrait of a war-torn city-teeming with wounded soldiers, displaced civilians, runaway slaves, federal prisoners, and profiteers-that was forever changed by its wartime experiences, even as it anchored Union victory in the west.
St. Louis is one of the most architecturally impressive cities in the United States, with a heritage of innovative design stretching back to the early 1800s. This is reflected in the architecture of the downtown area and surrounding neighborhoods. More than just about any city in America, St. Louis embraced the imposing forms and lush ornamentation of the Beaux Arts tradition. Indeed, one can make the argument that only Washington, D.C. in the United States has a more impressive collection of classically inspired structures. American City: St. Louis Architecture is the first large-format book on the city's architecture since the 1920s, and includes over 100 new color photographs and text for 50 of the city's most important structures. These range from such 19th Century masterpieces as Louis Sullivan's Wainwright Building, Alfred Mullet's Old Post Office and Theodore Link's Union Station, to Eero Saarinen's Gateway Arch, Tadao Andao's Pulitzer Foundation for the Arts Building and Maya Lin's recently completed Ellen Clark Hope Plaza.
"St. Louis Modern was published in conjunction with an exhibition presented at the Saint Louis Art Museum from November 8, 2015, to January 31, 2016."
A searing portrait of the racial dynamics that lie inescapably at the heart of our nation, told through the turbulent history of the city of St. Louis. From Lewis and Clark's 1804 expedition to the 2014 uprising in Ferguson, American history has been made in St. Louis. And as Walter Johnson shows in this searing book, the city exemplifies how imperialism, racism, and capitalism have persistently entwined to corrupt the nation's past. St. Louis was a staging post for Indian removal and imperial expansion, and its wealth grew on the backs of its poor black residents, from slavery through redlining and urban renewal. But it was once also America's most radical city, home to anti-capitalist immigrants, the Civil War's first general emancipation, and the nation's first general strike—a legacy of resistance that endures. A blistering history of a city's rise and decline, The Broken Heart of America will forever change how we think about the United States.
In 'Meet Me in St Louis', one of the most popular MGM musicals, Judy Garland stars as the classic American teenager. For this book, Gerald Kaufman interviewed many of the stars. This text captures the essence of Miss Garland's performance and the machinations of the legendary MGM studios.