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300 divine names of the celestial mother - with meanings and commentaries Shree Lalita Sahasranama and Shree Lalita Trishatee are considered to be very secret. In fact any Shreevidya worship should be kept secret and more so in these two hymns. Even a devotee like of Sage Agastya had to struggle to get initiated in these two hymns by Lord Hayagreeva. There are not many books available on Lalita Trishatee. Even the available books just give the hymns or 300 names. Very few books give one line meaning of the names. But this book completely gives Shree Adi Sankara's Bhashyam (commentary in Samskrit) on Lalita Trishatee into English. In the introduction part it gives some vital and rare information about Lalita Trishatee. Wherever possible, comparisons with Shree Lalita Sahasranama and other texts like Shreemad Bhagavad Geeta, etc., are also provided. Shree Bhaskararaya, who wrote commentary for Shree Lalita Sahasranama has clearly indicated "One who chants any mantras without understanding the meaning is like a donkey carrying a load of sandal-wood, not being able to feel its aroma but only its weight." Hence this books aims at clarifying the meanings in simple English. Hope the readers get benefited. Let Sreedevee shower her choicest blessings on the readers.
Shree Lalitaa Sahasranaama and Shree Lalitaa Trishatee are considered to be very secret. In fact any Shreevidyaa worship should be kept secret and more so in these two hymns. Even a devotee like of Sage Agastya had to struggle to get initiated in these two hymns by Lord Hayagreeva. There are not many books available on Lalitaa Trishatee. Even the available books just give the hymns or 300 names. Very few books give one line meaning of the names. But this book completely gives Shree Adi Sankara's bhaashyam (commentary in Samskrit) on Lalitaa Trishatee into English. In the introduction part it gives some vital and rare information about Lalitaa Trishatee. Wherever possible, comparisons with Shree Lalitaa Sahasranaama and other texts like Shreemad Bhagavad Geeta, etc., are also provided. Shree Bhaaskararaaya, who wrote commentary for Shree Lalitaa Sahasranaama has clearly indicated "One who chants any mantras without understanding the meaning is like a donkey carrying a load of sandal-wood, not being able to feel its aroma but only its weight." Hence this books aims at clarifying the meanings in simple English. Hope the readers get benefited. Let Sreedevee shower her choicest blessings on the readers.
Hymns to Lalitā, form of Tripurasundarī, Hindu deity.
The Three Hundred Names Of The Divine Mother. Sri Lalita Trisati Stotra Is A Part Of The Brahmanda Purana. It Is A Hymn In Praise Of The Female Aspect Of The Divine. Sri Lalita Trisati Is A Highly Revered Sanskrit Stotra, Which Contains The 300 Divine Names Of Goddess Lalita, Or The Divine Mother. Similar To The Sri Lalita Sahasranamam, It Is A Conversation Between Sage Agasthya And Lord Hayagriva, The Avatar Of Lord Vishnu With A Horse Head. Sri Lalita Trisati Stotra Is Considered To Be The Most Secret Of The Stotras. The Name Lalita Means, She Who Plays, And Lila, Play, Refers To The Creation And Sustaining Of The Universe. Creation, Manifestation And Dissolution Are All Considered A Play Of Devi. She Is The Transcendent Beauty Of The Three Worlds. Contents: Dhyanam, Meditation; The Lalita Trishati Stotram; Closing Prayers; Guru Stotram, Hymn To The Guru; Devi Bhujangam; Annapurna Stotram; Bhagavad Gita, Chapter 8. Published By The Disciples Of Mata Amritanandamayi Devi, Affectionately Known As Mother, Or Amma The Hugging Saint.
A beautifully realized synthesis of the ancient tradition of Advaita Vedanta and Tantra.
Classical hymn to Lalitā, form of Śakti (Hindu deity)
There are many books written in abstract language on the Tantra Upasana known as Sri Vidya. However, they contain highly technical words, mantras and rituals which are beyond the understanding of a layman who is alien to the concept of Hindu religion. Hence, more than enlightening the reader, they confuse him. In this aspect, this book is different in its diction. It tries to explain the abstruse subject of Sri Vidya in simplest possible terms, highlighting its most benign form of practices. Explaining the meanings of important mantras from the Upanishads, the connection between Sri Vidya and the Vedas has been established in this book. In addition, the four paths of Sri Vidya have been briefly touched upon, introducing the readers to the practical aspects of these four esoteric paths. Dispelling the fear of Tantra and the worship of God in his feminine aspect, the entire subject of Sri Vidya has been explained in this book. If the reader develops interest in the sadhana of Sri Vidya after reading this work, we feel our efforts in writing this book are fulfilled.
Songs in Kannada, Sanskrit, Tamil, and Telugu; an alphabetical list with raga, tala, and name of the composer.
This book examines the complete Ganesh for the first time. Here is the God in his multiple forms from the different geographical areas in Asia. Particularly important are chapters that deal with his Buddhist and Tantric forms. The controversial question of his origins is also thoroughly discussed.
Play on Radha and Krishna, Hindu deities.