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On Rāma (Hindu deity); translated from the Sanskrit.
On Siva (Hindu deity).
Retells the Ramayana, the ancient Indian tale of love, duty, and sacrifice, for a modern audience • Draws on the original Sanskrit poem of Valmiki, enhanced with tales from the oral tradition, to recount Rama’s complete life • Details how Lord Rama rose above his human weaknesses, put his spiritual duty above all personal considerations, and perfected himself to become a super human capable of saving those he loved most • Reveals the deepest spiritual lesson of the Ramayama: that however weak we may be, each of us is capable of amazing feats through devotion, loyalty, perseverance, and love Drawing on the original Sanskrit words of the great poet Valmiki, enhanced with tales from the oral tradition, Vanamali retells the complete Ramayana, the ancient Indian tale of love, duty, and sacrifice, for a modern audience. Detailing the life and dharma of the seventh incarnation of Vishnu, Lord Ramachandra, she explains how Rama became divine through strict adherence to dharma, the law of cosmic righteousness. Considered one of the greatest love stories of all time, the Ramayana most famously recounts Rama’s heroic journey, with the help of his loyal friend the monkey god Hanuman and his devoted brother Lakshmana, to rescue his beloved wife Sita from the demon king Ravana. Rama’s battle with the forces of evil provides powerful examples of heroic strength and loyalty, the dangers of spiritual delusion and false attachment, and the power of love, both human and divine. Capturing the mystical spirit and transcendental wisdom of this immortal story, Vanamali explains how the character of Rama has captivated devotees through the millennia because his story depicts eternal truths that appeal to the best in human nature. She reveals how even though Rama is an avatar of Vishnu, he still possesses many human weaknesses, such as attachments, desires, and anger. His greatness lies in the fact that he rose above these traits, put his spiritual duty above all personal considerations, and perfected himself to become a super human capable of saving those he loved most. Rama’s life shows that however weak we may be, each of us is capable of amazing feats through devotion, loyalty, perseverance, and love.
Within a book, wisdom enshrined, Ramayana's tales unwind. Each poet's verse, a vibrant hue, Reflects Rama's journey, brave and true.
SHRI RAMACHARITAMANASA of Tulasidasa is the single most popular book of the Hindus, which, for over four centuries, has greatly appealed equally to the rich and the poor, the educated and the illiterate, the old and the young, and the scholar and the common man. Keeping in mind people`s ever-increasing quest for the epic, this unique edition of the Ramacharitamanasa with verse to verse Hindi and English translation along with Tulasidasa`s original text has been prepared. The translation rendered by an accomplished scholar maintains the intrinsic richness of the original. Special care has been taken for making it useful to the Indian brethren living abroad to whom the dialect of Tulasidasa`s original may be somewhat incomprehensible. There has been a long-standing demand from the vast Indian community settled abroad for a standard and authentic edition of the Ramacharitamanasa. The present edition has been designed to meet their requirement by using the most modern printing and processing techniques to make it a work of international standard. A speical feature of this edition is the inclusion of Lavakushakanda, Shri Hanumanchalisa and Shri Ramashalaka Prashnavali. The mode of its recitation is given as a separate appendix. Adding to its uniqueness is the inclusion of important section containing Indian, European and American scholars` criticisms on Tulasidasa`s Ramacharitamanasa. A glossary of important proper nouns and epithets is given at the end.
The Work First Published In 1925 In The Series Der Indische Kulturkreis In Einzeldarstellungen Has Been Considered A Classic, But Has Not Been Alas Easily Accessible To The English Reading Public. Also For Long, The Work Has Been Out Of Print. With The Publication Of The English Translation Many New Vistas Of Exploration Will Immediately Open Up. It Is Remarkable That Despite The Paucity Of Published Material, The Comparative Absence Of Structural Linguistic Models For The Study Of Languages And Theoretical Paradigms, The Late Professor Stutterheim Employs The Tools Of Structural Linguistic Analysis, Comparative Literature, And Historical Reconstruction. This Is A Far More Challenging Task Than Descriptive Archaeology And Stylistic Analysis. Fundamental To This Is His Ability To Correlate And Revaluate The Relationship Between The Written Texts And Oral Transmission. While All This Is Very Familiar To Contemporary Scholarship, A Reading Of This Monograph Convinces One That Professor Stutterheim Anticipated Modern Scholarship By Many Decades. His Concern Was Not Restricted To The Archaeological Features Of This Group Of Temples But Went Much Further Into Interpretation And Identification Of The Historical Processes Of Acculturization, Diffusion And Autochthonous Tendencies. Along With The Late Professor D.C. Sen, He May Be Considered The First Scholar To Draw Attention To The Role Of The Oral Enunciation Of The Rama Legends In Different Parts Of Asia. In This Monograph He Forcefully Argues That Valmiki S Ramayana Was Not The Basis Of The Indonesian Versions And Disagrees With The Hypothesis That Kamban Provided A Model Or Even That Hanuman-Nataka Was The Original Source. He Comes To The Interesting Conclusion That Perhaps Gujarat Was The Source. Much Has Been Written On The Subject During The Past Few Decades, However, Professor Stutterheim S Argument Remains Fresh. Perhaps Scholars Will Want To Re-Explore The Sources Of The Gujarati Version Of The Ramayana As Also The Panji Stories Of Java. The Monograph Will Also Stimulate Discussion Of A Most Contemporary Concern, I.E., The Relationship Of The Text And The Image: The Adherence, The Interpretations And The Deviations. Of Late, Many Art Historians Have Been Concerned In Their Respective Ways To Analyse The Interface Of Text And Image. The Monograph Is Of Immediate Contemporary Relevance As Theoretical Model For Modern Scholarship.