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Reproduction of the original: St. Leon by William Godwin
St. Leon is the story of a French aristocrat, Count Reginald de St. Leon, who loses his fortune gambling and experiences guilt that almost drives him crazy. Count Reginald narrates his life story, starting with his father's death when he was an infant. He was brought up by his mother, a woman full of the prejudices of aristocracy and magnificence. Reginald had great regard for aristocratic honor. After being inspired by his uncle, the Marquis de Villeroy, he joined the Italian war of 1521–1526, hoping to gain military fame in the battle of Pavia. When he returned home from service, he found out that his mother was dead, and the twenty-year-old was forced to take control of his own affairs. The novel explores the themes of immortality, love and friendship, integrity, and religion. Godwin combines elements of domestic, philosophical, and fantasy novels into a historical fiction of extensive range. There are exciting gothic elements in the story.
Were it not for officials at Xavier University, this book would never have been written. As part of the Master's Degree, a student had to do a research project. I chose to write the History of St. Leon as my research project. Gene McCann, who was the editor of the Lawrenceburg Register at that time, told me he would pay me for the rights to publish it when it was finished. I agreed and Gene and I took many pictures of structures in St. Leon that were still standing at that time. Many of those pictures are included in this revised version of the History of St. Leon.
Daniel Ponce de Leon's hard-fought journey to Major League Baseball and recovery from a near-death injury, followed by his astonishing big league debut, will inspire readers to trust God in all circumstances. ​ ​The path you take to achieving your dreams is not always easy. Daniel Ponce de Leon, an acclaimed pitcher for the St. Louis Cardinals, overcame many challenges to get to the Major Leagues. Drafted four times, he spent a long four years climbing his way up through the minors before finally reaching AAA, only one step away from the Major Leagues. Then, Daniel's dream was almost shattered when he was struck in the head by a line drive. Spending weeks in the hospital and months recovering from a large epidural hematoma, skull fracture, brain swelling, and hemorrhaging, Daniel held on to his belief that he would one day realize his dream. Fourteen months later, and fully recovered, he made his first Major League start, becoming the fifth pitcher in modern Major League history to throw seven innings of no-hit ball in his first outing. MLB.com referred to it as one of the greatest debuts in Major League Baseball history. In One Line Drive, Daniel retells his remarkable journey, sharing how he never would have made it without his faith in God and the support of family and friends. Full of grit, determination, and faith, Daniel's story is an inspiring reminder to keep pressing on regardless of any setback or disappointment.
This compelling novel tells the story of St. Leon, a man with extraordinary powers and abilities. It is a tale of betrayal, love, and redemption, and provides a fascinating look at life in the sixteenth century. A must-read for lovers of historical fiction and tales of extraordinary individuals. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This bracing study redefines romanticism in terms of its philosophical habits of self-consciousness. According to Paul Hamilton, metaromanticism, or the ways in which writers of the romantic period generalized their own practices, was fundamentally characteristic of the romantic project itself. Through a close look at the aesthetics of Friedrich Schiller and Jean-Jacques Rousseau, and key works by Samuel Taylor Coleridge, Percy and Mary Shelley, John Keats, Sir Walter Scott, Jane Austen, and many others, Hamilton shows how the romantic movement's struggle with its own tenets was not an effort to seek an alternative way of thought, but instead a way of becoming what it already was. And yet, as he reveals, the romanticists were still not content with their own self-consciousness. Pushed to the limit, such contemplation either manifested itself as self-disgust or found aesthetic ideas regenerated in discourses outside of aesthetics altogether.