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"His work contributes to the ongoing interest in the history of women and in the history of resistance."--Jacket.
An examination of the cultural evolution of the Jamaican people after the explosive uprising at Morant Bay in 1865. For the first time, the specific methods used by British imperial legislators to inculcate order, control and identity in the local society are described and analysed. The authors compellingly and convincingly demontrate that Great Britain deliberately built a new society in Jamaica founded on principles of Victorian Christian morality and British Imperial ideology. This resulted in a sustained attack on everything that was perceived to be of African origin and the glorification of Christian piety, Victorian mores, and a Eurocentric idealized family life and social hierarchies. This well-written and meticulously researched book will be invaluable for students of the period and those interested in Jamaican history and/or imperial history
This is the first biography of the extraordinary, but ordinary life of, Patrick Nelson. His experiences touched on some of the most important and intriguing historical themes of the twentieth century. He was a black migrant to interwar Britain; an aristocrat's valet in rural Wales; a Black queer man in 1930s London; an artist's model; a law student, a recruit to the Auxiliary Military Pioneer Corps and Prisoner of War during the Second World War. Through his return to Jamaica after the war and his re-migrations to London in the late 1940s and the early 1960s, he was also witness to post-war Jamaican struggles and the independence movement as well as the development of London's post-war multi-ethnic migrations. Drawing on a range of archival materials including letters sent to individuals such as Bloomsbury group artist Duncan Grant (his former boyfriend and life-long friend), as well as paintings and newspaper articles, Gemma Romain explores the intersections of these diverse aspects of Nelson's life and demonstrates how such marginalized histories shed light on our understanding of broader historical themes such as Black LGBTQ history, Black British history in relation to the London artworld, the history of the Second World War, and histories of racism, colonialism and empire.
In this sequel to Kingston, Jamaica: Urban Development and Social Change, 1692 to 1962 (1975) Colin Clarke investigates the role of class, colour, race, and culture in the changing social stratification and spatial patterning of Kingston, Jamaica since independence in 1962. He also assesses the strains - created by the doubling of the population - on labour and housing markets, which are themselves important ingredients in urban social stratification. Special attention is also given to colour, class, and race segregation, to the formation of the Kingston ghetto, to the role of politics in the creation of zones of violence and drug trading in downtown Kingston, and to the contribution of the arts to the evolution of national culture. A special feature is the inclusion of multiple maps produced and compiled using GIS (geographical information systems). The book concludes with a comparison with the post-colonial urban problems of South Africa and Brazil, and an evalution of the de-colonization of Kingston.
An authoritative social, economic, political, and cultural history of Jamaica.
"Jamaica's rich history has been the subject of many books, articles and papers. This collection of eighteen original essays considers aspects of Jamaican history not covered in more general histories of the island, and illluminates more recent developments in Jamaican and West Indian history." "Unique in its interdisciplinary approach, the collection emphasizes the relevance of history to everyday life and the development of a national identity, culture and economy. The essays are organized in three sections: Historiography and Sources; Society, Culture and Heritage; and Economy, Labour and Politics, with contributions from scholars in the Departments of History, Literatures in English and Political Sciences and from the Main Library, University of the West Indies, Mona, Jamaica." -- Book Jacket.
Dead Woman Pickney chronicles Yvonne Shorter Brown’s life growing up in Jamaica between 1943 and 1965 and teaching in Canada from 1969. Told with stridency and humour, the stories include both personal experience and history. Taking up the haunting memories of childhood, along with persistent racial marginalization of Black people, both globally and in Canada, the author sets out to construct a narrative that at once explains her own origins in the former slave society of Jamaica and traces the outsider status of Africa and its peoples. The author’s quest to understand the absence of her mother and her mother’s people from her life is at the heart of the narrative. The author struggles through life to discover the identity of her mother in the face of silence from her father’s brutal family. In this updated edition she adds a coda, “finding mother”, constructed from archives, genealogy, letters, and journals. Initially published in 2010, this second edition includes expanded text and a foreword by Sonja Boon, author of What the Oceans Remember.
This innovative book traces the history of ideas and policymaking concerning population growth and infant and maternal welfare in Caribbean colonies wrestling with the aftermath of slavery. Focusing on Jamaica, Guyana, and Barbados from the nineteenth century through the 1930s, when violent labor protests swept the region, Juanita De Barros takes a comparative approach in analyzing the struggles among former slaves and masters attempting to determine the course of their societies after emancipation. Invested in the success of the "great experiment" of slave emancipation, colonial officials developed new social welfare and health policies. Concerns about the health and size of ex-slave populations were expressed throughout the colonial world during this period. In the Caribbean, an emergent black middle class, rapidly increasing immigration, and new attitudes toward medicine and society were crucial factors. While hemispheric and diasporic trends influenced the new policies, De Barros shows that local physicians, philanthropists, midwives, and the impoverished mothers who were the targets of this official concern helped shape and implement efforts to ensure the health and reproduction of Caribbean populations in the decades before independence.
Inside Tenement Time is the first comprehensive treatment of literary and cultural texts on surveillance in the Caribbean. Covering the long historical arc of the twentieth to the twenty-first centuries, Inside Tenement Time uses Jamaica as a case study to examine moments of crisis and particular spaces, especially urban yard enclaves and their environs, in the Caribbean encounter with surveillance. Making the argument that the Caribbean situation reveals flexible hegemonies rather than provinces of exclusive control, the book demonstrates the countervailing force of sussveillance and spiritveillance, Afro-Indigenous variations on surveillance. Sussveillance and spiritveillance are exemplars of vernacular arts and sciences that operate at and within the frangible borders of state power, exposing the unique dynamics of surveillance in the region and marshalling the acts of imagination with which it contends. For example, the Smile Jamaica concert of 1976, headlined by reggae Superstar Bob Marley, and the reputedly US government-backed 2010 Tivoli Gardens incursion in West Kingston, both moments that have dramatic, even mythic residue in Caribbean and global memory, are among the real-life events brought into conversation with literary representations of this history.